The Japanese Forest Daukar Hoto daga Masaru Eguchi

Zane The Japanese Forest Daukar Hoto daga Masaru Eguchi mai nasara ne mai daraja sosai na 2020 Kyautar A' Design Award ta Azurfa a Rukunin Gasar Ɗaukar Hoto.

AzurfaƊaukar Hoto· 2020

The Japanese Forest Daukar Hoto

daga Masaru Eguchi

Abokin Ciniki: Sunpono

Mai Nasarar Kyautar A' Design Award ta Azurfa a Rukunin Ɗaukar Hoto

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Ziyarci Shafin Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

Launuka

Ƙirar

Game da The Japanese Forest Daukar Hoto

An ɗauke da Dajin Jafan daga mahangar addinin Japan. Daya daga cikin tsoffin addinan Jafananci shine Animism. Tashin hankali mutum imani ne wanda ba halittar ɗan adam ba, har yanzu rayuwa (ma'adanai, kayayyakin gargajiya, da sauransu) da kuma abubuwan da ba a iya gani suna da niyya. Daukar hoto yayi kama da wannan. Masaru Eguchi yana harbi wani abu wanda ke jin ji a cikin batun. Bishiyoyi, ciyawa da ma'adanai suna jin nufin rayuwa. Kuma koda kayayyakin tarihi irin su madatsun ruwa da suka ragu a yanayi na dogon lokaci suna jin wasiyyar. Kamar dai yadda ka ga yanayin da ba a taba shi ba, nan gaba za su ga shimfidar wuri na yanzu.

Amincewa

Game da Kyautar A' Design Award ta Azurfa

Zanen The Japanese Forest Daukar Hoto ya lashe Kyautar A' Design Award ta Azurfa, wata karramawa mai tsananin daraja da ake bai wa zane-zane na matakin koli, masu kyau sosai kuma masu burgewa. Waɗanda suka lashe kyautar Azurfa ayyuka ne masu haske sosai da ƙirƙira mai yawa waɗanda ke nuna ƙwarewa, baiwa da kaifin tunanin masu zanensu. Ana sa ran zanen The Japanese Forest Daukar Hoto ya zama aiki mai ban mamaki, abin koyi, mai ƙwarewa sosai kuma mai ƙirƙire-ƙirƙire mai zurfi. Wannan zane da ya lashe Kyautar A' Design Award ta Azurfa ƙirƙira ce mai abin lura sosai, da ake sha'awa, wacce ke amfanar da kuma kai iyakokin fasaha, kimiyya, zane da fasahar zamani gaba. Zanen The Japanese Forest Daukar Hoto ƙirƙira ce da ake yi wa hassada sosai wacce ke tada sha'awa, tana kawo jin daɗi kuma tana haifar da mamaki da al'ajabi.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: "The Japanese Forest" is taken from a Japanese religious perspective.
In addition, the more it explores the unique perspectives of Japan, the more universal and true nature appears.
The nature in this work is the scenery seen by ancient people, modern people, and future people.
Girma da Fakitin: The camera used in "The Japanese Forest" is NIKON Df. Retouch uses Adobe CC.
Kalmomin Alama: Japan, Photo, Nature, Mountain, Forest, Tree, Green, Landscape, Sustainable, Ecology
Fasahar Samarwa: The technology required for "The Japanese Forest" is digital retouching. Digital retouching has made it possible to achieve both nostalgia and newness. With this work, He was able to create colors that could not be achieved with film.
Ƙalubalen Zane: The difficulty with this project is that forests are decreasing in Japan. Japanese forests were destroyed by economic growth in the 1960s. Replanted with fast-growing trees, Japanese forests have become similar.
Bincike: Type of study: animism, eight million gods. Research purpose: To preserve the existing landscape in the future. Methodology: photography. Tools: Japanese classic books. Influence of design: The more unique the country landscape, the more universal the beauty.
Wahayi: One of the beginnings of Japanese religion is the "Yaoyorozu-no-kami". "Yaoyorozu-no-kami" is the belief that there is a god in all things in nature, and it is introduced in foreign countries as "Animism" or "Shinto". Shooting is similar to "Animism". Trees, minerals, and dead grass feel the will of life, and even if an artifact like a dam is left in nature for a long time, it will feel the will of life. Just as we see untouched nature, the future people see the current scenery.
Tsawon Lokacin Aikin: The project was created between 2013 and 2015. And it was released on eguchimasaru.com.
Tsarin Aiki: This work reminds the user of the view of nature stored in the gene. This work suggest a discussion about what is needed for the future art. This is the role of the work.
Haƙƙoƙin Ƙirƙira: Copyright: Masaru Eguchi
Godiyar Hotuna: Image #1: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #2: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #3: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #4: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #5: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020.