Monk Latin and Arabic Geometric Tipografía Moñepyrũ Paul Robb omba'apóva

Monk Latin and Arabic Geometric Tipografía Moñepyrũ Paul Robb omba'apóva ha'e rembiporuarã oñemba'eguaséva 2020 A' Design Award Pláta pegua Ta'ãnga Jejapo Ñeha'ã Categoría-pe.

PlátaTa'ãnga· 2020

Monk Latin and Arabic Geometric Tipografía Moñepyrũ

Paul Robb -gua

Mba'eporuhára: Salt & Pepper

A' Design Award Pláta Rembiporuarã Ta'ãnga Categoría-pe

69,460

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #95978 Peg̃ua

Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Monk Latin and Arabic Geometric Tipografía Moñepyrũ Rehegua

Monk oheka peteĩ tekojoja iñakãva ha ojeleeporãva apytépe letra humanista sans serif-gui ha peteĩ carácter ojeguerojeráva letra cuadrada sans serif-gui. Jepémo oñemoheñóiramo ñepyrũme peteĩ tipografía latina ramo, oñeikuaa temprano oikotevẽha peteĩ diálogo ipukukuve omoingévo peteĩ versión árabe. Mokõive diseño latino ha árabe oipuru peteĩchagua rapicha ha tembiapóite geometría oñemboja'óva rehegua. Mbarete proceso diseño paralelo rehegua omoneĩ mokõive ñe'ẽme oguereko armonía ha gracia oñembojovahéva. Árabe ha Latino oñemba'apo porãite oñondive oguerekógui contador, tallo rupive ha forma ikurváva oñemboja'óva.

Jeguerohory

A' Design Award Pláta Rehegua

Monk Latin and Arabic Geometric Tipografía Moñepyrũ ohupyty A' Design Award Pláta, peteĩ ñehechakuaa extraordinariamente prestigioso oñeme'ẽva diseño de primera línea, hechapyrãva ha impresionante-pe. Umi ganador Pláta ha'e tembiapo brillante ha heta creativo ohechaukáva expertise, talento ha agudeza sobresaliente umi diseñador-pe. Oñeha'ãrõ Monk Latin and Arabic Geometric Tipografía Moñepyrũ ha'eha peteĩ tembiapo maravilloso, ejemplar, profesional ha innovador pypukuvéva. Ko diseño ohupytýva A' Design Award Pláta ha'e invento ojehechakuaáva ha ojehayhúva ohepyme'ẽva ha ombohasáva límite arte, ciencia, diseño ha tecnología rehegua. Monk Latin and Arabic Geometric Tipografía Moñepyrũ ha'e creación heta ojeenvidiáva omokyre'ỹva ipotapy, ome'ẽva sentimiento positivo ha omoheñóiva maravilla ha sorpresa.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: Monk is a multi-language geometric harmoniously balanced font in Arabic and Latin. The font family has its origins from the Benedictine and Franciscan writing. Both Arabic and Latin work seamlessly together having shared counters, stem thickness, and curved forms. Monk is a type family that seeks a balance between the openness and legibility of humanist sans serifs. Letterforms have a distinct direction of the ductus, a wide overall stance, large open counters that help in its legibility.
Tuichakue ha Ñemyenyhẽ: True Type and Open Source Font
Ñe'ẽ Rape: Typeface design, Font Design, Font Family, Monk, Graphic typeface
Ñeapopy Tecnología: Designed and produced in Fontographer
Diseño Jepy'apy: The challenge was to create a modern typeface based on the historical research.
Ñesẽheka: The Monk font family has its origins from the Benedictine and Franciscan writing. The initial research was based around the ancient text stored in and around Umbria in central Italy. Analyzing the form and structure of the monk's letter we created a modern approach to the forms creating repeatable geometric curves, which were applied first to create the Latin font. With a concept of open discussion through the religions, the next logical step for us was to develop those design rationals to Arabic lettering with the development of two harmonious fonts.
Inspiración: The font family has its origins from the Benedictine and Franciscan writing. Originally designed as a Latin typeface it was quickly seen that we needed to open a wider dialogue and expand the font to include an Arabic version, using the same rationale to the design. The strength of the parallel design process allows the two typeset languages to have balanced harmony and grace.
Proyecto Ára Tuichakue: The Project started in 2017 and finish in September 2018, in Perugia Italy.
Mba'apo Rape: Our underlying concept was to develop a font that could communicate harmoniously in Arabic and Latin that was constructed with shared geometry. When used in an Arabic text western words would be seamlessly intergraded in the text.
Aty Rembiguái: Design direction: Paul Henry Robb
Latin Font: Paul Henry Robb
Arabic Font: Naser Imache - Paul Robb
Design Ass: Tommaso Calderini