Zane Artemis Fitilar Bene daga Attiq Ahmed mai nasara ne mai daraja sosai na 2026 Kyautar A' Design Award ta Baƙin Ƙarfe a Rukunin Gasar Haske.

Baƙin ƘarfeHaske· 2026

Artemis Fitilar Bene

daga Attiq Ahmed

Abokin Ciniki: Turning Tables

Mai Nasarar Kyautar A' Design Award ta Baƙin Ƙarfe a Rukunin Haske

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Mai Nasara da Aka Tabbatar

Tabbatar da Matsayin Kyauta na #179278

Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

Launuka

Ƙirar

Game da Artemis Fitilar Bene

Artemis fitilar bene ce da aka yi da ƙonannen itace da ƙarfe. Fitilar tana da siffa mai tsayin da aka haɗa ta gaɓoɓi, wadda ta ke tashi daga tushe mai nauyi don samun daidaito. An samar da fasalin itacen da aka ƙona ta hanyar dabarar ƙonawa ta Shou Sugi Ban, wadda ke ƙara ƙarko tare da bayyana zaren itace da zurfin kayan. Inuwar fitila mai siffar ganye uku tana yaɗa hasken daidai-wa-daida, kuma maɓallin kunnawa da kashewa mai sauƙi ne ke sarrafa fitilar. An samo siffar ne daga ƙawayen da ke saman kubbobi a gine-ginen zamanin Mughal. Fitilar tana da tsayin inci 72 da faɗin da'ira na inci 22.

Amincewa

Game da Kyautar A' Design Award ta Baƙin Ƙarfe

Zanen Artemis Fitilar Bene ya lashe Kyautar A' Design Award ta Baƙin Ƙarfe, wata karramawa mai daraja da ake bai wa kyawawan zane-zane waɗanda ke cika buƙatun ƙwararru da masana'antu da ake tsammani daga ƙirƙire-ƙirƙire da aka tsara da kyau. Waɗanda suka lashe kyautar Baƙin Ƙarfe suna nuna babban ƙwarewa, ƙwarewa ta musamman, fahimtar ƙwararru da ikon ƙirƙira na masu ƙirƙirar su. Ana sa ran zanen Artemis Fitilar Bene ya zama ƙirƙira da ake girmamawa sosai, ake sha'awa da ƙauna wacce ke da amfani kuma mai sababbin abubuwa. Wannan zane da ya lashe Kyautar A' Design Award ta Baƙin Ƙarfe yana haɗa mafi kyawun ayyukan fannin kuma yana da halayen fasaha masu cancanta da ke da alaƙa da sanin yadda da baiwa. Ana girmama zanen Artemis Fitilar Bene saboda cikakkiyar kulawarsa kuma an tsara shi don ba da ingantuwar rayuwa da ke taimakawa wajen mai da duniya wuri mafi kyau.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: Artemis Floor Lamp is a sculptural lighting piece crafted from burnt wood and metal, defined by a vertically articulated form and a weighted, grounded base. The charred wood finish enhances durability while revealing material depth and texture. A trileaf-shaped lampshade softens and diffuses light evenly, while the restrained geometry balances craft and precision, allowing the lamp to function as both an ambient light source and a standalone object of design integrity.
Girma da Fakitin: Height 72”
Diameter 22”
Kalmomin Alama: Artemis, burntwood, charred wood, Shisham, floor lamp, Sculptural lighting, Craft As Inquiry, Material poetry, contemporary craft, Pakistani design, modern craft, design as process, hand made design
Fasahar Samarwa: Materials:
Indian Rose Wood
Metal
Techniques:
Wood lathe turning
Shou Sugi Ban (Japanese wood burning)
Ƙalubalen Zane: The primary challenge was achieving a precise balance between proportion and stability within a slender vertical form. Referencing historical Mughal finials required careful scaling to avoid literal replication while maintaining visual hierarchy. Structurally, the lamp demanded a weighted base and refined transitions to ensure stability without compromising elegance, requiring multiple iterations to align form, balance, and functional performance.
Bincike: The research was exploratory and practice-based, aiming to translate architectural heritage into a functional object. The objective was to study proportion, balance, and symbolic form. The methodology involved visual study, sketching, and material trials. Tools included drawings, scale mock-ups, and prototypes. The process was designer-led. Results refined stability and form. Insights showed heritage can inform contemporary design, impacting craft practice and product identity.
Wahayi: The design draws inspiration from Mughal architecture, specifically the finials crowning domes, studied for their proportions, vertical hierarchy, and symbolic grounding. The project translates these historic forms into a contemporary object through material experimentation with burnt wood and metal, using controlled charring to enhance durability while retaining a clear architectural lineage and crafted precision.
Tsawon Lokacin Aikin: The project commenced in September 2025 and progressed through both design development and fabrication over an estimated period of 20–24 days. Fabrication was completed in October 2025, culminating in a fully realized prototype that reflects the intended design intent and material exploration
Tsarin Aiki: The lamp is operated by a simple on-off switch, allowing light to gently diffuse through the shade while the sculpted base remains visually stable. Its tall, balanced form guides the eye upward, creating a calm presence in a room. The layered base ensures stability, while the dark finish reduces visual clutter, helping the light feel warmer and more focused in everyday use.
Godiyar Hotuna: Muhammad Ibrahim Butt