Tsallaka zuwa abun ciki
Into the Water Jerin Zane-Zane daga Sonia Alins

Zane Into the Water Jerin Zane-Zane daga Sonia Alins mai nasara ne mai daraja sosai na 2017 Kyautar A' Design Award ta Tagulla a Rukunin Gasar Fasaha.


TagullaFasaha· 2017

Into the Water Jerin Zane-Zane

daga Sonia Alins

Abokin Ciniki: Sonia Alins

Mai Nasarar Kyautar A' Design Award ta Tagulla a Rukunin Fasaha

16,722

Mai Nasara da Aka Tabbatar

Tabbatar da Matsayin Kyauta na #56056

Launuka

Ƙirar

Game da Into the Water Jerin Zane-Zane

Wannan jeri yana ba mai kallo mamaki da wani yanayi na ruwa mai ban mamaki inda adadi masu yawa suka fito, wadanda ke fama da kaddara. Mai zane yana bincika yiwuwar bayyana gaskiya da blur, kafa matakai daban-daban na fahimta ta hanyar kawo zurfin zurfafawa. Duk wannan, godiya ga ƙaddamar da ƙananan kayan da aka tsara, musamman takarda da polypropylene. Don haka ya fito aiki mai ban sha'awa mai ban sha'awa tare da hali na alama da gaskiya.

Amincewa

Game da Kyautar A' Design Award ta Tagulla

Zanen Into the Water Jerin Zane-Zane ya lashe Kyautar A' Design Award ta Tagulla, wata karramawa mai tsananin daraja da ake bai wa zane-zane na musamman waɗanda ke da ƙirƙira, basira da hikima. Waɗanda suka lashe kyautar Tagulla kayayyakin fasaha ne masu ƙwarewa da ƙirƙira mai ban mamaki waɗanda ke tabbatar da babban gogewa, tunani da dabarun masu zanensu. Ana sa ran zanen Into the Water Jerin Zane-Zane ya zama abu da ake girmamawa sosai, ake sha'awa da ƙauna, mai ƙwarewa da ƙirƙire-ƙirƙire. Wannan zane da ya lashe Kyautar A' Design Award ta Tagulla yana haɗa mafi kyawun ayyuka a fasaha, kimiyya, zane da fasahar zamani, kuma yana da kyau saboda kulawarsa ga cikakkun bayanai. Zanen Into the Water Jerin Zane-Zane yana biyan buƙatu da kyau, yana taɓa sha'awa, yana jan hankalin zukata kuma yana jawo sha'awar sani.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman
Into the Water is a series of artworks with which the artist explores, in a special way, concepts such as surrealism and visual poetry. Besides that, the unique personality of this series is the consequence of a studied process of creation that experiments with the idea of generating, in a minimalist way, ethereal atmospheres through different levels of transparency. The result are mysterious and delicate collages that contain very expressive figures emerging from an aquatic environment.
Girma da Fakitin
500 mm x 500 mm x 45 mm each artwork
Kalmomin Alama
surrealism, minimalism, illustration, art, atmosphere, symbolic, collage, blurred, water, mysterious
Fasahar Samarwa
For the production and realization of the artworks the following materials have been necessary: watercolor paper and cardboards of different shades for the trimmed figures, that are inked with black ink and painted with watercolors and colored pencils. On the other hand, polypropylene sheets were used for the aquatic environment. Some of the pieces also include wool to add different textures. Once the different pieces were assembled in a inner frame, they were inserted into a outer frame with a height of 45mm. Thus the pieces have depth and we obtain different degrees of blur.
Ƙalubalen Zane
Behind some seemingly simple images there is a demanding search job. It was necessary to find a material that offered different degrees of visibility depending on the distance between this and the figures. After several tests with tracing paper, the final solution were the polypropylene sheets, perfect because of its consistency and a suitable degree of blurring.
It was also difficult to find a perfect solution for the coloring of the background and the figures and how to place the figures in order to obtain the exact grade of blurring and the maximum expressiveness to the whole scene.
Bincike
The aim of the artistic research was to create artworks full of visual poetry and lyricism.
After defining the artistic idea, the objective of the technical research was to create an environment with different degrees of transparency that gives tridimensionality to the artwork. So, I tested papers and cardboards for the figures and many semitransparent materials for the background. I also tested tulle, cloth or wool, in order to represent different textures.
The results were positive, as the definitive collages convey the feelings intended at the beginning of the project.
Wahayi
Inspiration for these artworks comes from the contemplation of several of my favorite artists namely Joseph Cornell, Yves Klein, Francesca Woodman, Wynn Bullock and Barbara Morgan. Also, Hieronymus Bosch is always present as a referent due to his narrative. Apart from that, I felt the need to explore, in a subtle way, the idea of transparency and different levels of perception, in order to achieve the unreal atmosphere I wanted in my artworks. To me, this was the perfect setting to develop my narrative and convey emotion.
Tsawon Lokacin Aikin
The project started in February 2014 in Lleida with a short collection of five pieces (230 x 230 mm each). The definitive artworks (500 x 500 mm) were completed in November 2016 in Lleida. One of the pieces, called Into the water, was selected as a finalist at the World Illustration Awards 2016 (backed by the AOI): currently, it is part of the exhibition tour all around the UK.
Tsarin Aiki
The originality of the technique and the delicate but strong personality of this collection, ensure that the interaction with the viewer is very intense. "Into The Water" series try to convey an ethereal sensation when looking at the bodies fading subtly under a translucent veil that brings depth to the pieces and adds to the work a strange feeling of unreality that disturbingly combines with the situation of extreme expressiveness that the characters are experiencing.
Haƙƙoƙin Ƙirƙira
© Sonia Alins, 2016.
Mambobin Ƙungiya
Creative Director: Sonia Alins
Assistant: Juanjo Barco
Godiyar Hotuna
Image #1: Artist Sonia Alins, 2016
Image #2: Artist Sonia Alins, 2016
Image #3: Artist Sonia Alins, 2016
Image #4: Artist Sonia Alins, 2016
Image #5: Artist Sonia Alins, 2016

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