Tokyo Kujerar Hutawa daga Isabelle De Mari

Zane Tokyo Kujerar Hutawa daga Isabelle De Mari mai nasara ne mai daraja sosai na 2026 Kyautar A' Design Award ta Azurfa a Rukunin Gasar Ƙirar Kayan Ɗaki.

AzurfaKayan Ɗaki· 2026

Tokyo Kujerar Hutawa

daga Isabelle De Mari

Abokin Ciniki: Olho Moveis Autorais

Mai Nasarar Kyautar A' Design Award ta Azurfa a Rukunin Kayan Ɗaki

20,377

Mai Nasara da Aka Tabbatar

Tabbatar da Matsayin Kyauta na #181979

Ziyarci Shafin Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

Launuka

Ƙirar

Game da Tokyo Kujerar Hutawa

Tokyo kujerar hutawa ce da aka yi da ingantaccen katakon sucupira na Brazil. Ginin kujerar a bayyane yake gaba ɗaya, yana nuna haɗe-haɗen katako da sassan katako da aka siffanta. An juya hannayenta da maɗauran bayanta a kan na'urar lathe cikin sarrafawa da hannu, tare da ƙirar tantani a ƙarshensu. An saka fatar halitta a cikin kowanne wurin ajiye hannu kuma an kammala shi da ɗinki. Matashan zama da na baya sun haɗa kumfar polyurethane mai yadudduka da cikawar gashin tsuntsu, an lulluɓe su da lilin mai launin ruwan ƙasa. An goge saman kujerar da hannu kuma an kammala shi da varnish maras walƙiya. Wannan ƙirar tana amfani da ƙa'idojin aikin katako na Japan a kan kayan Brazil.

Amincewa

Game da Kyautar A' Design Award ta Azurfa

Zanen Tokyo Kujerar Hutawa ya lashe Kyautar A' Design Award ta Azurfa, wata karramawa mai tsananin daraja da ake bai wa zane-zane na matakin koli, masu kyau sosai kuma masu burgewa. Waɗanda suka lashe kyautar Azurfa ayyuka ne masu haske sosai da ƙirƙira mai yawa waɗanda ke nuna ƙwarewa, baiwa da kaifin tunanin masu zanensu. Ana sa ran zanen Tokyo Kujerar Hutawa ya zama aiki mai ban mamaki, abin koyi, mai ƙwarewa sosai kuma mai ƙirƙire-ƙirƙire mai zurfi. Wannan zane da ya lashe Kyautar A' Design Award ta Azurfa ƙirƙira ce mai abin lura sosai, da ake sha'awa, wacce ke amfanar da kuma kai iyakokin fasaha, kimiyya, zane da fasahar zamani gaba. Zanen Tokyo Kujerar Hutawa ƙirƙira ce da ake yi wa hassada sosai wacce ke tada sha'awa, tana kawo jin daɗi kuma tana haifar da mamaki da al'ajabi.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: Tokyo asserts craftsmanship as structure and expression. Defined by its fully exposed wooden frame in solid Brazilian sucupira, the lounge chair reveals precision woodworking through manually operated lathe-turned arms with subtle concave detailing at the ends. An inlaid leather armrest refines the tactile experience, balancing substantial material presence with aesthetic lightness and disciplined form.
Girma da Fakitin: Dimensions: 700 mm W x 800 mm D x 700 mm H.
Weight: approximately 30 kg.
Structure: solid sucupira wood.
Armrests with recessed natural leather inlay and stitching.
Seat and back cushions with layered foam and feather filling, upholstered in brown linen.
Finish: matte acrylic varnish.
Non disassemblable construction.
Kalmomin Alama: Lounge chair, Solid wood furniture, Japanese craftsmanship, Brazilian sucupira, Exposed structure, Artisanal woodworking, Contemporary seating, Minimalist design, Leather inlay
Fasahar Samarwa: Tokyo is manufactured in certified solid Brazilian sucupira hardwood. Structural components are precision machined, with arms and back supports shaped on a mechanically driven lathe under manual control. Armrests incorporate recessed detailing for flush leather inlay. Elements are hand sanded to refine concave terminations. The base is assembled from solid planks with radiused edges. Upholstery combines multi density polyurethane foam and feather filling. Finished with water based matte varnish.
Ƙalubalen Zane: The main challenge was achieving formal discipline while working with substantial volumes of solid wood. Balancing structural mass with refined proportion required precise control during lathe shaping and manual finishing. Internally, the project sought to reinterpret Japanese woodworking principles within a Brazilian material context. Externally, contemporary production constraints demanded efficiency without compromising craft integrity, requiring careful coordination between technique, material and artisanal execution.
Bincike: Research focused on refining solid sucupira structure through controlled manual processes. The objective was to test how lathe shaped components and proportional studies could enhance structural precision. Methodology included full scale prototyping and ergonomic evaluation. Data was collected through physical mockups and material testing. Experiments centered on hand guided finishing. Results confirmed durability and refined surface quality, reinforcing craft driven production in contemporary furniture.
Wahayi: Tokyo was inspired by the principles of Japanese woodworking, where precision, restraint and respect for material define construction. The project explores how substantial volumes of solid wood can achieve visual lightness through disciplined detailing and controlled form. By prioritizing hand guided processes, even when using mechanical tools, the design embraces an a mano approach, valuing the artisan gesture over automated production.
Tsawon Lokacin Aikin: The project started in July 2025 in Sao Paulo, Brazil, and was completed in October 2025. It was officially launched in November 2025 as part of the Tokyo Collection, a broader furniture series inspired by Japanese culture and craftsmanship.
Tsarin Aiki: Tokyo is experienced as a balance between structure and comfort. The solid wood frame provides visual stability, while the layered cushions offer a soft and supportive seat. The recessed leather armrest enhances tactile contact, creating a refined resting point for the hands. Its proportions encourage a relaxed posture without excess, allowing the user to feel supported by craftsmanship rather than hidden structure.
Mambobin Ƙungiya: Designer: Isabelle De Mari
Designer: Filipe Melo