Listening to Transparency Ọrụ Bụ́ Isi: Njirimara Ọhụụ nke Ngosipụta nke Xulei Li

Ihe emepụtara bụ Listening to Transparency Ọrụ Bụ́ Isi: Njirimara Ọhụụ nke Ngosipụta nke Xulei Li bụ onye meriri a na-asọpụrụ nke ukwuu nke 2020 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Eserese, Ịse Ihe na Nkwurịta Anya.

BronzEserese· 2020

Listening to Transparency Ọrụ Bụ́ Isi: Njirimara Ọhụụ nke Ngosipụta

nke Xulei Li

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Eserese

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Onye Meriri Onyinye A Kwadoro

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Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Listening to Transparency Ọrụ Bụ́ Isi: Njirimara Ọhụụ nke Ngosipụta

Ederede Akwụkwọ: Ige Ntị na Ọcha bụ njirimara ọhụụ maka ngosipụta nka ụda nke gosipụtara ọrụ 44 ndị ụda na anya. Nhazi a dabeere n'ebili mmiri gburugburu nke na-anọchite anya isi mmalite ụda. Ebili mmiri ndị a dịgasị iche n'akụkụ, n'ịdakọ, na agba. A na-eji igwe nkịtụ silk-screen bipụta aha ndị ọrụ na PVC a hụrụ anya na ya n'ime netiwaịk ntụpọ na-agbanwe agbanwe, ebe e ji teknụzụ Risograph bipụta ebili mmiri ndị ahụ n'elu akwụkwọ owu (cotton paper). Oyi akwa abụọ a na-ejikọta ọnụ n'otu onyonyo, ma mgbe ị tụgharịrị ibe e bipụtara, ọ na-ekpughe ebili mmiri ndị ahụ. Ọdịdị a hụrụ anya n'ime ya na-egosipụta ihe eji rụọ ọrụ nka ndị ahụ yana ọdịdị na-adịgide adịghị nke ụda.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Listening to Transparency Ọrụ Bụ́ Isi: Njirimara Ọhụụ nke Ngosipụta meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Listening to Transparency Ọrụ Bụ́ Isi: Njirimara Ọhụụ nke Ngosipụta ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Listening to Transparency Ọrụ Bụ́ Isi: Njirimara Ọhụụ nke Ngosipụta na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: In terms of production and design extension, the font and circular sound waves elements were separated, The font is silk-screen printed on transparent PVC material in gradual changing dot grid and the sound waves are printed on paper. The two layers will combine into one complete visual. By doing so, audience are led to pay attention to the title and the theme of the exhibition. When they turn the page of the text, the sound waves will be revealed, attracting them into world of sound world.
Nha & Mkpuchi: 210mmX145mm
Mkpado: Image design, Invitation, book design, poster design, tickets design, layout
Teknụzụ Mmepụta: This work uses two special color printing in all application design inside. the type are silk-screen printed on transparent PVC material in gradual changing dot grid, the sound waves elements are printed in cotton paper by using Risograph technology.
Ịma Aka Imepụta: The visual design has to be in tune with the artworks and entire exhibition, and at the same time be consistent with the tone of the museum.
Nchọpụta: The exhibition "Listening to Transparency" was consisted of 44 audio and visual art works. With a focus on spatialization design, most of these installation art pieces adapt many kinds of transparent and lighting materials to present audience the visualized transparency.. The visual design is based on circular waves representing sound sources. The waves are of various angles and curvatures. The visual have a transparent look, representing the transparent material used by the art pieces, as well as the transient and untouchable sound.
Mkpali: The visual design of the exhibition is based on circular waves representing sound sources. The waves are of various angles, curvatures, and colors. The visual have a transparent look, representing the transparent material used by the art pieces, as well as the transient and untouchable sound. The font in traditional font Song, carrying an aura of China. The overall colors matched the colors of France’s National Flag, symbolizing the cultural communication between China and France.
Oge Ọrụ: The project started in May 2017 in Shanghai Minsheng Art Museum and finished in September 2017
Usoro Ọrụ: It is contains extra digital contents, you can via an app to scan the poster/ key visuals to link an promotional flim of the exhibition.