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The Armor Kazališni kostim – dizajner Samantha Chijona Garcia and Vladimir Cuenca

Dizajn The Armor Kazališni kostim čiji je autor Samantha Chijona Garcia and Vladimir Cuenca iznimno je cijenjeni dobitnik prestižne nagrade 2020 Srebrna nagrada A' Design Award u natjecateljskoj kategoriji Scenske Umjetnosti, Pozornica, Stil i Scenografija.


SrebroScenske Umjetnosti· 2020

The Armor Kazališni kostim

autor/ica Samantha Chijona Garcia and Vladimir Cuenca

Klijent: Jazz Martinez Gamboa

Dobitnik nagrade Srebrna nagrada A' Design Award u kategoriji Scenske Umjetnosti

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Dizajn

O dizajnu The Armor Kazališni kostim

Oklop je kazališni kostim izrađen za lik Rikarda III. u scenskoj izvedbi Shakespeareove drame. Kostim je izrađen od recikliranih i odbačenih materijala. Metalne linije prišivene su na jaknu od kepera, dok preklapajuće kožne dokoljenice tvore zasebnu strukturu spojenu kožnim remenima i kopčama. Rukavica od pancirne mreže zatvara rukav, a baršunasti šešir obložen metalnim trakama služi kao kaciga. Šest dijelova može se dodavati ili uklanjati kako se lik mijenja tijekom predstave. Dizajn odražava i kralja i ranjivog čovjeka u njemu.

Priznanje

O nagradi Srebrna nagrada A' Design Award

The Armor Kazališni kostim je pobjednik Srebrne nagrade A' Design Award, izuzetno prestižnog priznanja koje se dodjeljuje vrhunskim, veličanstvenim i dojmljivim dizajnima. Srebrni pobjednici iznimno su briljantna i vrlo kreativna djela koja ilustriraju izuzetnu stručnost, talent i oštroumnost svojih dizajnera. Očekuje se da The Armor Kazališni kostim bude divno, reprezentativno djelo koje je izuzetno profesionalno i duboko inovativno. Ovaj dizajn koji je osvojio Srebrnu nagradu A' Design Award vrlo je zapažen, nadaleko cijenjen izum koji koristi i pomiče granice umjetnosti, znanosti, dizajna i tehnologije. The Armor Kazališni kostim je kreacija kojoj se mnogi dive i zavide, koja budi želje, donosi pozitivne osjećaje i raspiruje čuđenje i divljenje.

Iza dizajna

Komplet za medije

Zasluge, članovi tima i tehnički detalji koje je dostavio dizajner.

Jedinstvena svojstva
This armor, made with fully recycled materials, mixes metallic corset nerves referring to the classic western armor, topped by a butcher's chainmail glove that evokes the bloodthirsty of the character with leather leggings overlapping layers denoting the various faces assumed by the character during the plot. From a modernist vision in terms of fabric, overlapping and weaving of pieces the structure refers to the vulnerability of the King and the man who lives at the same time in Richard III.
Dimenzije i pakiranje
Armor- 45cmx30cmx55cm
Helmet- diameter:57cm High: 23cm
Oznake
Costume design, Shakespeare, Richard III, Armor, theater, cuban designer, Samantha Chijona Design, schijonag.
Proizvodna tehnologija
The armor is compound by 6 pieces. 1: The metal structure, it is metal lines sewn on a twill weave jerkin jacket, 2: the leather armor, leather gaiters overlapping forms an independent structure that joins the rest of the set with leather straps closed by buckles, 3: The metal glove, a chainmail glove closes the cuff to give the sleeve a shot, 4: The helmet,
a velvet hat lined with metal strips works as an armor helmet 5: The pants, a black twill pants and finally 6: Black leather boots to the knees.
Dizajnerski izazov
The development of the piece became a challenge, I wanted to do something great for the character but working in Cuba is always difficult due to the lack of resources, so while researching, I also located materials. Looking in an antique warehouse I found these old pieces of unused corsets bones and leather leggings and decided to use them. With only one month to prepare the entire theater play with more than 16 characters we were detained in this armor for a week, assembling, testing and sewing piece by piece in search of achieving an attractive but useful result.
Istraživanje
My research flew over two essential aspects, the historical and the technical. After having studied for years Western and Japanese armors, the challenge of creating one was wonderful. I had to solve how I should use the historical engineering structures in those garments with the modern materials I had in hand. I read and compiled images and information, of the western armor, I appropriated the metal and the order of the parts while from the Japanese I took overlays of leather pieces sewn with cord. The result was a very visual and modern armor that keeps its basic function, protection.
Inspiracija
Having studied for years structures that we use when dressing and that have protected and distancing ourselves from the real world I choose one of my favorite, the armor. I took advantage of the study of Western and Japanese war pieces and modernized it with the use of materials and disused pieces. The text of Shakespeare's play emphasizes the two faces and the physical problem of the character I used it as inspiration to separate and show the two parts of Richard III.
Trajanje projekta
The project started in June 2018 in Havana, Cuba and ended in September 2018 in Havana, Cuba.
Tijek rada
The piece is compound by 6 small parts, the main three, armor jacket, pant and boots are easy to put, also it has another leather structure which should be placed with buckles while the hat and the glove are closed by an elastic piece. the interaction between the actor and the piece is determined for the modular form of the main piece, the person can take off the leather part, the helmet, the glove and keep only the base jacket, pants and boots, in the same way he can add more pieces throught the evolution of the character inside the theater play.
Patenti
Copyrights belong to Chijona, Samantha, 2018
Članovi tima
Designer and Creative Director: Samantha Chijona
Designer: Vladimir Cuenca
Zasluge za fotografije
Image 1,2,3,4,5: Samantha Chijona Photographer/ Samantha Chijona Designer /Richard III/ The Armor /Model: Maria Gabriela Sanchez, 2018

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