One Thousand and One Nights Yru Mohamadali Vadood and Shadi Habib omba'apóva

One Thousand and One Nights Yru Mohamadali Vadood and Shadi Habib omba'apóva ha'e rembiporuarã oñemba'eguaséva 2021 A' Design Award Brónse pegua Arte Porã Jejapo Ñeha'ã Categoría-pe.

BrónseArte Porã· 2021

One Thousand and One Nights Yru

Mohamadali Vadood and Shadi Habib -gua

Mba'eporuhára: Vadood Wood Arts Institute

A' Design Award Brónse Rembiporuarã Arte Porã Categoría-pe

15,573

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #86839 Peg̃ua

Eike Tendápe Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

One Thousand and One Nights Yru Rehegua

Peteĩ Sũ ha Peteĩ Pyhare ha'e peteĩ apopyre ojejapo hag̃ua tembiaporã ha moakãha yvyragua oipurúvo yvyra sobra michĩ ha tuichaitéva hetaichagua yvyramáta guive oguerekóva sa'y tesakã iporãitéva ha ta'ãnga ojehechaukáva. Sa'y haku yvyramáta ha su su yvyra'i iñambuéva ta'ãngáva omomandu ohechávape ambiente ta'ãnga Orientalista pegua ha mombe'upy Peteĩ Sũ ha Peteĩ Pyhare rehegua. Ko diseñópe, yvyra'i sa hetaichagua yvyramáta guive ymave oñondivepa omopu'ãva peteĩ ka'avo tekovéva ojejoaju jeývo omopu'ã hag̃ua peteĩ tete simbóliko, ohechaukáva yvyra opaichagua peteĩ ka'aguy pegua iñambuekue.

Jeguerohory

A' Design Award Brónse Rehegua

One Thousand and One Nights Yru ohupyty A' Design Award Brónse, peteĩ ñehechakuaa heta prestigioso oñeme'ẽva diseño sobresaliente-pe ojekuaáva creatividad, ingenio ha astucia rupi. Umi ganador Brónse ha'e artefacto hábil ha creativo ohechaukáva experiencia, imaginación ha recurso umi diseñador-pe. Oñeha'ãrõ One Thousand and One Nights Yru ha'eha peteĩ objeto ojehayhúva, admirado ha estimado, profesional ha innovador. Ko diseño ohupytýva A' Design Award Brónse ombojoaju mejor práctica arte, ciencia, diseño ha tecnología rehegua ha iporãiterei detalle rehe. One Thousand and One Nights Yru ombohory necesidad, ohupyty ipotapy, ombovy'a sentimiento ha ohenói curiosidad.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: Segmenting is a wood-work technique which is in two aspects: art-wise and production-wise. While both use motifs and cut trimmed lumbers and planks into angled and regular shapes, the former makes up marquetry pictures, and the latter produces objects. The method used here, calling it Irregular Segmenting, has roots in the second aspect but is inspired by the idea of putting irregular segments together accidently with various sizes and shapes. So, it has different procedures of segmenting and pressing with no needs to trim wood or use motifs, technically speaking, and means a random assemblage of colors and else, regarding aesthetics.
Tuichakue ha Ñemyenyhẽ: The vessel is 40 cm in height and 20 cm in diameter, and it weighs 200 grams. The bigger cup is 30 cm in height and 15 cm in diameter, and it weighs 100 grams. The smaller cup is 25 cm in height and 8 cm in diameter, and it weighs 40 grams.
Ñe'ẽ Rape: Recycle Wood, Reuse Wood, Save Natural Resources, Save Forests, Save Green Lives, Save Trees, Tree Huggers, Anti Deforestation, Stop Deforestation, One Thousand and One Nights, Ali Baba and the Forty Thieves, Wood Vessel
Ñeapopy Tecnología: To begin with the Irregular Segmenting work, first, left-over cuts of wood with different shapes are sorted out according to their complementary colors. After that small sheets are made up this way, they are arranged to build up bigger sheets. In order to produce this design One Thousand and One Nights, discs of desired diameter were cut out of the sheets and were glued and fixed to shape up like a vessel. Finally, the whole volume was wood-turned.
Diseño Jepy'apy: The fundamental challenge is to technically find a way to connect pieces of different sizes and various shapes so they could regain a fine form. Applying effective techniques to put the right pieces next to each other and under the press, without having them slipped or displaced, led to an algorithm defined based on the parallel sides of each piece. This method can fulfill the random presence of colors and shapes in each sheet and also provide better opportunities for creativity.
Ñesẽheka: Three research types are needed to do Irregular Segmenting. First, Mechanics of Wood, the mechanical behavior of wood like expansion and contraction so that wood pieces with similar mechanics can sit next to each other and build up a stronger structure. Second, Chemistry of Wood, the chemical behavior of wood such as its reactions to light. It is suggested to gain information about yellowing to place pieces with a correct color contrast so they are more likely to be preserved against aging. Third is studying aesthetics of the sheet before making a design. As in this work, it is based on circular forms.
Inspiración: Using wood while producing a design, artists usually finish up with a pile of scraps which mostly end up in trash bins, garden incinerators, or barbeques. Even if they may look impracticable due to their inappropriate size or unwanted shape, there are colors, textures, or else among them that cannot be simply ignored. Sounding like the tales of 'One Thousand and One Nights', a world full of magic and possibilities that comes right out of impossibilities, this idea occurred to me to first design a technique for making a sheet of wood out of those cuts, and then to design a vessel like Ali Baba and the Forty Thieves'.
Proyecto Ára Tuichakue: The whole project, Irregular Segmenting and designing One Thousand and One Nights started and finished in Tehran, Iran, in 2015. It has not been exhibited so far, except for online shares via social medias.
Mba'apo Rape: The vessel and the cups could be used as decorative objects. The Irregular Segmenting technique, however, can be applied to almost every artistic or industrial process which uses wood as its main material.
Aty Rembiguái: Mohammad-ali Vadood
Shadi Habib