Porous Manifold Sal Te Japonè pa Ryumei Fujiki and Yukiko Sato

Dizayn Porous Manifold Sal Te Japonè pa Ryumei Fujiki and Yukiko Sato se yon gayan ki gen anpil estim nan konpetisyon trè prestijye 2019 A' Design Award Ajan nan Kategori Konpetisyon Bozar.

AjanBozar· 2019

Porous Manifold Sal Te Japonè

pa Ryumei Fujiki and Yukiko Sato

Kliyan: F.A.D.S + Fujiki Studio, KOU::ARC

Gayan A' Design Award Ajan nan Kategori Bozar

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Gayan Pri Verifye

Verifye Estati Pri pou #72501

Vizite Sit la Gade sou A' Design Award Kominike Laprès Badj Prim

Koulè

Konsepsyon an

Konsènan Porous Manifold Sal Te Japonè

Sa a se yon sal te tanporè Japonè ekspoze nan Echigo-tsumari Art Triennale 2018 e li gen yon estrikti enbrike ak espas de-tatami entegre nan dis pye kare. Nan egzibisyon sa a, yo te mande achitèk yo pou yo reponn tèm ki jan yo simonte konsèp nan espas omojèn ki te dominan nan 20yèm syèk la. Kilè eskèlèt la te fèt lè l sèvi avèk modèl o aza ki te rele Divizyon Voronoi pou defòme espas omojèn. Epi li te pwopoze ke achitekti a ak yon gwo kantite twou sa ki ta ka louvri epi fèmen jan sa nesesè yo kominike ak deyò a tankou yon bagay k ap viv.

Rekonesans lan

Konsènan A' Design Award Ajan

Porous Manifold Sal Te Japonè se yon ganyan A' Design Award Ajan, yon rekonesans ki gen yon prestij enmans yo bay design nivo siperyè, bèl anpil e enpresyonan. Ganyan Ajan yo se travay ki trè briyan e ki trè kreyatif ki montre ekspètiz, talan ak finès designer yo. Yo atann Porous Manifold Sal Te Japonè pou se yon bèl travay modèl, remakab nan pwofesyonalis e ki gen gwo inovasyon. Design sa a ki ganyen A' Design Award Ajan se yon envansyon trè remakab, admire ki pote benefis e ki pouse limit atizay, syans, design ak teknoloji. Porous Manifold Sal Te Japonè se yon kreyasyon anpil moun jalou ki reveye dezi, ki pote santiman pozitif e ki limen sipriz ak mèvèy.

Dèyè Konsepsyon an

Dosye Laprès

Kredi, manm ekip ak detay teknik konseptè a bay.

Pwopriyete Inik: This is a temporary Japanese tearoom and a nested structure with two-tatami space embedded in ten foot square.
In this exhibition, architects were asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century. It is distorted homogeneous space to create irregularities by the random pattern of the skeleton and proposed an art-tecture with many holes which are open and close as necessary to communicate with the outside like living things.
Dimansyon & Anbalaj: Width, Depth and Height are 2730mm each.
This dimension was called a "Jo" in the old words in Japan.
Etikèt: Porous Manifold, Breathing Pleats, Voronoi Division, Japanese Tearoom
Teknoloji Pwodiksyon: It is made of a hybrid of spruce CLT panels and plastic materials processed using digital fabrication technology.
Defi Dizayn: Modern office buildings made in the 20th century are separated from the external environment by a closed curtain wall. Then, using the lighting and air conditioning equipment, it is idea to control so that all places are homogenous and constant environment artificially. However, we need enormous energy, which is a major factor of global environmental problems.
It is important not to block the external environment and the internal space, but to open and close as necessary, that is, to create a building responsive to the external environment. Then it was created a living-like architecture.
Rechèch: Towards the generation of "heterogeneous space", we studied from a point of geometrical viewpoint.
Homogeneous space is geometrically equivalent to 3D Euclidean space. The biggest problem of homogeneous space is that our imagination is captured by it, but in order to overcome this, it is necessary to extend the concept of homogeneous space rather than deny it. Just as Einstein discovered, it is important to introduce a structure that "space is distorted".
It is distorted homogeneous space to create irregularities using random patterns found in various shapes and phenomena in nature (VORONOI DIVISION).
Enspirasyon: Inspired by Hojoki ("An Account of My Hut"), written in the Middle Ages, to survive in our troubled times, about thirty groups of architects and artists selected through the open call (Jury: Hiroshi Hara, Ryue Nishizawa, Fram Kitagawa) exhibited their "hojo" (ten foot square hut) which represented their worldviews.
In this exhibition, architects were especially asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century.
Dire Pwojè: This work was exhibited in "Hojoki Shiki in 2018: The Universe of Ten Foot Square Huts by Architects and Artists" as a special exhibition during from July 29th to September 17th in Echigo-tsumari Art Triennale 2018, Niigata Pref. in Japan.
In the present day, the global Financial capitalism has an impact on all regions, which have been required to accept the improved efficiency, rationalization and homogenization. This exhibition was an opportunity for the architects and artists to present their own Hojoki Shiki, proposing different "hojo", the minimum model of Japanese architecture.
Fliks Operasyon: As you enter inside, this art-tecture (architecture) feels you and begins to breathe like a living thing.
Specifically to say, many holes called BREATHING PLEATS start opening and closing according to the movement of people.
Patant: F.A.D.S + Fujiki Studio, KOU::ARC
Manm Ekip: ARCHITECT: Ryumei Fujiki
Yukiko Sato
DESIGN FIRM: F.A.D.S + Fujiki Studio, KOU::ARC
TEAM MEMBERS: Yu Ohno
Seiya Ueki
Kento Watanabe
Yuta Kimura
Shun Takimoto
Kredi Imaj: Masahiro Hoshida, Fujiki Studio, KOU::ARC