Eho contenido-pe
Ten Póster-kuéra Kalyani Kamat Bambolkar and Ling Lee omba'apóva

Ten Póster-kuéra Kalyani Kamat Bambolkar and Ling Lee omba'apóva ha'e rembiporuarã oñemba'eguaséva 2020 A' Design Award Pláta pegua Ta'ãnga Jejapo Ñeha'ã Categoría-pe.


PlátaTa'ãnga· 2020

Ten Póster-kuéra

Kalyani Kamat Bambolkar and Ling Lee -gua

Mba'eporuhára: Kingston University, Kingston School of Art

A' Design Award Pláta Rembiporuarã Ta'ãnga Categoría-pe

47,185

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #88519 Peg̃ua

Sa'y

Diseño

Ten Póster-kuéra Rehegua

Ko ñemboguapy ha'e peteĩ campaña Kingston Universidad moda jehechaukárãgua. Ko campaña-pe ta'ãnga ojejapo omoheñóivo 'X' ra'ãnga peteĩ modelo retépe, ohechauka hag̃ua ao ra'ãnga peteĩ tapicha retépe. 'X' he'ise avei pa-hagua aniversario Kingston universidad moda mbo'ehaogua. E-vite oñemondo opaite tembiaporãharépe ha póster-kuéra ha folleto-kuéra ojehechauka Londres-pe Design Museum-pe.

Jeguerohory

A' Design Award Pláta Rehegua

Ten Póster-kuéra ohupyty A' Design Award Pláta, peteĩ ñehechakuaa extraordinariamente prestigioso oñeme'ẽva diseño de primera línea, hechapyrãva ha impresionante-pe. Umi ganador Pláta ha'e tembiapo brillante ha heta creativo ohechaukáva expertise, talento ha agudeza sobresaliente umi diseñador-pe. Oñeha'ãrõ Ten Póster-kuéra ha'eha peteĩ tembiapo maravilloso, ejemplar, profesional ha innovador pypukuvéva. Ko diseño ohupytýva A' Design Award Pláta ha'e invento ojehechakuaáva ha ojehayhúva ohepyme'ẽva ha ombohasáva límite arte, ciencia, diseño ha tecnología rehegua. Ten Póster-kuéra ha'e creación heta ojeenvidiáva omokyre'ỹva ipotapy, ome'ẽva sentimiento positivo ha omoheñóiva maravilla ha sorpresa.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva
Kingston University completed 10 years of its MA fashion course, so they decided to showcase their student's finest works at The Design Museum, London. The brief was to design posters without showing the actual student’s work and typical fashion elements. The posters were designed by showing marks of clothes on one’s body in the shape of ‘X. These posters were displayed all around the event and further used in other design elements, such as E-invites, brochures, stage slideshow etc.
Tuichakue ha Ñemyenyhẽ
Brochures were printed out in 297 x 420 mm and folded into half.
Posters were printed out in 841 x 1189mm.
Ñe'ẽ Rape
poster, design, fashion, visual communication, fashion show, art, brochure, E-invite
Ñeapopy Tecnología
The posters were a culmination of both photography and graphic design. After the photoshoot, the raw images were enhanced in Adobe Photoshop and designed filling in the details about the event date, time and venue.
The photos were also used for E-invites and brochures. The E-invites were sent out a week before the event so that the guests could RSVP. The brochures had details and schedule of the event and contact information about each of the fashion students that participated.The photos were also used for E-invites and brochures. The E-invites were sent out a week before the event so that the guests could RSVP. The brochures had details and schedule of the event and contact information about each of the fashion students that participated.
Diseño Jepy'apy
The marks were created with the help of ribbons, clothes and rope. But, the marks were quickly fading away and not visible in the shots. The struggle was to make the shots quick and clear.
Ñesẽheka
A fashion event was hosted by Kingston University in the month of October to celebrate the tenth anniversary of their MA Fashion course. 10 fashion students were selected to showcase their works. The brief was to design posters without showing the actual student’s work and typical fashion elements. The repetition of ’10’ initiated the concept of using ‘X’ as an identity for this event. Initial concepts consisted of graphics created around ‘X’. However, this was not approved by the fashion department’s leadership, as according to them, the graphical posters did not reflect fashion. Interestingly they did like the concept of using ‘X’ as a part of branding. After having experimented with few concepts, a thought came about representing fashion as people instead of clothes. To accomplish this, an idea of showing marks left on one's body in the form of ‘X' by these designer clothes was finalised. A photo shoot was done and marks were created with the help of ribbons, clothes and rope. The photos were then integrated into posters, brochures and E-invites.
Inspiración
A fashion event was hosted by Kingston University in the month of October to celebrate the tenth anniversary of their MA Fashion course. 10 fashion students were selected to showcase their works. The repetition of ’10’ initiated the concept of using ‘X’ as an identity for this event. The brief was to design posters without showing the actual student’s work and typical fashion elements. This led to an idea of showing marks left by these designer clothes on one’s body in the shape of ‘X’ to symbolize this event.
Proyecto Ára Tuichakue
The project started at the end of September 2017 and finished in October 2017 in London, UK.
Mba'apo Rape
The posters were designed for the audience to get excited about the fashion show. As the images on the posters did not reveal the work of the students in any way, it created curiosity about the event.
Patente-kuéra
The posters and images are owned by Kingston University.
Aty Rembiguái
Designer: Kalyani Kamat Bambolkar
Designer: Ling Lee
Ta'ãnga Mba'eñemoneĩ
All Photo credits: Kalyani Kamat Bambolkar

Patrocinado

Ehechauka Designers.org Rapykuéri

Ejuhu producto, servicio ha oportunidad ore socio publicitario-kuéra rehegua.

Diseño Porã Oñeñangareko Porãvaerã

A' Design Award ha'e premio internacional, jurado reheve, diseño porã pegua. Eike A' Design Award-pe erekóvo ijeheguíva ñemoneĩ, ñemyasãi, mba'ete ha nde mba'apo ñemoherakuã. Emoĩ nde mba'apo A' Design Award-pe ha eñeha'ã ejapo hag̃ua A' Design Prize.

Emoĩ