Lasso Kayan Ado Na Ado daga Cristina Orozco Cuevas

Zane Lasso Kayan Ado Na Ado daga Cristina Orozco Cuevas mai nasara ne mai daraja sosai na 2014 Kyautar A' Design Award ta Tagulla a Rukunin Gasar Masaku.

TagullaMasaku· 2014

Lasso Kayan Ado Na Ado

daga Cristina Orozco Cuevas

Abokin Ciniki: Cristina Orozco Cuevas Studio

Mai Nasarar Kyautar A' Design Award ta Tagulla a Rukunin Masaku

23,184

Mai Nasara da Aka Tabbatar

Tabbatar da Matsayin Kyauta na #30204

Ziyarci Shafin Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

Launuka

Ƙirar

Game da Lasso Kayan Ado Na Ado

Lasso a matsayin ma'anar dogon igiya ce wacce take da noose a gefe ɗaya. Madadin yin wahayi zuwa cikin; wannan yadudduka sakamakon. Yana da duka taɓawa ta musamman da na ado da banda wasu tashoshi na murkushewa na musamman don haka hasken na iya wucewa cikin taushi sosai. Rabin masana'antu ne - rabin kera, saka a cikin kayan lantarki kuma an yanke shi da hannu. Wannan aikin yana da matukar kyau da kuma jaraba kamar alewa kuma ya kasance ɗaya daga cikin manyan kalubale da ganowa a kan sana'ata ta mai tsara zane. Wannan aikin yana game da serendipia, tuntuɓe kan, gano damar, sahihanci da haɗari.

Amincewa

Game da Kyautar A' Design Award ta Tagulla

Zanen Lasso Kayan Ado Na Ado ya lashe Kyautar A' Design Award ta Tagulla, wata karramawa mai tsananin daraja da ake bai wa zane-zane na musamman waɗanda ke da ƙirƙira, basira da hikima. Waɗanda suka lashe kyautar Tagulla kayayyakin fasaha ne masu ƙwarewa da ƙirƙira mai ban mamaki waɗanda ke tabbatar da babban gogewa, tunani da dabarun masu zanensu. Ana sa ran zanen Lasso Kayan Ado Na Ado ya zama abu da ake girmamawa sosai, ake sha'awa da ƙauna, mai ƙwarewa da ƙirƙire-ƙirƙire. Wannan zane da ya lashe Kyautar A' Design Award ta Tagulla yana haɗa mafi kyawun ayyuka a fasaha, kimiyya, zane da fasahar zamani, kuma yana da kyau saboda kulawarsa ga cikakkun bayanai. Zanen Lasso Kayan Ado Na Ado yana biyan buƙatu da kyau, yana taɓa sha'awa, yana jan hankalin zukata kuma yana jawo sha'awar sani.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: half industrial - half crafted, designed with textile CAD software, woven in jacquard electronic looms and cut by hand. It is woven industrially, but cut by hand which gives job to machines and external people. It forms vertical channels as a kind of fray where the light can pass through very sofltly. The frays are crafted processes and lasts months. A fabric with this kind of processes in the industry mills is nearly impossible but not that much.
Girma da Fakitin: Widths available: 1.40 m and 2.80 m. Rapport repeat: 35 cm width x 25 cm height. Uses: lamps, pillows, bedscarfs and decorative curtains. As a finish ironing the loose fur brings more volume and the frayed channels are more obvious. It is of massive production and the loose yarns are strongly moored with a tafeta special weave union.
Kalmomin Alama: Jacquard, textile, decoration, fabric, lasso, half indusrtrial, half handmade, fur
Fasahar Samarwa: All polyester dyed yarns woven in Jacquard electronic looms. The floated yarns are cut manually by a special tool we call knife shutter. The weave technique is very old (double fabric). However the important aspect is how I applied the weaves interlaced in order to be viable to be produced and not just as a prototype as good productivity performance. The special tool developed reminded textile engineers old techniques to make corduroy.
Ƙalubalen Zane: At the beginning the aim was to develop a fabric with square bags. It would have little bags to put inside tools or jewelry. After weaving and testing different techiques, this came up as a serendipity all of it. There were more than 10 previews designs to get to the final lasso fabric. The weaves interaction result was floats in warp and weft. To cut the yarns in vertical and horizontal, we developed a special tool that works as a long shuttle knife to have a better and faster production. It was an enormous challenge to have it accomplished as a product and to convince the mill that it would work.
Bincike: The research was completely experimental. Textile engineers were afraid that using this technique on industrial looms could not work, specially the machines weaving. The process of cutting the loose yarns was hard in order to bring a product that because of the hand crafted process would not be so expensive that would not work with the market prices. Besides the lead time to deliver a roll of this product within 3 weeks at least. Since warping process till the client's door. The cut part can be done by external workers so other people get a job.
Wahayi: I named it lasso as a long rope with a running noose at one end. This project can be described as: experimentation. This fabric started with the research of something very different from the result. More than inspiration this project is about having luck, stumbling upon, chance discovery, fortuity and accident. It is a piece of hard work, research, mulish and not withdraw.
Tsawon Lokacin Aikin: The project started in March, 2012 and ended in September, 2012.
Tsarin Aiki: It has a special appearance as it seems as an extra application or embroidery upon the fabric but in fact it is woven like that. People always want to touch first than see the furry yarns. If there is light behind the soft feeling is quite special and light passes through the frayed parts. This kind of textile can replace goose feathers.
Mambobin Ƙungiya: Cristina Orozco Cuevas