Suwen Guqin daga Shanghai Yitong Cultural Communication Co.,Ltd.

Zane Suwen Guqin daga Shanghai Yitong Cultural Communication Co.,Ltd. mai nasara ne mai daraja sosai na 2026 Kyautar A' Design Award ta Tagulla a Rukunin Gasar Kayan Kiɗa.

TagullaKayan Kiɗa· 2026

Suwen Guqin

daga Shanghai Yitong Cultural Communication Co.,Ltd.

Abokin Ciniki: Shanghai Yitong Cultural Communucation Co.,Ltd.

Mai Nasarar Kyautar A' Design Award ta Tagulla a Rukunin Kayan Kiɗa

15,175

Mai Nasara da Aka Tabbatar

Tabbatar da Matsayin Kyauta na #180049

Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

Launuka

Ƙirar

Game da Suwen Guqin

Suwen guqin ne, kayan kiɗa na gargajiya na kasar Sin mai igiyoyi, wanda aka sake fasalta shi don wasa na zamani. Siffar ta bi tsarin qin na daular Tang da ake ajiye a Haikalin Horyuji. An yi allon sauti daga itacen cedar tsoho ko paulownia, kuma an yi bayansa daga itacen catalpa. Farkon shafe ya haɗa tokar ƙahon barewa da lacquer ɗanye. Rami na ciki da aka tsara ta fuskar kimiyyar sauti ya ba ƙaramin jikin kayan kiɗan sautin da ƙarfin muryar cikakken kayan kiɗa. Shafewar lacquer mai laushi maras walƙiya ta samar da saman busasshe wanda ba ya zamewa. Faɗaɗɗen wurin ɗaure igiyoyi a wutsiya yana sauƙaƙa motsin yatsu ga masu koyo da kuma masu wasa da ƙananan hannaye.

Amincewa

Game da Kyautar A' Design Award ta Tagulla

Zanen Suwen Guqin ya lashe Kyautar A' Design Award ta Tagulla, wata karramawa mai tsananin daraja da ake bai wa zane-zane na musamman waɗanda ke da ƙirƙira, basira da hikima. Waɗanda suka lashe kyautar Tagulla kayayyakin fasaha ne masu ƙwarewa da ƙirƙira mai ban mamaki waɗanda ke tabbatar da babban gogewa, tunani da dabarun masu zanensu. Ana sa ran zanen Suwen Guqin ya zama abu da ake girmamawa sosai, ake sha'awa da ƙauna, mai ƙwarewa da ƙirƙire-ƙirƙire. Wannan zane da ya lashe Kyautar A' Design Award ta Tagulla yana haɗa mafi kyawun ayyuka a fasaha, kimiyya, zane da fasahar zamani, kuma yana da kyau saboda kulawarsa ga cikakkun bayanai. Zanen Suwen Guqin yana biyan buƙatu da kyau, yana taɓa sha'awa, yana jan hankalin zukata kuma yana jawo sha'awar sani.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: This product echoes the classical elegance of the Tang dynasty qin at Horyuji Temple and is reimagined for modern playing. Innovatively, its compact body produces rich, expressive sound that meets professional standards, without sacrificing portability. Its matte grain lacquer finish remains dry and non slip. Details like the widened string anchor at the tail and the tuning pegs honor classical aesthetics yet serve modern practicality. Altogether, this instrument is timeless yet made for today.
Girma da Fakitin: 1100mm*150mm*45mm
Kalmomin Alama: based on the Tang dynasty qin at Horyuji Temple, matte grain lacquer finish, portable, acoustically optimized, performance grade sound quality, full sound presence in a compact body, widened string anchor at the tail, contemporary reinterpretation of traditional instruments
Fasahar Samarwa: The soundboard is crafted from aged cedar or paulownia over one hundred years old, with catalpa for the back. The base layer blends deer antler ash and raw lacquer using ancient methods, contributing to a resonant, open tone with rich harmonics ideal for performance. Furthermore, a proprietary matte grain lacquer finish creates a dry, non slip surface that enhances finger glide across the strings. The lacquer is also environmentally friendly and excels in water resistance and enduring beauty.
Ƙalubalen Zane: The challenge is balancing how professionals and the public see the guqin. Experts value strict adherence to the historical form, while most users favor practical improvements. To bridge this gap, every modern refinement, such as the size and lacquer finish, stays within Tang dynasty aesthetics. The look remains true to tradition, and with use, the instrument delivers the rich tone and volume rivaling a performance grade full size qin, fulfilling both cultural respect and functional progress.
Bincike: The design solves key problems in traditional guqin use. Full size models are hard to carry and difficult for beginners, while smaller qins lack volume and tonal depth. Glossy lacquer finishes are often slippery, and standard shapes suit smaller hands poorly. The design echoes classical charm of the Tang dynasty qin at Horyuji Temple, while using acoustical engineering to achieve the volume, sound projection, and nuanced tone of a performance grade qin, enhancing both practicality and comfort.
Wahayi: This instrument draws on three key inspirations. The name Suwen evokes the exchange between the player and the qin in the stillness of night, embodying inward reflection central to Eastern thought and forming the spiritual core of this instrument. Its shape follows the Tang dynasty qin at Horyuji Temple, preserving its serene dignity. Based on the insight that greater smoothness does not mean smoother play, the matte grain lacquer finish prevents slipping or sticking from hand perspiration.
Tsawon Lokacin Aikin: The design and development of this qin lasted from September 2022 to August 2024 in Shanghai. It debuted in May 2025 at the Contemporary Masters Qin Making Exhibition of the 2025 Yueyang Guqin Art Festival.
Tsarin Aiki: Thoughtful refinements fully enhance the playing experience. An acoustically engineered interior cavity delivers the tonal volume and richness of a performance grade full size qin within a compact body, not merely increased volume. A widened string anchor at the tail and optimized proportions make finger movement across the strings easier, especially for beginners and players with smaller hands. The matte grain lacquer finish provides a non slip surface, improving control during performance.
Mambobin Ƙungiya: Ding Liang