Zane Surely Art Sarari daga Michael Lam mai nasara ne mai daraja sosai na 2020 Kyautar A' Design Award ta Zinariya a Rukunin Gasar Cikin Gida.

ZinariyaCikin Gida· 2020

Surely Art Sarari

daga Michael Lam

Abokin Ciniki: Surely

Mai Nasarar Kyautar A' Design Award ta Zinariya a Rukunin Cikin Gida

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Mai Nasara da Aka Tabbatar

Tabbatar da Matsayin Kyauta na #99584

Ziyarci Shafin Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

Launuka

Ƙirar

Game da Surely Art Sarari

Wannan sigar fasaha ce, ta yau da kullun ce kuma sun haɗu duka a wuri guda. Tun da gine-ginen da ke ƙasar ne ke sarrafa sutturar sutturar masana'anta. Ginin gaba daya yana riƙe da motsled na bangon, kamar yadda layin rubutu na sarari, ƙirƙirar bambanci da waje, shima yana haifar da ƙwarewar sararin samaniya. Abandon da yawa mai tsananin ado, ya yi amfani da wasu kayan ado masu taushi domin nuni wanda ya haifar da nutsuwa. Bambanci tsakanin halitta da farkon matakin ya fi sauki don dorewar ci gaban sarari a gaba.

Amincewa

Game da Kyautar A' Design Award ta Zinariya

Zanen Surely Art Sarari ya lashe Kyautar A' Design Award ta Zinariya, wata karramawa mai matuƙar daraja da ake bai wa zane-zane na matakin farko, masu ban mamaki kuma na musamman. Waɗanda suka lashe kyautar Zinariya ƙirƙire-ƙirƙire ne masu sababbin abubuwa sosai, masu hangen nesa kuma masu haske mai ban sha'awa waɗanda ke nuna hazaƙa, hikima da ƙwarewar masu zanensu. Ana sa ran zanen Surely Art Sarari ya zama ƙirƙira mai yabo sosai, mai kafa yanayi kuma babba wacce ke kawo ƙima da ba a taɓa ganin irinta ba. Wannan zane da ya lashe Kyautar A' Design Award ta Zinariya aiki ne mai ban mamaki, mai daraja wanda ke amfanar fasaha, kimiyya, zane da fasahar zamani sosai kuma yana kai iyakokinsu gaba. Zanen Surely Art Sarari yana haifar da tsananin sha'awa, yana tada soyayya ga aiki, yana ƙarfafa ƙirƙira kuma yana burge mu.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: Designers are take time as the starting point of thinking. In the chaotic and decadent old factory, they skillfully use the sense of dislocation in time to create the gap between the inside and the outside, between the object and the space, to show the spatial context of living against the time, appearing along with the time, so as to provide a deeper and meaningful place experience for the viewers.
Girma da Fakitin: Design area：10763 sq.ft
Kalmomin Alama: Interior, Space, Art, Retail, Photography
Fasahar Samarwa: Main Material：Special Paint, Terrazzo, Original Solid Wood, Ultra-white Glass
Ƙalubalen Zane: In the process, the designer and the owner experience the overthrow and replay of the design scheme, the reconstruction and disassembly of the wall, and the continuous replacement of the soft decoration display, which is not so much full of various imperfect factors, but rather a design co creation process in which both parties continuously influence each other.
Bincike: Shortly after the project was put into operation, without marketing planning, it quickly became a hot topic in Hangzhou, China, and one of the most popular art punch points in the country. It is a space for photography and art, a new benchmark of the industry and a new fashion stronghold in the city.
Wahayi: The whole building retains the mottled and contiguous texture of the wall, transforms into the uniform skin texture of the indoor space, and falls behind the outdoor environment, creating a sense of surprise for the viewer to invert the time, creating a unique space experience, secondly, abandoning too much hard decoration, releasing more relaxed space for high-quality soft display. And display, create the contrast with the base of the original space.
Tsawon Lokacin Aikin: The project started in Hangzhou, China in March 2018 and was completed in Hangzhou, China in 2019.
Tsarin Aiki: According to time, weather and unpredictable natural light, the designer enters the room through the opening to form rich shadows and lines, so that the space can get rid of boredom and become active. After moving to the interior space of the main building, the walls are cleaned, showing a mottled and rough texture again, giving off a simple atmosphere, thick and stable. The exquisite art installation is in a corner, embracing the whole space in an introverted way.
Godiyar Hotuna: All pictures:Da qi Zhang / Michael Lam (Designer)