Kinetic Chinese Characters Ta'ãnga Kinética Tipografía Li Xinlin omba'apóva

Kinetic Chinese Characters Ta'ãnga Kinética Tipografía Li Xinlin omba'apóva ha'e rembiporuarã oñemba'eguaséva 2020 A' Design Award Fiero pegua Ojejapo Ijeheguíva Jejapo Ñeha'ã Categoría-pe.

FieroOjejapo Ijeheguíva· 2020

Kinetic Chinese Characters Ta'ãnga Kinética Tipografía

Li Xinlin -gua

Mba'eporuhára: Li Xinlin

A' Design Award Fiero Rembiporuarã Ojejapo Ijeheguíva Categoría-pe

24,467

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #96658 Peg̃ua

Eike Tendápe Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Kinetic Chinese Characters Ta'ãnga Kinética Tipografía Rehegua

Kinetic Chinese Characters ha'e peteĩ serie 16 tembiapo tipografía kinética rehegua, ojejapóva umi létra chína rembiapoita rehe. Peteĩ-teĩ tembiapo oguereko iñe'ẽ ijeheguíva ha ojejapo ha'eñoite umi programación ha algoritmo rupive, oñeporandúva Processing. Ko tecnología generativa moirũmby oipoenondi upe línea del tiempo peteĩchagua umi létra rehegua, ha upéicha umi resultado ndaikatuivéi ojekuaa mboyve. Peteĩ-teĩ tembiapo orekove peteĩ ensayo michĩmi ombojoajúva hese, oiporúva pe tradición Asiática oñemombe'u hag̃ua poesía ha ta'ãnga oñondivepa. Ko serie ohechauka mba'éichapa pe diseño kinético ikatúva ojeporu umi létra chína rehe.

Jeguerohory

A' Design Award Fiero Rehegua

Kinetic Chinese Characters Ta'ãnga Kinética Tipografía ohupyty A' Design Award Fiero, peteĩ ñehechakuaa prestigioso oñeme'ẽva diseño iporã-pe ohupytýva requisito profesional ha industrial oñeha'ãrõva creación iporã oñemoĩva-gui. Umi ganador Fiero ohechauka habilidad guasu, especialización yvate, comprensión experta ha capacidad creativa umi creador rehegua. Oñeha'ãrõ Kinetic Chinese Characters Ta'ãnga Kinética Tipografía ha'eha creación ojehayhúva, admirada ha estimada, práctica ha innovadora. Ko diseño ohupytýva A' Design Award Fiero ombojoaju mejor práctica industria rehegua ha oguereko característica técnica competente ojoajúva conocimiento ha talento ndive. Kinetic Chinese Characters Ta'ãnga Kinética Tipografía oñerespeta hembiapo cuidadoso rupi ha oñemoĩ ome'ẽ hag̃ua mejora calidad de vida rehegua oipytyvõva yvy ape iporãve hag̃ua.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: In this project, integration of code to type and typography revealed that the originally fixed or invariable timeline has changed. Addition of the generative technology resulted in more rich work content and changed it to become unpredictable. With this, the creative technique of kinetic typography can be applied to Chinese characters and the kinetic design integrated with the characteristics of Chinese characters holds unlimited potential.
Tuichakue ha Ñemyenyhẽ: Media & Print matter
Ñe'ẽ Rape: Kinetic , Typography , Generative , Chinese Characters
Ñeapopy Tecnología: Processing and based on openprocessing.org
Diseño Jepy'apy: All Asian designers face the common question of how such theories can take root and become fruitful in the East. As an Asian artist, the author of this study attempted a method of converging computer programming technology and traditional Chinese characters with a focus on the potential of Chinese characters.
Ñesẽheka: Expression of Meaning of Kinetic Chinese Characters using Computer Programming Techniques.
16 works were created based on the components of Chinese characters. The subjects of these works were all different and were made purely through computer programming and algorithms.
Inspiración: The field of kinetic Chinese character design is currently expanding steadily, but the field is yet vague and without a clear definition. However, the everlasting Eastern culture and abundant perspective in search of beauty can become the basis for converging new technologies and new design so that the kinetic Chinese character design can definitely become a new trend that leads the advancement of future design.
Proyecto Ára Tuichakue: 2019, College of Fine Arts, Seoul National University.
Mba'apo Rape: 16 works were created based on the components of Chinese characters. The subjects of these works were all different and were made purely through computer programming and algorithms. Additionally, work appreciation essays were added to each work and this was derived from the Western culture where work appreciation essays are occasionally used for interaction and communication with the audience and the concept of “poetry and paintings having the same source” in Asian traditional art that presents poetry and paintings together.
Patente-kuéra: LI XINLIN
Aty Rembiguái: LI XINLIN
Ta'ãnga Mba'eñemoneĩ: LI XINLIN