Zane Trinity Zanen Dijital daga Vanja Vizner mai nasara ne mai daraja sosai na 2021 Kyautar A' Design Award ta Tagulla a Rukunin Gasar Zane-zane.

TagullaZane-zane· 2021

Trinity Zanen Dijital

daga Vanja Vizner

Abokin Ciniki: Art of core

Mai Nasarar Kyautar A' Design Award ta Tagulla a Rukunin Zane-zane

16,207

Mai Nasara da Aka Tabbatar

Tabbatar da Matsayin Kyauta na #112954

Ziyarci Shafin Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

Launuka

Ƙirar

Game da Trinity Zanen Dijital

Triniti yana mai da hankali ne akan ɗan adam: canjin halitta, motsin rai da juzu'i. Ta hanyar tsarin tunani da tunani, yana bincika dangantaka da al'umma, iyaye, da muhalli. Yarda da abubuwa marasa kyau da masu kyau na al'umma, wanda ke haifar da ginshiƙi don haɓakawa zuwa hangen nesa. Mai zane yana kira zuwa ga karkata zuwa ga haɗin kai na kowa maimakon zuwa ga rabuwa da mai da hankali kan fahimtar adawa da yin watsi da shi.

Amincewa

Game da Kyautar A' Design Award ta Tagulla

Zanen Trinity Zanen Dijital ya lashe Kyautar A' Design Award ta Tagulla, wata karramawa mai tsananin daraja da ake bai wa zane-zane na musamman waɗanda ke da ƙirƙira, basira da hikima. Waɗanda suka lashe kyautar Tagulla kayayyakin fasaha ne masu ƙwarewa da ƙirƙira mai ban mamaki waɗanda ke tabbatar da babban gogewa, tunani da dabarun masu zanensu. Ana sa ran zanen Trinity Zanen Dijital ya zama abu da ake girmamawa sosai, ake sha'awa da ƙauna, mai ƙwarewa da ƙirƙire-ƙirƙire. Wannan zane da ya lashe Kyautar A' Design Award ta Tagulla yana haɗa mafi kyawun ayyuka a fasaha, kimiyya, zane da fasahar zamani, kuma yana da kyau saboda kulawarsa ga cikakkun bayanai. Zanen Trinity Zanen Dijital yana biyan buƙatu da kyau, yana taɓa sha'awa, yana jan hankalin zukata kuma yana jawo sha'awar sani.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: The main focus of the artwork is on the growth of mental, and emotional body by passing various stages of human development. It addresses the challenges in one's relation to gender, social, parental, political preconditioning including self-conditioning. Its main idea is to show the path of constant learning development to improve one's cognition, heart and mind connection to its environment in order to overcome stagnation created by setting absolute values of opinions, which creates repetition over time.
Girma da Fakitin: The size of digital art of is 720 mm x 720 mm/72 dpi.
Kalmomin Alama: trinity, visionary art, digital art, humanity, artofcore, vanja vizner
Fasahar Samarwa: Base sketch was a pencil drawing that was further developed in "Photoshop" by using "Wacom" graphics tablet. Finished artwork was done by use of regular paintbrushes, filters, layer styles and effects with stylized changes. Process of making was experimental progressive painting without a clear motive in mind.
Ƙalubalen Zane: The challenge was to improvise while keeping the technical part and the structure of the image meaningful without knowing the outcome. This kind of experimentation was mentally intensive and time-consuming. The artist overcame the obstacle by switching between abstraction and rational.
Bincike: Human society has set values in the past to make clear distinction of man and woman roles in society. These roles were initially set by practicality through order. The artist tries to convey the message that, whilst this approach may have been practical in the past, it may cause fragmentation in the mind of humans. Humans suppressed the feminine or masculine part of their beings and restrained themselves from reaching full potential of their mind.
Wahayi: Inspiration came from the artists exploration of unconditional Love and nonattachment towards living beings and their environment. Accepting the world as one continuous process with all its faults and imperfections.
Tsawon Lokacin Aikin: The project started from May 2015 and finished in August 2015. The design is done in Zagreb, and was exhibited in Psychedelic Dream Temple Gallery August 2017.
Tsarin Aiki: The artwork is arranged in a linear way from bottom to top. The information presented to the public has three points: 1. Realization of the negative aspects of society 2. Acknowledgement of their own ancestral legacy 3. Growth and its own responsibility in the universe by expanding to the unknown.
Haƙƙoƙin Ƙirƙira: Copyrights belong to Vanja Vizner, 2015.
Godiyar Hotuna: Image #1: Illustrator Vanja Vizner, Trinity, 2015.