Stone Plant Sculpture Sassaken Lambu daga Udo Hubert Dagenbach

Zane Stone Plant Sculpture Sassaken Lambu daga Udo Hubert Dagenbach mai nasara ne mai daraja sosai na 2017 Kyautar A' Design Award ta Azurfa a Rukunin Gasar Kayan Ɗaki na Titi.

AzurfaKayan Ɗaki na Titi· 2017

Stone Plant Sculpture Sassaken Lambu

daga Udo Hubert Dagenbach

Abokin Ciniki: Glasser and Dagenbach

Mai Nasarar Kyautar A' Design Award ta Azurfa a Rukunin Kayan Ɗaki na Titi

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Ƙirar

Game da Stone Plant Sculpture Sassaken Lambu

Sassaken Dutse na Shuka wani lambu ne mai sauƙi, wanda aka kera a siffar cube mai girman santimita 130 da 130 da 130. Rabin ɗaya toshin dutsen limestone ne na zamanin Jurassic, wanda aka yanka a wani ma'adinin dutse a kudancin Jamus. Fuskokin dutsen da ake gani an sassaka su kuma an goge su domin su nuna kamannin tsufa. Rabin dayan kuma an yi shi da tsire-tsiren yew guda hudu, waɗanda aka datse zuwa girman ƙarshe bayan an shuka su. Wata layi mai kusan diagonal ce take nuna inda dutsen da shukar suka hadu. Zanen wani fassarar Turai ne na lambuna na Zen na Japan. Cube din yana tsaye a kan lawn mai lebur kuma yana bukatar kulawa kadan.

Amincewa

Game da Kyautar A' Design Award ta Azurfa

Zanen Stone Plant Sculpture Sassaken Lambu ya lashe Kyautar A' Design Award ta Azurfa, wata karramawa mai tsananin daraja da ake bai wa zane-zane na matakin koli, masu kyau sosai kuma masu burgewa. Waɗanda suka lashe kyautar Azurfa ayyuka ne masu haske sosai da ƙirƙira mai yawa waɗanda ke nuna ƙwarewa, baiwa da kaifin tunanin masu zanensu. Ana sa ran zanen Stone Plant Sculpture Sassaken Lambu ya zama aiki mai ban mamaki, abin koyi, mai ƙwarewa sosai kuma mai ƙirƙire-ƙirƙire mai zurfi. Wannan zane da ya lashe Kyautar A' Design Award ta Azurfa ƙirƙira ce mai abin lura sosai, da ake sha'awa, wacce ke amfanar da kuma kai iyakokin fasaha, kimiyya, zane da fasahar zamani gaba. Zanen Stone Plant Sculpture Sassaken Lambu ƙirƙira ce da ake yi wa hassada sosai wacce ke tada sha'awa, tana kawo jin daɗi kuma tana haifar da mamaki da al'ajabi.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: Two companies asked for a series of gardens, objects which show the possibilties combining their products. Jurrasic limestones and plants. So we created the idea for the most minimalistic garden, a european interpretation of Japanese Zen Gardens. Forming a cube with a pruned yew and a limestone. The joint between both is defined by an almost diagonal line through the cube.
Two materials - plant and stone - a simple shape.
Girma da Fakitin: The stone plant sculpture forms a cube of 130 x130 x 130 cm. It consists of Lime stone and Yew hedge plants which are planted close to the stone to form the intended cube together. The stone is placed on a concrete foundation.
Kalmomin Alama: minimal garden, minimalistic garden, garden sculpture, cube garden, plant stone, land art, minimal art, jurrasic marble, limestone, yew
Fasahar Samarwa: One part of the garden cube is produced from a piece of Jurrasic marble, also called limestone. It was produced in a South German Quarry of the Franken Schotter Company. It was cut out of a raw block. The standing side and the side facing the plants are diamond saw cut. The visible surfaces are chisselled and brushed, what gives it a aged look. The other half is planted from four Taxus baccata, yew, from Bruns Nursery which have been properly pruned to the final size after planting.
Ƙalubalen Zane: It was a challenge not to choose a solution which looked too natural and showed expectable designs. So we have struggled to be maximum minimalistic, showing a clear, simple solution that immediately could be understood by the international guests of the nursery and the United World College. To do less than could be possible is the most challenging step. Our fear that strong frosts could cool down the stone so much that the plants will be harmed and killed by it did not come true even in the high mountains of Armenia
Bincike: The request of two companies to do a work with the products they produce needed a research on similar projects. We found that doing this in a expectable and already common way would not give a good impression. So we found that the solution should be reduced to message they want to tell their clients with this action: "Our products fit together very well". By keeping it simple the impression is stronger.
Wahayi: Since long time I searched for a European equivalent of Japanese Garden designs. Finally the minimalistic ideas of the Bauhaus period gave a hint what could be possible. The suggested project is one out of a series of projects which we have done in this way. Whilst Japanese Gardens often use the scale 1:3 to reflect a real landscape in a new and abstract way, this project does not reflect any landscape and does not use any scale. It is the maximum reduction of a garden ending up as a sculpture.
Tsawon Lokacin Aikin: The project started in 2002 as a joint venture between the Franken Schotter Quarry and the Bruns nursery. After its realization in 2003 it stood in Bad Zwischenahn, North Germany, in front of the adminitrative office of Bruns Nursery. In 2015 the project was moved to The United World College in Dilijan Armenia, where it is installed now permanently at the Prince of Wales avenue.
Tsarin Aiki: The garden cube needs low maintenance. The hedges should be properly pruned 3 times a year to show a perfect impression.
The stone needs a yearly cleaning with simple water by using a high pressure cleaner. The placement on a flat piece of lawn is essential to make it work visualy.
Haƙƙoƙin Ƙirƙira: all copyrights belong to Udo Dagenbach, glasser and dagenbach, 2006
Mambobin Ƙungiya: Draftswoman: Katrin Weincke
Installation: Bruns Nursery
Stone works: Franken Schotter Quarries
Godiyar Hotuna: Image #1 Udo Dagenbach, garden cube, 2007
Image #2 Udo Dagenbach, garden cube, 2007
Image #3 Udo Dagenbach, garden cube, 2007
Image #4 Udo Dagenbach, garden cube, 2007
Image #5 Udo Dagenbach, garden cube, 2007