Kouunji Kyakuden Zauren Liyafar Baƙi na Haikali daga Hiroaki Iwasa

Zane Kouunji Kyakuden Zauren Liyafar Baƙi na Haikali daga Hiroaki Iwasa mai nasara ne mai daraja sosai na 2025 Kyautar A' Design Award ta Tagulla a Rukunin Gasar Gine-gine.

TagullaGine-gine· 2025

Kouunji Kyakuden Zauren Liyafar Baƙi na Haikali

daga Hiroaki Iwasa

Abokin Ciniki: Hiroaki Iwasa Architects Workshop

Mai Nasarar Kyautar A' Design Award ta Tagulla a Rukunin Gine-gine

17,280

Mai Nasara da Aka Tabbatar

Tabbatar da Matsayin Kyauta na #162806

Ziyarci Shafin Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

Launuka

Ƙirar

Game da Kouunji Kyakuden Zauren Liyafar Baƙi na Haikali

Aikin ya ƙunshi sake gina zauren liyafar baƙi mai shekaru 140 da haihuwa, wanda ya kasance ɗaya daga cikin wuraren haikalin Buddha na Kouunji. Tsohon zauren liyafar baƙi ya kasance abin ƙauna ga al'ummar yankin na tsawon lokaci mai tsawo; amma saboda mummunan lalacewar da ya sha a tsawon shekaru, ya zama dole a sake gina shi. Mai zanen ginin ya magance waɗannan matsalolin ta hanyar sabuntawa da daidaitawa, ya kuma ƙirƙira wasu tsare-tsare don isar da tunawa na al'ummar yankin ga tsara mai zuwa. Sakamakon haka, ba wai kawai sabon zauren liyafar baƙi ya cimma ma'anar tunawa da zamanin da ba, har ma ya samu matsayi a cikin mahallin tarihi.

Amincewa

Game da Kyautar A' Design Award ta Tagulla

Zanen Kouunji Kyakuden Zauren Liyafar Baƙi na Haikali ya lashe Kyautar A' Design Award ta Tagulla, wata karramawa mai tsananin daraja da ake bai wa zane-zane na musamman waɗanda ke da ƙirƙira, basira da hikima. Waɗanda suka lashe kyautar Tagulla kayayyakin fasaha ne masu ƙwarewa da ƙirƙira mai ban mamaki waɗanda ke tabbatar da babban gogewa, tunani da dabarun masu zanensu. Ana sa ran zanen Kouunji Kyakuden Zauren Liyafar Baƙi na Haikali ya zama abu da ake girmamawa sosai, ake sha'awa da ƙauna, mai ƙwarewa da ƙirƙire-ƙirƙire. Wannan zane da ya lashe Kyautar A' Design Award ta Tagulla yana haɗa mafi kyawun ayyuka a fasaha, kimiyya, zane da fasahar zamani, kuma yana da kyau saboda kulawarsa ga cikakkun bayanai. Zanen Kouunji Kyakuden Zauren Liyafar Baƙi na Haikali yana biyan buƙatu da kyau, yana taɓa sha'awa, yana jan hankalin zukata kuma yana jawo sha'awar sani.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: This project was the reconstruction of the reception hall of a Buddhist temple passed 140 years. The old reception hall had been loved by the local community for long time, but it was beyond the scope of repair. Therefore architect took on various creative challenges. He aimed to solve these issues by updating it to modern functions, harmonizing it with other facilities, and devising some mechanisms to pass on the memory of local society to the next generation. As a result, this architecture was able to achieve not a sense of nostalgia but also a presence for the future.
Girma da Fakitin: Specification,
Scale/ Wooden two-story building,
Structure/ Timber frame structure,
Site Area/ 3039.15 Square meter,
Building Area/ 277.26 Square meter,
Total Floor Area/ 323.77 Square meter,
Kalmomin Alama: temple, reception hall, reused, minimal philosophy, local landscape, passing on the memories, historical context, local community
Fasahar Samarwa: This project had a clear floor plan with each function directly connected around the entrance hall, but there were many difficult construction tasks in some places. Ground reinforcement and strong foundation construction for soft ground, woodwork including special joints to structurally reuse old materials, fabrication of delicate and movable cedar lattices, and the revival of forgotten traditional natural paints "Kumezo". This project was realized through thoughtful design and exceptional craftsmanship.
Ƙalubalen Zane: Various choices and challenges were made to pass on the memory of the local community. By choosing a common wooden house construction method rather than the traditional temple construction method, they were able to shorten the construction period, reduce construction costs, and as the result have time to repair and reuse old materials. The exterior has a roof shape unique to the region, and the walls and window lattices are finished with local cedar wood and with a revived traditional natural paint "Kumezo". As a result, this architecture achieved a special harmony and presence.
Bincike: Type of Research: About the relationship between Kouunji and the local area.
Methodology: History, landscape and topography research, annual event research, monk behavior research, and interviews with local residents,
Conclusion: Kouunji is the core of the local community that people have visited since childhood for events and daily life. The architect concluded that in addition to modernizing the function of the ceremony hall and harmonizing it with other facilities, it was essential to create a mechanism to pass on the memory of the local community to the next generation.
Wahayi: Researching the old reception hall and the landscape and history of the area provided architect with important inspiration. In particular, the old reception hall was tilted due to the soft ground, but it was discovered that some of the main structures, such as beams and columns, were valuable materials that are currently unavailable, and could be reused if repaired. And new architecture was important not only for its shape in the landscape, but also for its presence within the historical context.
Tsawon Lokacin Aikin: The project started in February 2002 and was completed in November 2004 in Tsukubamirai City, Ibaraki Prefecture.
Tsarin Aiki: Kouunji is an essential presence for the region.
Because the parishioners of Kouunji are local residents and their relatives, and annual events and celebrations and condolences are mainly held for the parishioners. The reception hall, located to the side of the main hall, functions in conjunction with the main hall during events, and is used for religious ceremonies, waiting areas, dinners using the kitchen function, and a meeting place. It also functions as an emergency temporary evacuation center in the event of a disaster. There is also a temple office that oversees them.
Godiyar Hotuna: Photographer Kozo Takayama