Bio Melanin Fiber Zam los ntawm Khajornsak Nakpan

Qhov qauv tsim Bio Melanin Fiber Zam los ntawm Khajornsak Nakpan yog tus yeej muaj nqis heev ntawm qhov khoom plig 2022 A' Design Award Hlau hauv Pawg Sib Tw Tsim Ntaub, Ntaub Ntawv, Ntxhib, Qauv thiab Ntaub Tawv.

HlauNtaub· 2022

Bio Melanin Fiber Zam

los ntawm Khajornsak Nakpan

Tus Neeg Siv: Indin

Tus Yeej A' Design Award Hlau hauv Pawg Ntaub

36,737

Tus Yeej Khoom Plig Tau Txheeb Xyuas

Txheeb Xyuas Qhov Xwm Txheej Khoom Plig rau #127014

Mus Saib Lub Vev Xaib Saib ntawm A' Design Award Tsab Xov Xwm Daim Phiaj Khoom Plig

Xim

Qhov Tsim

Txog Bio Melanin Fiber Zam

Txoj kev tshawb fawb thiab tsim qauv los ntawm kev ua haujlwm tau kawm txog kev siv av los tsim cov ntaub hloov pauv hauv tebchaws Thaib. Nws lub hom phiaj yog ua kom muaj nuj nqis ntawm cov peev txheej ntuj ceeb tsheej kom ntau tshaj plaws los teb rau kev hloov pauv huab cua, raws li lub tswvyim ntawm kev nyob sib haum xeeb nrog xwm. Ib cov xov bio-fiber tau tsim los ntawm cov kab mob hauv av los ntawm cov txheej txheem uas xav txog tag nrho lub voj voog ntawm kev tsim khoom, xyuas kom meej tias nws tsis tsim muaj khib nyiab. Cov ntaub zaum kawg muaj cov xim melanin zoo ib yam li cov xim tawv nqaij ntawm tib neeg, nrog rau cov xim zoo ib yam li cov neeg los ntawm tebchaws Thaib.

Qhov Lees Paub

Txog A' Design Award Hlau

Bio Melanin Fiber Zam yog tus yeej ntawm A' Design Award Hlau, ib qho kev lees paub muaj meej mom uas muab rau cov qauv tsim zoo uas ua tau raws li cov kev xav tau ntawm kev ua haujlwm thiab kev lag luam uas xav tau los ntawm cov khoom tsim zoo. Cov neeg yeej Hlau qhia txog kev txawj loj, kev paub tshwj xeeb siab, kev nkag siab ntawm cov kws tshaj lij thiab lub peev xwm tsim ntawm cov neeg tsim. Bio Melanin Fiber Zam xav tias yuav yog ib qho khoom tsim uas neeg hwm, qhuas thiab hlub uas siv tau thiab tsim tshiab. Cov qauv tsim yeej A' Design Award Hlau no sib xyaw cov kev coj ua zoo tshaj plaws ntawm kev lag luam thiab muaj cov yam ntxwv siv tshuab txawj ntse txuas nrog kev paub thiab txuj ci. Bio Melanin Fiber Zam tau txais kev hwm vim nws tag nrho thiab tsim los muab kev txhim kho rau lub neej uas pab ua rau lub ntiaj teb zoo dua.

Tom Qab Qhov Tsim

Pob Xov Xwm

Cov credit, cov neeg pab thiab cov ntsiab lus kev txawj ntse muab los ntawm tus tsim.

Yam Tshwj Xeeb: A bio-fibre was synthesized from soil bacteria through a process that holistically considered the full production cycle, ensuring that it generated no waste. The final material contained melanin pigments similar to human skin tones, with hues comparable to those of people from Thailand. The results of this study can be further developed on a commercial scale to support sustainability. The proposed technology has applications in fashion design, where it can enhance individuals’ aesthetics and self-esteem. This research can help advance Thailand’s national development strategy to drive creativity through scientific innovation.
Qhov Loj & Ntim: A series of bio garment dimensions are approximately 60 x 120 x 100 cm. and ornaments are around 72 x 140 x 23 cm.
Cov Ntsiab Lus: soil; melanin; textile substitute; bio-fibres; sustainable production; Thailand
Thev Naus Laus Zis Tsim Khoom: The use of soil innovation to synthesize textile substitutes and create garments for the future has expanded from the study of the integrity cycle of ‘soil’ and the changes in ‘soil’ properties. The experimental process synthesizes bio-fibre and melanin from Streptomyces, bacteria naturally present in soil, into textile substitutes or bio-cellulose. This is a clean production technology and does not generate residual toxic substances or environment pollution. The result is a substitute material which is friendly to the human body and is biodegradable. The goal of the artist designer is to design and create pilot products and design cycles for circular fashion. The artist designer believes good products are designed to not only respond to basic human needs or facilitate human living but must also be developed, analysed, and designed to understand elements such as designers, producers, operators, and consumers. This builds a circulatory system which conforms to the same goal: recycling throughout the production process so that no waste is created. This requires a return to nature that starts by ensuring that all processes involved in production, such as designing, manufacturing, transportation, or distribution, are complete processes.
Kev Sib Tw Tsim Qauv: This research, which is in line with the 12th National Economic and Social Development Plan and uses the aforementioned ‘cycle of circular design’, is presented as a pilot product design to illustrate the feasibility of commercial production. These processes can contribute to the overall development and future growth of the creative economy. This is because countries have come to realize that current global situations have dramatically affected humanity’s way of life. Catastrophic global crises reflect choices that contradict scientific advancement; for example, rapidly changing fashion trends have led to excessive waste in the fashion industry, which have upset the ecological balance of nature. Humanity must, therefore, urgently realize and seek ways to restore and conserve the environment. One important duty for designers is to create product design concepts that promote ecological balance through circular fashion design.
Kev Tshawb Fawb: In the unprecedented time of natural disasters and global pandemics, people are changing their behaviors. We find a way to live through the crises while building economic strength. One of the ways to our survival is an environment-friendly development and growth, starting from restoring natural resources. To respond to human needs, we need to produce products that are environmentally aware. In designing a product, the aim is to ensure that it is reusable, recyclable, and biodegradable. The whole production process leaves no waste behind. For these reasons, the research project on using soil to create a textile substitute material aims to study and synthesize bio-fibre from good bacteria which is abundant in nature. It has brown pigments which are similar to melanin which determines human skin colours. The pigments can be used in producing garments. This demonstrates the relationship between humans and nature. It also has the potential to be developed for commercial purposes and support creative business growth, and economic stability for small and medium businesses in the future.
Kev Txhawb Siab: This study investigated the use of soil to create a substitute textile material to create fashion garments for the future in Thailand. It aims to maximize the value of natural resources in response to climate change, based on the concept of living in harmony with nature.
Lub Sij Hawm Ua Hauj Lwm: The project started in August 2018 in Thailand and finished in April 2021 in Thailand, and was awarded winning and exhibited in many museums and galleries such as Thailand, China, Spain, Romania and USA. It was also published in Academics fields like international conferences and journals for example; Pratt Institute (New York), University of Montreal (Mexico), Falling Wall LAB (Germany) and Ewha Womans University (Korea).
Txheej Txheem Ua Hauj Lwm: This study applies a scientific experiment process to discover a new material with remarkable properties that will contribute to both restoring Thailand’s growth foundation and improving the security of its natural resource base. This will help to promote conservation, by limiting the use of the country’s natural capital and managing it to create balance in the environment, which will enhance the quality of life for its citizens. In the future, human garment design will rely on new developments in bioscience technology, which will exhibit the potential integration of aesthetic philosophy and innovation, resulting in the effective design of a textile substitute.
Cov Patent: Patents

1. 1903002625
9 October, 2019

2. 2001006387
6 November, 2020
Kev Qhuas Duab: All images, Photos and Video credits go to Khajornsak Nakpan.