The Armor Ọkpọ Ọrụ: Ejiji Egwuregwu nke Samantha Chijona Garcia and Vladimir Cuenca

Ihe emepụtara bụ The Armor Ọkpọ Ọrụ: Ejiji Egwuregwu nke Samantha Chijona Garcia and Vladimir Cuenca bụ onye meriri a na-asọpụrụ nke ukwuu nke 2020 Ihe Nrite A' Design Award nke Ọlaọcha na Udi Asọmpi Nhazi Nkà Egwu, Ụlọ Egwu, Ụdị na Ihe Nlere Anya.

ỌlaọchaNkà Egwu· 2020

The Armor Ọkpọ Ọrụ: Ejiji Egwuregwu

nke Samantha Chijona Garcia and Vladimir Cuenca

Onye Ahịa: Jazz Martinez Gamboa

Onye Meriri Ihe Nrite A' Design Award nke Ọlaọcha na Udi Nkà Egwu

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #102743

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka The Armor Ọkpọ Ọrụ: Ejiji Egwuregwu

Ihe Odide: Armor bụ ejiji egwuregwu emere maka onye a na-akpọ Richard III na ngosipụta egwuregwu nke egwuregwu Shakespeare. E ji ihe emegharịrị emegharị na nke a na-adịghịzị eji eme ihe mee ejiji ahụ. A na-adụ ahịrị ígwè n'elu jaket twill, ebe ihe mkpuchi ụkwụ nke akpụkpọ anụ na-emekọrịta onwe ha na-eme ihe owuwu dị iche jikọtara site na eriri akpụkpọ anụ na buckles. Uwe aka chainmail na-emechi aka uwe ahụ, ebe okpu velvet nke e ji mpempe ígwè mee eriri na-eme ka ọ bụrụ okpu igwe. Enwere ike ịgbakwụnye ma ọ bụ wepụ akụkụ isii ahụ ka onye ahụ na-agbanwe n'oge egwuregwu ahụ. Nhazi a na-egosipụta ma eze ahụ ma nwoke na-adịghị ike dị n'ime ya.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaọcha

The Armor Ọkpọ Ọrụ: Ejiji Egwuregwu meriri A' Design Award nke Ọlaọcha, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa kachasị elu, mara mma ma na-eju anya. Ndị meriri na Ọlaọcha bụ ọrụ na-egbu maramara nke ukwuu ma dị oke nzụlite nke na-egosi ọmarịcha ihe ọmụma, talent na nghọta nke ndị designer ha. A na-atụ anya na The Armor Ọkpọ Ọrụ: Ejiji Egwuregwu ga-abụ ọrụ dị ịtụnanya, ihe nlereanya, nke dị oke ọrụ ma dị omimi n'ihe ọhụrụ. Design a meriri A' Design Award nke Ọlaọcha bụ ihe e mepụtara dị oke ịrịba ama, nke a na-eto nke na-erite uru ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. The Armor Ọkpọ Ọrụ: Ejiji Egwuregwu bụ ihe e kere eke ọtụtụ ndị na-ekwo ekworo ya nke na-akpali ọchịchọ, na-eweta mmetụta ọma ma na-akpali ịtụnanya.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: This armor, made with fully recycled materials, mixes metallic corset nerves referring to the classic western armor, topped by a butcher's chainmail glove that evokes the bloodthirsty of the character with leather leggings overlapping layers denoting the various faces assumed by the character during the plot. From a modernist vision in terms of fabric, overlapping and weaving of pieces the structure refers to the vulnerability of the King and the man who lives at the same time in Richard III.
Nha & Mkpuchi: Armor- 45cmx30cmx55cm
Helmet- diameter:57cm High: 23cm
Mkpado: Costume design, Shakespeare, Richard III, Armor, theater, cuban designer, Samantha Chijona Design, schijonag.
Teknụzụ Mmepụta: The armor is compound by 6 pieces. 1: The metal structure, it is metal lines sewn on a twill weave jerkin jacket, 2: the leather armor, leather gaiters overlapping forms an independent structure that joins the rest of the set with leather straps closed by buckles, 3: The metal glove, a chainmail glove closes the cuff to give the sleeve a shot, 4: The helmet,
a velvet hat lined with metal strips works as an armor helmet 5: The pants, a black twill pants and finally 6: Black leather boots to the knees.
Ịma Aka Imepụta: The development of the piece became a challenge, I wanted to do something great for the character but working in Cuba is always difficult due to the lack of resources, so while researching, I also located materials. Looking in an antique warehouse I found these old pieces of unused corsets bones and leather leggings and decided to use them. With only one month to prepare the entire theater play with more than 16 characters we were detained in this armor for a week, assembling, testing and sewing piece by piece in search of achieving an attractive but useful result.
Nchọpụta: My research flew over two essential aspects, the historical and the technical. After having studied for years Western and Japanese armors, the challenge of creating one was wonderful. I had to solve how I should use the historical engineering structures in those garments with the modern materials I had in hand. I read and compiled images and information, of the western armor, I appropriated the metal and the order of the parts while from the Japanese I took overlays of leather pieces sewn with cord. The result was a very visual and modern armor that keeps its basic function, protection.
Mkpali: Having studied for years structures that we use when dressing and that have protected and distancing ourselves from the real world I choose one of my favorite, the armor. I took advantage of the study of Western and Japanese war pieces and modernized it with the use of materials and disused pieces. The text of Shakespeare's play emphasizes the two faces and the physical problem of the character I used it as inspiration to separate and show the two parts of Richard III.
Oge Ọrụ: The project started in June 2018 in Havana, Cuba and ended in September 2018 in Havana, Cuba.
Usoro Ọrụ: The piece is compound by 6 small parts, the main three, armor jacket, pant and boots are easy to put, also it has another leather structure which should be placed with buckles while the hat and the glove are closed by an elastic piece. the interaction between the actor and the piece is determined for the modular form of the main piece, the person can take off the leather part, the helmet, the glove and keep only the base jacket, pants and boots, in the same way he can add more pieces throught the evolution of the character inside the theater play.
Patentị: Copyrights belong to Chijona, Samantha, 2018
Ndị Otu: Designer and Creative Director: Samantha Chijona
Designer: Vladimir Cuenca
Asụsụ Foto: Image 1,2,3,4,5: Samantha Chijona Photographer/ Samantha Chijona Designer /Richard III/ The Armor /Model: Maria Gabriela Sanchez, 2018