Longmen Realm Ñembohechauka Apopyre Ecust Creplus Design omba'apóva

Longmen Realm Ñembohechauka Apopyre Ecust Creplus Design omba'apóva ha'e rembiporuarã oñemba'eguaséva 2026 A' Design Award Brónse pegua Ogapype Jejapo Ñeha'ã Categoría-pe.

BrónseOgapype· 2026

Longmen Realm Ñembohechauka Apopyre

Ecust Creplus Design -gua

Mba'eporuhára: Lingshan Museum

A' Design Award Brónse Rembiporuarã Ogapype Categoría-pe

6,763

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #183008 Peg̃ua

Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Longmen Realm Ñembohechauka Apopyre Rehegua

Longmen Realm ñembohechauka ohechauka 76 mba'e ymaguare Longmen Grottoes-gui, umíva apytépe ta'anga ijapopyre Buda rehegua, ita'anga itápe ojejapóva ha kuatiahaipyre ita ári oñemohaipyréva. Pe apopyre ombopyahu museo renda oñemohenda porãvo pe tenda, umi mba'e oñemoĩva ha tesape, ikatu haguãicha ojehecha ha oñentende porã opa mba'e. Poyvi osãingóva, yvy omimbíva ha tesape oñembojoajúva ojapo peteĩ tenda ojehecha porãva ha oñemohendáva hekópe. Umi mba'e ikatúva ojeporu oporomokyre'ỹ ohohápe oike ha ojapo ta'angamýi, upéicha oipytyvõ opavavépe oñemboja hag̃ua tavaygua mba'ekuaa ymaguare rehe.

Jeguerohory

A' Design Award Brónse Rehegua

Longmen Realm Ñembohechauka Apopyre ohupyty A' Design Award Brónse, peteĩ ñehechakuaa heta prestigioso oñeme'ẽva diseño sobresaliente-pe ojekuaáva creatividad, ingenio ha astucia rupi. Umi ganador Brónse ha'e artefacto hábil ha creativo ohechaukáva experiencia, imaginación ha recurso umi diseñador-pe. Oñeha'ãrõ Longmen Realm Ñembohechauka Apopyre ha'eha peteĩ objeto ojehayhúva, admirado ha estimado, profesional ha innovador. Ko diseño ohupytýva A' Design Award Brónse ombojoaju mejor práctica arte, ciencia, diseño ha tecnología rehegua ha iporãiterei detalle rehe. Longmen Realm Ñembohechauka Apopyre ombohory necesidad, ohupyty ipotapy, ombovy'a sentimiento ha ohenói curiosidad.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: The exhibition presents 76 artifacts from the Longmen Grottoes, including sculptures, reliefs, and calligraphic rubbings. Through spatial design, scenography, and lighting, the project adapts the museum gallery to improve how visitors view and understand the works. By combining historical artifacts with installation design, the exhibition supports cultural interpretation and public awareness of heritage. Within 45 days of opening, the exhibition recorded over 450000 visitors.
Tuichakue ha Ñemyenyhẽ: Total exhibition area: 2000 m². The exhibition includes suspended textile banners, sculptural installations, mirror-finished flooring, and lighting systems integrated with the octagonal ceiling structure to enhance spatial depth and visual layering.
Ñe'ẽ Rape: Longmen Grottoes, Exhibition Design, Installation, Museum Space
Ñeapopy Tecnología: The exhibition integrates spatial design, installation structures, textile banners, reflective flooring, and programmable lighting systems. Fabric structures are used to suspend large scale imagery, while mirror-finished flooring enhances spatial reflection. Installations derived from calligraphic brushstrokes translate traditional visual elements into contemporary spatial forms.
Diseño Jepy'apy: The main challenge was presenting ancient sculptures shaped by long-term historical processes in a contemporary exhibition format while maintaining their cultural context. The design introduced large suspended banners, reflective flooring, and a central lotus structure to organize the space. In the calligraphy section, brushstroke forms were transformed into installations, creating a relationship between traditional artifacts and spatial design.
Ñesẽheka: The project is based on research into the sculptural forms of the Longmen Grottoes and the spatial characteristics of the museum gallery. The study analyzed proportions, carving styles, and calligraphic inscriptions to identify visual elements adaptable to exhibition design. These findings informed artifact placement, installation structures, and lighting strategies, enabling the exhibition to balance historical authenticity with immersive contemporary presentation.
Inspiración: The exhibition draws inspiration from the artistic language of the Longmen Grottoes, including Buddhist sculpture, stone reliefs, decorative patterns, and calligraphy from the Northern Wei period. Through research into these elements, the design reinterprets traditional aesthetics using a contemporary spatial and visual approach.
Proyecto Ára Tuichakue: The project design began in February 2025 in Shanghai, China, and the exhibition opened in July 2025 at Lingshan Scenic Area, Wuxi, China.
Mba'apo Rape: Visitors move through a spatial narrative that transitions from historical interpretation to immersive experience. Sculptures and calligraphic artifacts are arranged around large-scale installations that guide circulation and visual focus. Suspended Buddha banners, reflective flooring, and dynamic lighting create layered perspectives as visitors move through the space. A central lotus seat invites visitors to pause, interact, and photograph, transforming the exhibition into both a contemplative and participatory cultural experience.
Aty Rembiguái: Chief Project Planner: Weiping QIN
Deputy Project Planner: Yidong FAN
Creative Director: Hao Shan
Art Director：Yueqi DING
Graphic Designer: Haoming XIAN, Jingning ZHANG, Yizhou Hua, Shuyi TANG, Zhonghang LI
Ta'ãnga Mba'eñemoneĩ: Photo Credits: ECUST Creplus Design，Wuxi Lingshan Cultural Tourism Group
Video Credits: Wuxi Lingshan Cultural Tourism Group