Original by Nature Enstalasyon Atistik pa Egemen Kemal Vurusan

Dizayn Original by Nature Enstalasyon Atistik pa Egemen Kemal Vurusan se yon gayan ki gen anpil estim nan konpetisyon trè prestijye 2025 A' Design Award Fè nan Kategori Konpetisyon Bozar.

FèBozar· 2025

Original by Nature Enstalasyon Atistik

pa Egemen Kemal Vurusan

Kliyan: Egemen Kemal Vurusan

Gayan A' Design Award Fè nan Kategori Bozar

17,867

Gayan Pri Verifye

Verifye Estati Pri pou #170341

Vizite Sit la Gade sou A' Design Award Kominike Laprès Badj Prim

Koulè

Konsepsyon an

Konsènan Original by Nature Enstalasyon Atistik

Original by Nature se yon enstalasyon atistik ki transfòme boutèy vè yo jete an fòm eskilti ki koule. Boutèy yo pran nouvo fòm gras ak chalè ak moul atravè metòd sirekiklaj avanse. Chak fòm an vè kenbe yon sistèm idwoponik, kidonk plant yo pouse anndan enstalasyon an. Yon sistèm irigasyon kontwole pa kapte transmèt dlo bay chak modil, epi limyè ultraviyolèt vyolèt ki nan dèyè a ede sipòte kwasans plant yo. Inite modilè prensipal la mezire 5000 mm nan lajè, 2000 mm nan pwofondè ak 3500 mm nan otè. Travay sa a mete atizay, lanati ak teknoloji ansanm pou fè dirabilite vizib.

Rekonesans lan

Konsènan A' Design Award Fè

Original by Nature Enstalasyon Atistik se yon ganyan A' Design Award Fè, yon rekonesans ki gen prestij yo bay bon design ki satisfè egzijans pwofesyonèl ak endistriyèl yo atann de kreyasyon ki byen fèt. Ganyan Fè yo montre gwo konpetans, espesyalizasyon wo, konpreyansyon ekspè ak kapasite kreyatif kreyatè yo. Yo atann Original by Nature Enstalasyon Atistik pou se yon kreyasyon anpil moun estime, admire e renmen ki pratik e inovatè. Design sa a ki ganyen A' Design Award Fè entegre pi bon pratik sektè a e li gen karakteristik teknik konpetan ki lye ak konnesans pratik ak talan. Yo respekte Original by Nature Enstalasyon Atistik pou jèntan li e li fèt pou bay amelyorasyon kalite lavi ki ede fè mond lan vin yon pi bon kote.

Dèyè Konsepsyon an

Dosye Laprès

Kredi, manm ekip ak detay teknik konseptè a bay.

Pwopriyete Inik: This design redefines the potential of glass by transforming discarded bottles into fluid, amorphous forms through advanced upcycling techniques. Inspired by the continuous movement of water, the installation merges sustainability with artistic expression, turning glass into both a functional and aesthetic element. Presented in the exhibition, this project highlights the cyclical nature of transformation, where waste glass is reborn as a medium for urban agriculture and digital art.
Dimansyon & Anbalaj: Physical Installation Details:
Main Modular Unit: 5000 mm (W) x 2000 mm (D) x 3500mm (H)
The glass components are upcycled via high-temperature annealing (approx. 850°C) to achieve amorphous forms. The integrated hydroponic system features sensor-controlled irrigation delivering 0.5 L/min per module. Additionally, purple UV lights positioned at the back of the installation enhance photosynthesis, supporting optimal plant growth.
Etikèt: urban agriculture, glass upcycling, hydroponics, sustainable design, digital art integration, interactive installation, eco-friendly innovation, cyclic transformation
Teknoloji Pwodiksyon: This project utilizes advanced glass blowing upcycling techniques, including thermal deformation and mold-based reshaping, to transform discarded bottles into amorphous sculptural forms. The integration of hydroponic systems within these glass structures enables sustainable urban agriculture. Digital art, design principles, and plant growing were employed to achieve seamless structural integrity, ensuring both aesthetic fluidity and functional resilience.
Defi Dizayn: The biggest challenge was transforming discarded glass into organic, fluid forms without compromising structural integrity. Balancing artistic expression with hydroponic functionality required extensive material experimentation. Limited access to specialized recycling technologies and shaping techniques added complexity. Socially, raising awareness of glass upcycling’s potential was crucial. Overcoming these obstacles led to an innovative fusion of sustainability, art, and urban agriculture.
Rechèch: This research explores sustainable design through glass upcycling and urban agriculture. The objective was to repurpose discarded glass into functional, aesthetic forms supporting hydroponic growth. Using experimental prototyping, material analysis, and user interaction studies, data was collected through iterative testing and observational feedback. The findings highlight glass’s adaptability, demonstrating its potential in eco-conscious design. This research contributes to sustainable production methods, influencing both environmental awareness and future urban agriculture initiatives.
Enspirasyon: This project, centered on an urban agriculture system driven by the advanced upcycling of used bottles, represents the completion of a life cycle. Discarded bottles are repurposed into artistic, amorphous forms, while simultaneously serving as vessels for hydroponic plant cultivation. Inspired by the purity and continuity of natural spring waters, the Original By Nature project is, at its core, a sustainability initiative, aiming to harmonize art, innovation, and environmental responsibility.
Dire Pwojè: This project took place from March 1-22, 2022 at Akaretler Sıraevler in Besiktas, Istanbul
Fliks Operasyon: This installation transforms discarded glass bottles into fluid, sculptural forms that serve as vessels for hydroponic plant growth. Visitors engage with the piece by observing how water and plants interact within the glass structures, highlighting the beauty of sustainable transformation. The seamless fusion of art, nature, and technology creates an immersive experience, making sustainability tangible while demonstrating the potential of upcycled materials in urban agriculture.
Kredi Imaj: Main image 1: Photographer, Numan Alkan, Celal Burak Özgül, 2022
Optional image 1: Photographer, Numan Alkan, Celal Burak Özgül, 2022
Optional image 2: Photographer, Numan Alkan, Celal Burak Özgül, 2022
Optional image 3: Photographer, Numan Alkan, Celal Burak Özgül, 2022
Optional image 4: Photographer, Numan Alkan, Celal Burak Özgül, 2022