On Stage Aikin Baje Kolin Gidan Tarihi daga Skevi Farazi

Zane On Stage Aikin Baje Kolin Gidan Tarihi daga Skevi Farazi mai nasara ne mai daraja sosai na 2020 Kyautar A' Design Award ta Tagulla a Rukunin Gasar Cikin Gida.

TagullaCikin Gida· 2020

On Stage Aikin Baje Kolin Gidan Tarihi

daga Skevi Farazi

Abokin Ciniki: THOC & Limassol Municipality

Mai Nasarar Kyautar A' Design Award ta Tagulla a Rukunin Cikin Gida

12,657

Mai Nasara da Aka Tabbatar

Tabbatar da Matsayin Kyauta na #104550

Ziyarci Shafin Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

Launuka

Ƙirar

Game da On Stage Aikin Baje Kolin Gidan Tarihi

A kan Mataki shine baje kolin dindindin na Gidan Tarihin Wasan Kwaikwayo na Cyprus. Baje kolin yana bincika bangarori daban-daban na wasan kwaikwayo ta hanyar tsarin gogewa, inda iyakoki tsakanin kallo da wasa suka haɗu tare. Tsarin yana bayyana a bangarori uku, kamar zangunan wasan kwaikwayo. Tarihi wani hanya ce da ke aiki a matsayin tacewa na ilimi. Sashin Masu Bayarwa yana nuna bangarorin samar da wasan kwaikwayo waɗanda galibi ba a san su ba ga masu kallo. Wasan Kwaikwayo shine zango na ƙarshe kuma yana bayyana sakamakon. Wani akwatin nuni na diagonal a tsakiya yana raba sararin samaniya kuma yana jagorantar baƙi.

Amincewa

Game da Kyautar A' Design Award ta Tagulla

Zanen On Stage Aikin Baje Kolin Gidan Tarihi ya lashe Kyautar A' Design Award ta Tagulla, wata karramawa mai tsananin daraja da ake bai wa zane-zane na musamman waɗanda ke da ƙirƙira, basira da hikima. Waɗanda suka lashe kyautar Tagulla kayayyakin fasaha ne masu ƙwarewa da ƙirƙira mai ban mamaki waɗanda ke tabbatar da babban gogewa, tunani da dabarun masu zanensu. Ana sa ran zanen On Stage Aikin Baje Kolin Gidan Tarihi ya zama abu da ake girmamawa sosai, ake sha'awa da ƙauna, mai ƙwarewa da ƙirƙire-ƙirƙire. Wannan zane da ya lashe Kyautar A' Design Award ta Tagulla yana haɗa mafi kyawun ayyuka a fasaha, kimiyya, zane da fasahar zamani, kuma yana da kyau saboda kulawarsa ga cikakkun bayanai. Zanen On Stage Aikin Baje Kolin Gidan Tarihi yana biyan buƙatu da kyau, yana taɓa sha'awa, yana jan hankalin zukata kuma yana jawo sha'awar sani.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: 'On Stage' is the permanent exhibition of the Cyprus Theatre Museum. It aims to explore the different aspects of theatre in an experiential approach where boundaries of spectating and acting are intertwined. The exhibition unfolds in three parts: The History, a passage that acts as a filter of knowledge. The Contributors which showcases all aspects of the production which usually are unknown to the spectator. The Performance which as a final act reveals the final outcome.
Kalmomin Alama: theatre, museum, exhibition, interior, design, showcase, stage, contributors, space, curation
Fasahar Samarwa: A central diagonal showcase splits the space in 3 sections and directs the visitors through wide and narrow paths, in a flow of pauses and transitions from one section to the other. It opens only to the final part and prevents thus the visual connection between the different sections.
The entrance to the museum creates a play of knowledge through the reflections of mirrors, where the spectator, the graphics and displays dissolve their actual barriers in space and time.
Ƙalubalen Zane: The various materials of the existing space, such as natural stone on walls, timber roof, metal and concrete structures and big luminous windows needed to be approached with respect but on the same time without overshadowing the actual presentation of the exhibition items which demanded a dark space to allow them as such to be highlighted.
The aesthetic balance between the exhibition design and the actual display object which by itself is ‘flamboyant’ was constantly tested.
Bincike: An elaborate research was done on precedent examples, the new trends of museology and the ways of communicating the information with different media. Various display systems, materials and colour palettes were explored so that all items could be displayed in a balanced design.
The design was inextricably linked with the museological approach and developed in parallel with the exhibition material research until the final selection.
Wahayi: Having as a reference the magic one experiences when watching a theatrical performance, the design aims to create a narrative space which evolves gradually as a 'theatrical plot’ in different ‘acts’.
The transition from one section to the other is visually distinct allowing the surprise and the unexpected to escalate as in a theatrical play. Being on stage, backstage or in a dressing room were the main references for visual representations and interactive displays.
Tsawon Lokacin Aikin: 2010-2012
Limassol - Cyprus
Mambobin Ƙungiya: Designer: Skevi Farazi
Museologist: Sofia Antoniadou
Graphic Designer: Marika Ioannou
Audiovisual: Nicoleta Kalatha
Lighting Design: Dakis Sevastides
Godiyar Hotuna: Image #1: Photographer Socrates Socratous, 2012
Image #2: Photographer Socrates Socratous, 2012
Image #3: Photographer Socrates Socratous, 2012
Image #4: Photographer Socrates Socratous, 2012
Image #5: Photographer Socrates Socratous, 2012