Medieval Rethink Centro Cultural Jehesarã Pyahu Ymaguare QUAD studio omba'apóva

Medieval Rethink Centro Cultural Jehesarã Pyahu Ymaguare QUAD studio omba'apóva ha'e rembiporuarã oñemba'eguaséva 2020 A' Design Award Pláta pegua Arquitectura, Óga ha Mba'eguasu Jejapo Ñeha'ã Categoría-pe.

PlátaArquitectura· 2020

Medieval Rethink Centro Cultural Jehesarã Pyahu Ymaguare

QUAD studio -gua

Mba'eporuhára: QUAD studio

A' Design Award Pláta Rembiporuarã Arquitectura Categoría-pe

50,921

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #98029 Peg̃ua

Eike Tendápe Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Medieval Rethink Centro Cultural Jehesarã Pyahu Ymaguare Rehegua

Jehesarã Pyahu Ymaguare ha'e peteĩ ñembohovái peteĩ comisión privada-pe oñemopu'ã hag̃ua peteĩ Centro Cultural peteĩ táva michĩme Provincia Guangdong-pe, oguerekóva 900 ary Dinastía Song guive. Ko proyecto irundy piso, 7000 metros cuadrados, oñemopyendá peteĩ ita formación ymaguare hérava Ita Ding Qi ári, ha'éva peteĩ símbolo táva ñepyrũ rehegua. Ko diseño concepto oñemopyendá ohechauka hag̃ua historia ha tekombo'e táva ymaguarépe ha ombojoaju ymaguare ha pyahu. Centro Cultural oñembo'e jey táva ymaguare ramo ha oñemoambuepyahu arquitectura ko'ág̃agua-pe.

Jeguerohory

A' Design Award Pláta Rehegua

Medieval Rethink Centro Cultural Jehesarã Pyahu Ymaguare ohupyty A' Design Award Pláta, peteĩ ñehechakuaa extraordinariamente prestigioso oñeme'ẽva diseño de primera línea, hechapyrãva ha impresionante-pe. Umi ganador Pláta ha'e tembiapo brillante ha heta creativo ohechaukáva expertise, talento ha agudeza sobresaliente umi diseñador-pe. Oñeha'ãrõ Medieval Rethink Centro Cultural Jehesarã Pyahu Ymaguare ha'eha peteĩ tembiapo maravilloso, ejemplar, profesional ha innovador pypukuvéva. Ko diseño ohupytýva A' Design Award Pláta ha'e invento ojehechakuaáva ha ojehayhúva ohepyme'ẽva ha ombohasáva límite arte, ciencia, diseño ha tecnología rehegua. Medieval Rethink Centro Cultural Jehesarã Pyahu Ymaguare ha'e creación heta ojeenvidiáva omokyre'ỹva ipotapy, ome'ẽva sentimiento positivo ha omoheñóiva maravilla ha sorpresa.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: The cultural centre becomes the new destination for villagers to congregate and to socially interact. Here, opportunities arise to great a truly cultural contemporary icon inspired by a historical monument that links old and new.
We make a focus in the cultural centre. An object that is the primary function, a multipurpose hall that most villagers will congregate in large social events. Other functions are clustered around the object that naturally creates internal streets and courtyards that are filled with an abundance of natural landscape.
Tuichakue ha Ñemyenyhẽ: Approx. 7000 square metre GFA
Ñe'ẽ Rape: cultural centre, abstraction, guangdong, songdynasty, dingqistone
Ñeapopy Tecnología: Firstly, designers break down the village into components of Positive and Negative space. Defining functions as objects and stitching these objects together to natural courtyards of green space.
They make a focus in the cultural centre. An object that is the primary function, a multipurpose hall that most villagers will congregate in large social events. Other functions are clustered around the object that naturally creates internal streets and courtyards that are filled with an abundance of natural landscape.
Diseño Jepy'apy: Cultural Differences - The cultural centre was designed for the villagers as their space for social interaction. To design the centre, designers had to meet with the villagers and discuss their personal needs for this project. Apart from understanding their culture, the main difficulties come in syphering all their needs and wants information into a design. Only when one to understand their culture can then try to rethink the whole idea of what a cultural centre means to the villager.

The Abstraction – Abstracting the village into the design took a lot of patience and work so that the final design truly depicts the chosen narrative. By stripping off the facade, a picture like frame is left behind. What it does is it focuses audience's eye towards the objects within the frame. If one to superimpose an image of the medieval village in the frame, a framed skyline of the medieval village appears. Abstraction occurs when the skyline is then pixelated. Using dark and light shades of pixels, designers generate an abstraction with a notion of depth. Abstraction creates a shading device and multi layering of the facade together with the objects inside the cultural centre creates a rich composition depicting a visual depth beyond the facade.
Recreating the village – Ultimately, to create a place that will enhance the lives of the villagers. Creating a narrative for the cultural centre not only help the design collective to create a very special place, it is also an attempt to capture an emotional response for any individual visiting the place. The medieval village has already manifested itself in the planning of the functional objects, the facade and also in the internal public realm.
Ñesẽheka: The design team has gone through a thorough research on the context and the history of the Zhu Pu Village, the study has become a very influential part on building a narrative on the project and later being represented through the design of the spaces.
Exploration of the existing village - Walking around the village, inspired by the scale and how man and nature exist in harmony. Beautifully preserved, the village of Zhu Pu dates to the Song dynasty. With its organic concentric planning, it relates itself to many medieval Chinese urban planning principles.
Inspiración: Medieval Rethink was an opportunity to recreate a medieval environment in a contemporary cultural setting. The narrative and design approach of the cultural centre has been extensively explored previously. Located in the norther province of Guangdong, this Contemporary Cultural Centre will not only showcase the history culture of the 900-year-old village, it will also function as a cultural exhibition centre and will attract thousands of visitors from all over the region.
Proyecto Ára Tuichakue: The project started in August 2017 in an undisclosed Village in Fujian, China.
Mba'apo Rape: As the ground floor is an active floor with many active functions and visitor, the cultural centre is designed to free up the ground plane as much as possible to allow for pedestrian traffic.
Aty Rembiguái: Wai Tang
Kelvin Chu
Landy Liu
Wesley Fung
Samuel Tam
Ta'ãnga Mba'eñemoneĩ: Image #1, Pictury
Image #2, Submarina
Image #3, SAN CG
Image #4, SAN CG
Image #5 SAN CG