Hinemosu 30 Afichaj Òdinatè pa Yuichiro Katsumoto

Dizayn Hinemosu 30 Afichaj Òdinatè pa Yuichiro Katsumoto se yon gayan ki gen anpil estim nan konpetisyon trè prestijye 2024 A' Design Award Platin nan Kategori Konpetisyon Jeneratif.

PlatinJeneratif· 2024

Hinemosu 30 Afichaj Òdinatè

pa Yuichiro Katsumoto

Kliyan: The Utsuroi Lab

Gayan A' Design Award Platin nan Kategori Jeneratif

1,519,473

Gayan Pri Verifye

Verifye Estati Pri pou #159382

Vizite Sit la Gade sou A' Design Award Kominike Laprès Badj Prim

Koulè

Konsepsyon an

Konsènan Hinemosu 30 Afichaj Òdinatè

Hinemosu 30 la montre lèt ak motif lè l ap tòde senk bann elastik blan ak trant aktyatè pou reprezante pasaj tan an. Lojisyèl òdinatè a ki kontwole aparèy la jenere imaj dinamik ki evoke motif tèks, vag lanmè, tanpèt nan mòn, ak nèj k ap tonbe, ansanm ak dat la ak lè a. Son mekanik yo ke aktyatè yo pwodui fè sonje son dlo ak van nan lanati. Kreyativite ak nòvote aparèy sa a baze sou fèt ke li montre enfòmasyon jenere pa òdinatè a lè l ap sèvi ak objè ki sanble ak liy olye ke objè ki sanble ak pwen.

Rekonesans lan

Konsènan A' Design Award Platin

Hinemosu 30 Afichaj Òdinatè se yon ganyan A' Design Award Platin, yon rekonesans ki gen anpil prestij yo bay design ki vrèman eksepsyonèl, elegan e mayifik. Ganyan Platin yo se mèvèy kreyasyon, prèv limit kreyativite entelektyèl, e yo montre pwofesyonalis san parèy ak jeni designer yo. Yo atann design sa yo pou se travay ki pi renome yo ki defini estetik yon epòk, ki kontribye nan byennèt sosyete a e ki pouse limit atizay, syans, design ak teknoloji. Hinemosu 30 Afichaj Òdinatè montre yon nivo ekselans ki depase limit e san dout li fè mond lan vin pi bon gras ak karakteristik avantaje ak valab li yo. Hinemosu 30 Afichaj Òdinatè se yon travay ki ganyen A' Design Award Platin ki reveye dezi, ki enspire, ki eksite, ki fè moun kontan e ki bay gwo kè kontan.

Dèyè Konsepsyon an

Dosye Laprès

Kredi, manm ekip ak detay teknik konseptè a bay.

Pwopriyete Inik: Hinemosu 30 is a computer display that shows the time and date by twisting five white elastic bands. The five thick lines are controlled by thirty actuators and display a dizzying kinetic typography and motion graphics. The moving image generated by the computer software connected to the device evoke textile patterns, ocean waves, mountain storms, and falling snow. The mechanical sounds produced by the actuators are reminiscent of the sounds of water and wind in nature.
Dimansyon & Anbalaj: 280mm (W) x 120mm (D) x 300mm (H), 5kg.
Etikèt: Kinetic Typography, Motion Graphics, Visualization, Physicalization, Elastic Band, Rubber, Clock
Teknoloji Pwodiksyon: Components: Elastic Bands, Servo Motors, Micro Controllers, Aluminum Flame, Acrylic Board, MacBook Air.
Defi Dizayn: The creativity and novelty of this device lies in the fact that it displays computer-generated information using line-like and particularly strip-like objects rather than dot-like or brick-like objects. In comparison to discrete objects, the control of linear objects is more difficult to express delicately because of mutual interference in mechanics. These limitations were overcome in terms of hardware and software in this project through circular prototyping.

In this work, five white elastic bands are arranged horizontally in a black picture frame. Each band is 250 mm long, 40 mm wide, and 1 mm thick. Six white plastic guides are attached to the band horizontally at 42 mm intervals. These guides are used to tilt the band and are linked to servo motors mounted on the back of the picture frame. The servo motor can twist the band in a range of approximately -60 to 90 degrees, although there are slight individual differences. When the servo motor is at 0 degrees, the apparent width of the elastic band is thickest, and at 90 degrees, it is thinnest.

This work uses thirty servo motors, all of which are controlled by a software running on Mac. This software was developed using Cycling '74 Max and generates motion graphics and kinetic typography, calculates the numerical values to control the thirty actuators individually. And it sends the data to the micro controller in Hinemosu 30 via USB Cable.
Rechèch: This project had been explored kinetic typography by manipulating slender objects such as springs and strings with robot arms. Beyond such practices, the current focus is on flat liner object such as strips, ribbons, and tape with two sides of widely varying widths. Those lines change in apparent thickness depending on the viewpoint. For example, if the ribbon is tilted 90 degrees, the line will appear or disappear. If it is twisted from both ends, the line weight changes continuously like a sine wave. Lines drawn by humans with a brush or calligraphy pen also have continuous changes in line weight. Inspired by this similarity, Hinemosu 30 was designed.
Enspirasyon: The human life is often likened to a line. The line is never straight. It bends, twists, thickens, and thins. The lines are similar to lines drawn by humans for writing. Modern computers output data using points (pixels). Conversely, this designer believes that lines are the source of our life and creativity and wants to let the computer control linear objects. The fruition of this intention, Hinemosu 30 displays letters and patterns by twisting five white elastic bands with thirty actuators to represent the passage of time.
Dire Pwojè: This project started in the fall of 2022 and partially finished in the summer of 2023.
Fliks Operasyon: Automatic operation by software.
Patant: Copyrights belong to Yuichiro Katsumoto, 2023.
Kredi Imaj: Yuichiro Katsumoto