Zane Ceramics Extension Shigarwa Art daga Tairan Hao and Shan Xu mai nasara ne mai daraja sosai na 2020 Kyautar A' Design Award ta Tagulla a Rukunin Gasar Fasaha.
TagullaFasaha· 2020
Ceramics Extension Shigarwa Art
Abokin Ciniki: Tairan Hao
Mai Nasarar Kyautar A' Design Award ta Tagulla a Rukunin Fasaha
Mai Nasara da Aka Tabbatar
Tabbatar da Matsayin Kyauta na #104079Ƙirar
Game da Ceramics Extension Shigarwa Art
An kafa wannan shigarwa ta hanyar fasahar hannu na gargajiya na gargajiya wanda aka yi amfani da shi da kuma zane-zanen filastik 3D da aka buga. Hanyar zane da zane suna ƙoƙarin sadarwa mai ƙarfi ga masu sauraro cewa kowane abu, kowa da kowa, ana shimfiɗa komai komai iyaka. Tare da kasancewar zane-zane, yana sadarwa ne wani ɓangare na abubuwan da suke gani na ainihi ne, amma ɗayan kayan abubuwa shine madubi ta madubi, wanda ba gaskiya bane. Mu'amala da mutane ke sa mutane suyi tunanin cewa suna kangara zuwa duniyar duniyar da ba ruwansu da kansu.
Amincewa
Game da Kyautar A' Design Award ta Tagulla
Zanen Ceramics Extension Shigarwa Art ya lashe Kyautar A' Design Award ta Tagulla, wata karramawa mai tsananin daraja da ake bai wa zane-zane na musamman waɗanda ke da ƙirƙira, basira da hikima. Waɗanda suka lashe kyautar Tagulla kayayyakin fasaha ne masu ƙwarewa da ƙirƙira mai ban mamaki waɗanda ke tabbatar da babban gogewa, tunani da dabarun masu zanensu. Ana sa ran zanen Ceramics Extension Shigarwa Art ya zama abu da ake girmamawa sosai, ake sha'awa da ƙauna, mai ƙwarewa da ƙirƙire-ƙirƙire. Wannan zane da ya lashe Kyautar A' Design Award ta Tagulla yana haɗa mafi kyawun ayyuka a fasaha, kimiyya, zane da fasahar zamani, kuma yana da kyau saboda kulawarsa ga cikakkun bayanai. Zanen Ceramics Extension Shigarwa Art yana biyan buƙatu da kyau, yana taɓa sha'awa, yana jan hankalin zukata kuma yana jawo sha'awar sani.
Bayan Ƙirar
Kayan Manema Labarai
Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.
- Siffofi Na Musamman
- The installation is formed by traditional handmade ceramics sculptures and 3D printed plastic sculptures. There is a total of 130 pieces of sculptures in the installation space. The installation is designed to display in a space surrounded by reflected glass mirrors, with 5 LED lights that give the audience a fantasy and futuristic feeling. The meaning of the installation design is trying to show the communication between the future and the past, modern technology and traditional handicraft, the real world and the virtual world.
- Girma da Fakitin
- half of the sculptures in the installation are 3D printed, dimension variable; the other half of the sculptures are handmade, dimension variable as well. the dimension of the space is a box, 15m*15m*15m
- Kalmomin Alama
- Installation, Art, 3D Printing, Ceramics, Sculpture
- Fasahar Samarwa
- 3D printing; Plastic; aluminum mirrors; porcelain, LED lights
- Ƙalubalen Zane
- The arrangement of the sculptures was one of the challenges in the design process. Some of the ceramics were too heavy to use ropes to hold and connect it with the roof. Therefore, most of the sculptures are remade and reprinted by the 3D printer, using lighter materials then sprayed by the glazed-look white color to the surface.
- Bincike
- The reflective material was the key to this design. Different materials combine with LED lights have different visual effects. Glass, Acrylic, and mirrors cannot demonstrate a good visual effect because of the reflection range are limited, as well as when the light is being reflected, the feeling wasn't satisfied. The installation took lots of tests in order to see if the fantasy feeling can be presented. The optimal result is shown in the final design, which is to use aluminum mirrors as the main materials.
- Wahayi
- The relationship between the virtual world and the real world generates the form of this installation design, as well as the traditional method of crafting versus what can be crafted with contemporary technologies. The development of civilization proceeds as time goes on. Therefore, the mirror reflection in the interior space of the installation shows the infinite possibility of what time can change. Technology allows humans to define what is real and what is virtual and all the connections.
- Tsawon Lokacin Aikin
- The project started in 2016 in Beijing and finished in 2017. It was exhibited in Beijing Today Art Museum in 2017.
- Tsarin Aiki
- When the audiences step into the installation space, they will sense a feeling of visual infinity. The visual interaction generates a strong feeling to the audiences that every object, everyone, everything is being extended infinitely. With the presence of sculpture, it is communicating part of the objects they see are real, but the other objects are the reflection by the mirrors, which is unreal. The interaction makes people think that they are stepping into a fantasy world that is created by themselves.
- Haƙƙoƙin Ƙirƙira
- Copyrights belong to Shan Xu and Tairan Hao, 2017
- Mambobin Ƙungiya
- Designer: Shan Xu
Artist: Tairan Hao - Godiyar Hotuna
- Image #1: Photographer Tairan Hao, 2017
Image #2: Photographer Tairan Hao, 2017
Image #3: Photographer Tairan Hao, 2017
Image #4: Photographer Tairan Hao, 2017
Image #5: Photographer Tairan Hao, 2017
Tallafi
Bincika Bayan Designers.org
Gano kayayyaki, ayyuka da damammaki daga abokan tallafin mu.
Ƙarin Abubuwan Bincike
Ƙirare Masu Alaƙa
Bincika ƙarin ƙirare masu lashe kyauta daga wannan rukunin, waɗanda aka zaɓa bisa cancanta.
