National Gallery Athens Gidan Kayan Tarihi daga Parmenidis Longuepee Mari Team

Zane National Gallery Athens Gidan Kayan Tarihi daga Parmenidis Longuepee Mari Team mai nasara ne mai daraja sosai na 2022 Kyautar A' Design Award ta Zinariya a Rukunin Gasar Cikin Gida.

ZinariyaCikin Gida· 2022

National Gallery Athens Gidan Kayan Tarihi

daga Parmenidis Longuepee Mari Team

Abokin Ciniki: National Gallery of Greece

Mai Nasarar Kyautar A' Design Award ta Zinariya a Rukunin Cikin Gida

28,692

Mai Nasara da Aka Tabbatar

Tabbatar da Matsayin Kyauta na #129529

Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

Launuka

Ƙirar

Game da National Gallery Athens Gidan Kayan Tarihi

A cikin ginin zamani na shekarun 1960s na National Gallery a Athens, an tsara ɗakunan nunin kamar hanya ta yawo a sarari mai buɗewa. An tsara cikin gidan a matsayin jerin wuraren wucewa da aka lullube da katako don bayani, da kuma fararen ɗakunan nunin da aka ƙera rufin rataye na musamman don kowane aiki na nuni. Ta hanyar sarrafa alkiblar kallo, zurfin gani a cikin ɗakuna da kuma zuwa birnin, hasken gaba ɗaya dangane da hasken waje, da kuma rage kayan da bayanan fasaha don haskaka ayyukan fasaha, wurin yana ba da tasirin zaɓi na 'yanci.

Amincewa

Game da Kyautar A' Design Award ta Zinariya

Zanen National Gallery Athens Gidan Kayan Tarihi ya lashe Kyautar A' Design Award ta Zinariya, wata karramawa mai matuƙar daraja da ake bai wa zane-zane na matakin farko, masu ban mamaki kuma na musamman. Waɗanda suka lashe kyautar Zinariya ƙirƙire-ƙirƙire ne masu sababbin abubuwa sosai, masu hangen nesa kuma masu haske mai ban sha'awa waɗanda ke nuna hazaƙa, hikima da ƙwarewar masu zanensu. Ana sa ran zanen National Gallery Athens Gidan Kayan Tarihi ya zama ƙirƙira mai yabo sosai, mai kafa yanayi kuma babba wacce ke kawo ƙima da ba a taɓa ganin irinta ba. Wannan zane da ya lashe Kyautar A' Design Award ta Zinariya aiki ne mai ban mamaki, mai daraja wanda ke amfanar fasaha, kimiyya, zane da fasahar zamani sosai kuma yana kai iyakokinsu gaba. Zanen National Gallery Athens Gidan Kayan Tarihi yana haifar da tsananin sha'awa, yana tada soyayya ga aiki, yana ƙarfafa ƙirƙira kuma yana burge mu.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: Interior design, museography of the accessible spaces of the visitors:
Permanent exhibition areas, with large exhibition panels and suspended ceilings function as lighting mechanisms. Areas for alternating exhibitions, with suspended ceilings to support panels, lighting, projectors. Entrance area and circulation junctions covered with wooden panels for orientation and division of space.
Excerpts from the city are visible in a two-way relationship between the work of art and the city.
Girma da Fakitin: Total area accessible of the visitors 8.500 sm, distributed over 6 floors.
Kalmomin Alama: museography, interior space, gaze, minimalism
Fasahar Samarwa: The materials in the exhibition and entrance areas are mainly metallic frames covered with panels of gypsum or wood, for the walls, or with Stretched Ceiling translucent diffusor films. The materials are subdued to highlight the works of art: wood without strong veins, matte marble on the floor, grey coloured exhibition walls.
Ƙalubalen Zane: The hardest part was the coordination of the large number of the constructors and engineers of the building and the museography, of the supervisors of the Ministry of Culture (as we are talking about the National Gallery), of the curators and conservators of the Gallery, of the consultants of the sponsors.
Bincike: Our team has a long experience of over 50 similar studies and constructions, on art exhibitions. In the specific project, we combined the given structure of the building with the museology study of the National Gallery and with the free flow of the visitor of the exhibition, checking the results through the navigation in detailed 3d maquettes.
Wahayi: The design of a permanent and alternating exhibition of the Greek art of 19-20th c., with material and geometric spatial indexes for the gaze that give the sense of free choice to the movement of the visitors (panels facing the incoming visitor permitting the maximum depth of the field of view), in a continuous open-air feeling due to the general indirect lighting that follows the incoming view of the excerpts of the city. Minimalism and materials that are subdued to highlight the works of art.
Tsawon Lokacin Aikin: The study of the project started in 2017 and finished in 2020 in Athens. The construction started in 2020 and finished in 2021.
Tsarin Aiki: The visitor can have information general or specific for the art works in each exhibition room, or for the projects of the museum, or for the orientation in the building by 60 interactive screens placed in the entrance and the circulation knots.
Mambobin Ƙungiya: architect: George Parmenidis
architect: Christine Longuepee
architect: Ifigenia Mari
Godiyar Hotuna: All photos own to the team.