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The House for Contemporary Art Rezidans pa Ryumei Fujiki & Yukiko Sato

Dizayn The House for Contemporary Art Rezidans pa Ryumei Fujiki & Yukiko Sato se yon gayan ki gen anpil estim nan konpetisyon trè prestijye 2016 A' Design Award Lò nan Kategori Konpetisyon Achitekti.


LòAchitekti· 2016

The House for Contemporary Art Rezidans

pa Ryumei Fujiki & Yukiko Sato

Kliyan: F.a.d.s

Gayan A' Design Award Lò nan Kategori Achitekti

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Konsepsyon an

Konsènan The House for Contemporary Art Rezidans

Kay sa a te fèt pou yon apresyasyon atizay ak atis amatè ki te vle yon "kay tankou yon mize atizay". Planifye ak anpil atansyon pou sikilasyon lè a ansanm ak klima piman bouk, lanèj kòt Lanmè Japon an, estrikti a konpoze de bwat blan ki varye echèl ki ankadre espas tankou foto. Youn nan konsèp prensipal yo se & # 039; Konpozisyon espasyal san pwoblèm & # 039;. Ou ka sikile nan espas ki nan kay sa a gade nan koleksyon travay atistik pwopriyetè a menm jan si w t ap pase nan galri nan yon mize.

Rekonesans lan

Konsènan A' Design Award Lò

The House for Contemporary Art Rezidans se yon ganyan A' Design Award Lò, yon rekonesans imans prestijye yo bay design premye klas, mèvèye e eksepsyonèl. Ganyan Lò yo se kreyasyon ki trè inovatè, vizyonè e ki briye ak bèl bagay, ki reflete jeni, sajès ak mèt konpetans designer yo. Yo atann The House for Contemporary Art Rezidans pou se yon envansyon ki fè anpil lwanj, ki bay tandans e monimantal ki delivre yon valè san parèy. Design sa a ki ganyen A' Design Award Lò se yon pwojè espektakilè, respekte ki pote anpil benefis e ki pouse limit atizay, syans, design ak teknoloji. The House for Contemporary Art Rezidans kreye santiman dezi ki entans, li reveye pasyon, li ankouraje kreyativite e li fasine nou.

Dèyè Konsepsyon an

Dosye Laprès

Kredi, manm ekip ak detay teknik konseptè a bay.

Pwopriyete Inik
SEAMLESS SPATIAL COMPOSITION
You can circulate through the spaces in this home looking at the owner’s collection of artwork just as if you were passing through galleries in a museum.

RESPONSE TO THE ENVIRONMENT
The first was dealing with the snow. In regions with heavy snow, the shape of the roof is very important. Many homes are built on the assumption that someone will shovel the snow off the roof, but that’s a lot of heavy work, and dangerous. We decided on a flat roof with no parapet that would stay relatively snow-free because of wind action.
Our second thing was to create good airflow.
Dimansyon & Anbalaj
Site Area 246.48 sqm / Building Area 137.10 sqm / Total Floor Area 135.56 sqm
Etikèt
House like an Art Museum, Seamless Spatial Composition, Response to the Environment (Nature), Dealing with the Snow, Natural Ventilation
Teknoloji Pwodiksyon
Reinforced Concrete 1 Story
Defi Dizayn
To encourage natural ventilation, we created a temperature differential by designing two gardens, one on the south side that would warm up easily, and one on the north side that would remain cool. This is a traditional design method used in Kyoto townhouses.
Rechèch
It goes without saying that our top priority was fulfilling the client’s wishes. We began by measuring the many works of art that the client had created and collected over the years. Next, we held a number of planning meetings to discuss where to display each work of art, among other issues. For instance, we determined the height of the living room ceiling based on the wall size that could accommodate a painting measuring over 1.5 x 1 meter. In addition to the art collection, the client also has a large number of old records, mostly jazz. It was important for us to figure out a way to display them.
Enspirasyon
We designed this home for an art appreciator and amateur artist who wanted a house like an art museum. Planned with careful consideration for air circulation as well as for the harsh, snowy climate of the Japan Sea coast, the structure is composed of white boxes of varying scale that frame spaces like pictures.
Dire Pwojè
Fukui Prefecture, JAPAN
Fliks Operasyon
You can circulate through the spaces in this home looking at the owner’s collection of artwork just as if you were passing through galleries in a museum.
Manm Ekip
Ryumei Fujiki
Yukiko Sato
Yasutaka Konishi (Structural Engineer)
Osamitsu Kagenaga (MEP/FP Engineer)
Kazuo Shuto (Electrical Engineer)
Matsuta Koumuten Co., Ltd. (Contractor)
Kazunari Yamada (Constr. Manager)
Eijiro Yamagata (Constr. Manager)
Hiroshi Ueda (Photographer)
Kredi Imaj
Hiroshi Ueda, F.A.D.S

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