Dizayn On Stage Konsepsyon Ekspozisyon Mize pa Skevi Farazi se yon gayan ki gen anpil estim nan konpetisyon trè prestijye 2020 A' Design Award Bwonz nan Kategori Konpetisyon Enteryè.
BwonzEnteryè· 2020
On Stage Konsepsyon Ekspozisyon Mize
pa Skevi Farazi
Kliyan: THOC & Limassol Municipality
Gayan A' Design Award Bwonz nan Kategori Enteryè
Gayan Pri Verifye
Verifye Estati Pri pou #104550Konsepsyon an
Konsènan On Stage Konsepsyon Ekspozisyon Mize
Sou Sèn se ekspozisyon pèmanan Mize Teyat Chip la. Ekspozisyon an eksplore diferan aspè teyat atravè yon apwòch esperyansyèl, kote fwontyè ant gade ak jwe konfonn ansanm. Aranjman an devlope an twa pati, tankou lèzak yon pyès teyat. Istwa a se yon pasaj ki sèvi kòm yon filt konesans. Seksyon Kontribitè yo montre pati nan yon pwodiksyon ki abityèlman rete enkoni pou piblik la. Pèfòmans lan se dènye lèzak la e li devwale rezilta a. Yon vitrin santral an dyagonal divize espas la e li gide vizitè yo.
Rekonesans lan
Konsènan A' Design Award Bwonz
On Stage Konsepsyon Ekspozisyon Mize se yon ganyan A' Design Award Bwonz, yon rekonesans ki gen anpil prestij yo bay design ekselan ki make pa kreyativite, enjenyozite ak finès. Ganyan Bwonz yo se objè ki abil anpil e ki kreyatif nan fason ki frape, ki otantifye gwo eksperyans, imajinasyon ak debouyaj designer yo. Yo atann On Stage Konsepsyon Ekspozisyon Mize pou se yon objè anpil moun estime, admire e renmen, ki pwofesyonèl e inovatè nan fason remakab. Design sa a ki ganyen A' Design Award Bwonz enkòpore pi bon pratik nan atizay, syans, design ak teknoloji, e li ekselan pou atansyon li bay detay. On Stage Konsepsyon Ekspozisyon Mize satisfè bezwen yon fason espledid, li touche dezi, li chame santiman e li atire kiryozite.
Dèyè Konsepsyon an
Dosye Laprès
Kredi, manm ekip ak detay teknik konseptè a bay.
- Pwopriyete Inik
- 'On Stage' is the permanent exhibition of the Cyprus Theatre Museum. It aims to explore the different aspects of theatre in an experiential approach where boundaries of spectating and acting are intertwined. The exhibition unfolds in three parts: The History, a passage that acts as a filter of knowledge. The Contributors which showcases all aspects of the production which usually are unknown to the spectator. The Performance which as a final act reveals the final outcome.
- Etikèt
- theatre, museum, exhibition, interior, design, showcase, stage, contributors, space, curation
- Teknoloji Pwodiksyon
- A central diagonal showcase splits the space in 3 sections and directs the visitors through wide and narrow paths, in a flow of pauses and transitions from one section to the other. It opens only to the final part and prevents thus the visual connection between the different sections.
The entrance to the museum creates a play of knowledge through the reflections of mirrors, where the spectator, the graphics and displays dissolve their actual barriers in space and time. - Defi Dizayn
- The various materials of the existing space, such as natural stone on walls, timber roof, metal and concrete structures and big luminous windows needed to be approached with respect but on the same time without overshadowing the actual presentation of the exhibition items which demanded a dark space to allow them as such to be highlighted.
The aesthetic balance between the exhibition design and the actual display object which by itself is ‘flamboyant’ was constantly tested. - Rechèch
- An elaborate research was done on precedent examples, the new trends of museology and the ways of communicating the information with different media. Various display systems, materials and colour palettes were explored so that all items could be displayed in a balanced design.
The design was inextricably linked with the museological approach and developed in parallel with the exhibition material research until the final selection. - Enspirasyon
- Having as a reference the magic one experiences when watching a theatrical performance, the design aims to create a narrative space which evolves gradually as a 'theatrical plot’ in different ‘acts’.
The transition from one section to the other is visually distinct allowing the surprise and the unexpected to escalate as in a theatrical play. Being on stage, backstage or in a dressing room were the main references for visual representations and interactive displays. - Dire Pwojè
- 2010-2012
Limassol - Cyprus - Manm Ekip
- Designer: Skevi Farazi
Museologist: Sofia Antoniadou
Graphic Designer: Marika Ioannou
Audiovisual: Nicoleta Kalatha
Lighting Design: Dakis Sevastides - Kredi Imaj
- Image #1: Photographer Socrates Socratous, 2012
Image #2: Photographer Socrates Socratous, 2012
Image #3: Photographer Socrates Socratous, 2012
Image #4: Photographer Socrates Socratous, 2012
Image #5: Photographer Socrates Socratous, 2012
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