Zane Nakovalnya Kujera daga Nataliya Naymark mai nasara ne mai daraja sosai na 2026 Kyautar A' Design Award ta Baƙin Ƙarfe a Rukunin Gasar Ƙirar Kayan Ɗaki.

Baƙin ƘarfeKayan Ɗaki· 2026

Nakovalnya Kujera

daga Nataliya Naymark

Abokin Ciniki: NNaymark.design

Mai Nasarar Kyautar A' Design Award ta Baƙin Ƙarfe a Rukunin Kayan Ɗaki

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Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

Launuka

Ƙirar

Game da Nakovalnya Kujera

Nakovalnya babbar kujera ce mai daraja wadda take girmama ruhin masana'antu na wurin ƙera ƙarfe na daular Rasha. An samo ilhamarta daga gadon aikin maƙera na kakannin mai zanen, wannan aikin ya mayar da siffar makera (anvil) mai nauyi da kwanciyar hankali zuwa sassaƙaƙƙen itace na zamani. Da mazauninta mai zurfi da aka gyara da inji cikin daidaito da kuma siffar brutalist, Nakovalnya tana aiki a matsayin kujera mai amfani da kuma wurin ajiye kaya. Tana wakiltar ainihin farkon abu, wato wurin aiki da aka mayar da shi babban abin ado na gida ta hanyar ƙwarewar sana'a mai inganci.

Amincewa

Game da Kyautar A' Design Award ta Baƙin Ƙarfe

Zanen Nakovalnya Kujera ya lashe Kyautar A' Design Award ta Baƙin Ƙarfe, wata karramawa mai daraja da ake bai wa kyawawan zane-zane waɗanda ke cika buƙatun ƙwararru da masana'antu da ake tsammani daga ƙirƙire-ƙirƙire da aka tsara da kyau. Waɗanda suka lashe kyautar Baƙin Ƙarfe suna nuna babban ƙwarewa, ƙwarewa ta musamman, fahimtar ƙwararru da ikon ƙirƙira na masu ƙirƙirar su. Ana sa ran zanen Nakovalnya Kujera ya zama ƙirƙira da ake girmamawa sosai, ake sha'awa da ƙauna wacce ke da amfani kuma mai sababbin abubuwa. Wannan zane da ya lashe Kyautar A' Design Award ta Baƙin Ƙarfe yana haɗa mafi kyawun ayyukan fannin kuma yana da halayen fasaha masu cancanta da ke da alaƙa da sanin yadda da baiwa. Ana girmama zanen Nakovalnya Kujera saboda cikakkiyar kulawarsa kuma an tsara shi don ba da ingantuwar rayuwa da ke taimakawa wajen mai da duniya wuri mafi kyau.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: The Nakovalnya Chair explores ancestral heritage and the primordial act of creation. Inspired by the designer's great-great-grandfather, a blacksmith in Imperial Russia, the project embodies the grit and transformative power of the forge. The motive was to translate the "Anvil" - a site of intense labor and fire - into a domestic center piece. It serves as a tribute to the humble beginnings where raw materials are struck into beauty, positioning the chair as the essence of the home.
Girma da Fakitin: 700*640*680
Kalmomin Alama: Anvil Chair, Nakovalnya Design, Blacksmith Heritage, Russian Brutalism, Sculptural Seating, Solid Wood Furniture, Valet Chair, Ancestral Storytelling, Imperial Russia, Modernist Craft, Monumental Furniture, Functional Art, CNC Woodworking, Hand-finished Timber, Heritage Design.
Fasahar Samarwa: The chair is realized through high-precision solid wood joinery, using oversized ash or oak to achieve its brutal mass. The primary structural challenge involved the deep concave seat, achieved through multi-axis cnc milling and hand-finishing to highlight the grain. The assembly uses mortise-and-tenon joints, reinforced to support the cantilevered backrest and hanging rail. The finish is a matte, low-voc oil that preserves the raw, tactile nature of the timber.
Ƙalubalen Zane: The hardest part was balancing brutalism with human ergonomics. To honor the anvil, the chair needed to feel heavy and immovable while remaining a comfortable seat. Overcoming the internal factor of personal history, ensuring the tribute was respectful yet modern, required multiple iterations of the silhouette. Structural limits of wood when mimicking the weight of iron posed engineering challenges. Achieving the deep seat curve without compromising the grain was the main technical hurdle.
Bincike: This project is a work of Applied Conceptual Research aimed at bridging ancestral history with modern furniture typology. The objective was to distill the "spirit of the forge" into a functional domestic object. The methodology involved a deep dive into 19th-century blacksmithing tools and Russian peasant heritage, translating heavy iron geometries into wood. Data collection consisted of studying anvil proportions and ergonomic testing of concave surfaces. Through experiments with 1:1 scale prototypes, the research successfully balanced "brutalist" aesthetics with seating comfort. The insight gained is that furniture can act as a vessel for historical memory, impacting design by moving away from clinical minimalism toward soulful, narrative-driven objects that resonate with a society seeking deeper connections to their past.
Wahayi: Nakovalnya is a sculptural seating element prioritizing a brutalist aesthetic. Characterized by thick-set wooden members and a dramatic concave seat, the design mimics the grounded geometry of traditional iron-working tools. Its unique strength lies in its dual functionality: it serves as a robust seating vessel and a sculptural valet for garments. Unlike standard furniture, Nakovalnya acts as a physical manifesto of historical labor, bridging the gap between utilitarian craft and art.
Tsawon Lokacin Aikin: autumn 2025
Tsarin Aiki: The chair functions as a heavy-duty sanctuary for both the body and belongings. Its deep, scooped seat provides a grounded sitting experience, while the high, sturdy backrest is designed to double as a valet for hanging heavy coats or everyday clothes. Interaction is simple and tactile: the oversized wooden frame encourages the user to feel the history of the forge. It performs better than standard seating by offering a dual-purpose "sculptural anchor" that organizes the space around it.