MareNostrum Ụlọ Obibi nke Aaron Leppanen and Gabriela Anker

Ihe emepụtara bụ MareNostrum Ụlọ Obibi nke Aaron Leppanen and Gabriela Anker bụ onye meriri a na-asọpụrụ nke ukwuu nke 2020 Ihe Nrite A' Design Award nke Ọlaọcha na Udi Asọmpi Nhazi Ụlọ Owu, Ụlọ na Ihe Owuwu.

ỌlaọchaỤlọ Owu· 2020

MareNostrum Ụlọ Obibi

nke Aaron Leppanen and Gabriela Anker

Onye Ahịa: Romero & Pazmiño Ingeniería Inmobilaria

Onye Meriri Ihe Nrite A' Design Award nke Ọlaọcha na Udi Ụlọ Owu

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #104748

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka MareNostrum Ụlọ Obibi

MareNostrum bụ ụlọ obibi nwere ọkwa asatọ dị na Quito, Ecuador. Aha ya na-ezo aka na okwu Latin nke pụtara oke osimiri anyị, ihu ụlọ ahụ na-akọwaghachi mmegharị nke ọ̀gọ̀ngọ̀ ụgbọ mmiri ndị Rom. Ihu ụlọ ahụ nke gbagọrọ agbagọ na-etolite nnukwu ebe ndabere na-agbatị oghere ime ụlọ ruo n'èzí. Nkuku ndị a wepụrụ na-agbasa ọkwa abụọ, na-enye ndò site na anwụ ma na-ekepụta ebe ndị agbata obi nwere ike izukọ. Ụlọ ahụ nwere ọnụ ụlọ, ụlọ obibi nwere ime ụlọ ihi ụra abụọ na atọ na loft, nwere ebe ezumike na mpaghara ndụ akwụkwọ ndụ na terrace. Ụzọ passive na-enye ìhè eke na ikuku ọma.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaọcha

MareNostrum Ụlọ Obibi meriri A' Design Award nke Ọlaọcha, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa kachasị elu, mara mma ma na-eju anya. Ndị meriri na Ọlaọcha bụ ọrụ na-egbu maramara nke ukwuu ma dị oke nzụlite nke na-egosi ọmarịcha ihe ọmụma, talent na nghọta nke ndị designer ha. A na-atụ anya na MareNostrum Ụlọ Obibi ga-abụ ọrụ dị ịtụnanya, ihe nlereanya, nke dị oke ọrụ ma dị omimi n'ihe ọhụrụ. Design a meriri A' Design Award nke Ọlaọcha bụ ihe e mepụtara dị oke ịrịba ama, nke a na-eto nke na-erite uru ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. MareNostrum Ụlọ Obibi bụ ihe e kere eke ọtụtụ ndị na-ekwo ekworo ya nke na-akpali ọchịchọ, na-eweta mmetụta ọma ma na-akpali ịtụnanya.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Throughout the 8 story residential building, the movement of the facade generates large balconies, which extends the interior space to the exterior. The form has passive sustainability strategies, such as ventilation and natural light. The volume of the building allows different types of apartments, suites, 2 bedrooms, 3 bedrooms and lofts. In addition, social spaces are created inside the building, such as a lounge and green areas on the terrace, to take advantage of the urban context.
Nha & Mkpuchi: The building has 8 stories and 3 underground levels in a 1250 square meters lot. The total construction area is 8,800 square meters. The building has a reinforced concrete structure with steel deck floor plates.
Mkpado: Sea , Waves , Urban , Facade , Residential
Teknụzụ Mmepụta: The facade and the lobby have the same language in their design. However the facade was constructed with conventional masonry blocks and mortar. The lobby in contrast was built with a combination of digital fabrication and artisan work. The unique lobby forms were made with a cnc cut mdf structure and colorado wood panels cut by hand. The use of complementary digital and artisan construction techniques was key to attain such unconventional forms in a setting like Ecuador.
Ịma Aka Imepụta: The historical connection that the site of the project had with the sea inspired the form. The local construction technology however gave limitations on how this form would be attained. After evaluating different materials , the conventional masonry blocks and cement materials were used in a sculpted work with the local artisans to build the wave inspired facade. The combination of these curved walls and wooden accents below the cantilevered floor plate extensions created the desired volume.
Nchọpụta: Our office research primarily focuses on form finding through organic efficiencies. Specifically varied repetition is of interest, looking for models of difference through a similar design process. The objective behind this research is to identify potential insights and techniques that can be implemented in our iterative design process. Methods include digital sketching in rhino and grasshopper and physical printed models. In the iterative process, experimentation is the most important aspect in the search for potential architectural solutions. These experiments are tested against the various project parameters, which could include; zoning, context, client preferences, marketing strategies, constructability and other conceptual criteria. The result of this process is constructible yet experimental design that has movement, emotion, repetition and a physical presence in our community.
Mkpali: The site of the project was named Mare Nostrum after an existing restaurant, whose latin meaning is our sea. The ancient Romans baptized what is now the Mediterranean Sea with this name. Inspired in this context, the movement that the oars of the fleets of the Roman Empire used centuries ago to protect their territories is reinterpreted on its facade. Reinforcing this concept an experience of movement is created for the users inside and outside the spaces.
Oge Ọrụ: The project started in 2016 and was completed in 2019 in Quito, Ecuador.
Usoro Ọrụ: The characteristic cutout corners, spanning over two levels, give the building a softer attitude. They also create spaces and opportunities for neighbors to interact with each other, between the balconies of differing depth.
The cutout corners also provide shade protecting from the hot Andean sun.
Ndị Otu: Aaron Leppanen
Gabriela Anker
Sofía Chávez
Caroline Dieden
José Silva
Gabriela Valdéz Mena
Asụsụ Foto: BICUBIK