Tongli Villa Zane na Cikin Gida na Zama daga Hangzhou Shihe Design

Zane Tongli Villa Zane na Cikin Gida na Zama daga Hangzhou Shihe Design mai nasara ne mai daraja sosai na 2026 Kyautar A' Design Award ta Azurfa a Rukunin Gasar Cikin Gida.

AzurfaCikin Gida· 2026

Tongli Villa Zane na Cikin Gida na Zama

daga Hangzhou Shihe Design

Abokin Ciniki: Hangzhou Shihe Design

Mai Nasarar Kyautar A' Design Award ta Azurfa a Rukunin Cikin Gida

22,343

Mai Nasara da Aka Tabbatar

Tabbatar da Matsayin Kyauta na #174289

Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

Launuka

Ƙirar

Game da Tongli Villa Zane na Cikin Gida na Zama

Tongli Villa wani zane ne na cikin gida na zama don gida mai hawa uku wanda jimlar fadin benensa ya kai kimanin murabba'in mita 450. Tsarin shimfidar gidan a bude yake kuma mai gudana cikin 'yanci, ba tare da bangon raba dakuna ba, kuma ya hada da wani dakin hutawa na sama wanda aka bari ba tare da rufin ciki ba. Kayan halitta ne suka bayyana cikin gidan, daga cikinsu akwai itacen teak da ba a sarrafa ba, itace mai bakin launi da aka killace daga rubewa, da kuma bangaye na laka da aka shafa da hannu. An rage kayan ado zuwa mafi karanci, ta yadda yanayin saman kaya da hasken rana ke tsara kowane daki. Zanen yana nuna al'adun gargajiya na Miao na mai gidan kuma yana tallafa wa rayuwar yau da kullum mai natsuwa da sannu-sannu.

Amincewa

Game da Kyautar A' Design Award ta Azurfa

Zanen Tongli Villa Zane na Cikin Gida na Zama ya lashe Kyautar A' Design Award ta Azurfa, wata karramawa mai tsananin daraja da ake bai wa zane-zane na matakin koli, masu kyau sosai kuma masu burgewa. Waɗanda suka lashe kyautar Azurfa ayyuka ne masu haske sosai da ƙirƙira mai yawa waɗanda ke nuna ƙwarewa, baiwa da kaifin tunanin masu zanensu. Ana sa ran zanen Tongli Villa Zane na Cikin Gida na Zama ya zama aiki mai ban mamaki, abin koyi, mai ƙwarewa sosai kuma mai ƙirƙire-ƙirƙire mai zurfi. Wannan zane da ya lashe Kyautar A' Design Award ta Azurfa ƙirƙira ce mai abin lura sosai, da ake sha'awa, wacce ke amfanar da kuma kai iyakokin fasaha, kimiyya, zane da fasahar zamani gaba. Zanen Tongli Villa Zane na Cikin Gida na Zama ƙirƙira ce da ake yi wa hassada sosai wacce ke tada sha'awa, tana kawo jin daɗi kuma tana haifar da mamaki da al'ajabi.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: This residential design captures the essence of emotional connection, cultural resonance, and sensory comfort. Blending raw materials such as teak, charred wood, artistic mud walls, and hand collected objects, the space abandons decorative excess to return to elemental simplicity. The spatial layout is fluid, resisting traditional segmentation. Instead, it becomes a canvas for daily rituals, emotional anchoring, and inner peace: an aesthetic of stillness and lived poetry.
Girma da Fakitin: The house includes three levels with a total floor area of approximately 450 sqm. Key spatial elements include a horizontally open plan ground floor, an unceiled attic lounge, and a free flow layout without partition walls. Materials are predominantly natural and untreated, aligning with the spatial philosophy of sensory grounding.
Kalmomin Alama: Emotional Dwelling, Poetic Minimalism, Miao Culture, Nature Inspired Interior, Raw Materials, Timeless Design, Slow Living, Cultural Resonance, Organic Textures, Meditative Space
Fasahar Samarwa: The project adopts a material first approach rooted in authenticity. Teak wood was used untreated to preserve its warmth and grain, while blackened anti corrosion timber adds weight and durability. Hand applied mud walls and artistic paint deliver texture and tone without ornament. The approach emphasized manual craftsmanship and intuitive layering over mechanical precision.
Ƙalubalen Zane: The primary challenge was resisting conventional luxury symbols and instead crafting a space of deep emotional value. Balancing the owner's cultural identity with modern comfort required nuanced material choices, emotional mapping, and conceptual restraint. The absence of visual drama demanded heightened attention to detail, proportion, and sensory atmosphere.
Bincike: This is an applied cultural emotional design study exploring how spatial language can translate heritage and emotional needs into form. The methodology involved user immersion, ethnographic interviews, and contextual material selection. The homeowner's daily habits, values, and sensory preferences were key data points. The result is a space that not only houses the body but also resonates with memory, ritual, and inner calm enhancing the broader conversation on design’s emotional efficacy.
Wahayi: The homeowner's Miao heritage and natural lifestyle philosophy inspired a design that values emotional depth over surface form. Influenced by vernacular dwellings and poetic Eastern aesthetics, the concept centers on the idea of a home as a place of stillness, reflection, and healing. Rain falling on tiles, shifting light across earth toned walls, and silence within wooden textures form the emotional blueprint for the space.
Tsawon Lokacin Aikin: The project started in January 2024 in Suzhou, China and finished in January 2025.
Tsarin Aiki: The space invites slow, unstructured interaction. There are no dominant visual cues or rigid furniture placements. Instead, the flow is organic light guides the user, and silence defines transitions. It's not about usage, but co existence: the homeowner doesn't use the space, she dwells within it, rhythmically, intuitively.
Mambobin Ƙungiya: Designer: Chen Kezhi
Designer: Wang Huaqiang
Godiyar Hotuna: Image #1: Photographer Hanmo Vision - Yigao, Tongli Villa, 2025.
Image #1: Photographer Hanmo Vision - Yigao, Tongli Villa, 2025.
Image #1: Photographer Hanmo Vision - Yigao, Tongli Villa, 2025.
Image #1: Photographer Hanmo Vision - Yigao, Tongli Villa, 2025.
Image #1: Photographer Hanmo Vision - Yigao, Tongli Villa, 2025.