Eho contenido-pe
TMD Journal Kuatiahaipyre Tomohiro Kaji omba'apóva

TMD Journal Kuatiahaipyre Tomohiro Kaji omba'apóva ha'e rembiporuarã oñemba'eguaséva 2026 A' Design Award Pláta pegua Kuatiañe'ẽ Jejapo Ñeha'ã Categoría-pe.


PlátaKuatiañe'ẽ· 2026

TMD Journal Kuatiahaipyre

Tomohiro Kaji -gua

Mba'eporuhára: Tomodachi Ltd.

A' Design Award Pláta Rembiporuarã Kuatiañe'ẽ Categoría-pe

22,730

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #182054 Peg̃ua

Sa'y

Diseño

TMD Journal Kuatiahaipyre Rehegua

TMD Journal ohesa'ỹijo tipo ñemboguata ndaha'éiva jehecha rekópe añónte, ha katu peteĩ tembiaporape oñemboheráva omohenda hag̃ua he'iséva. Umi digital-potypra ojeporukuaa hetáva jeguakárõguáicha rangue, ko kuatiañe'ẽ omoĩjey tipografía peteĩ tembiporúramo oñemopu'ã hag̃ua tembiapokue ha ñomongeta. Peteĩteĩ kapítulo ohechauka peteĩ tipo ñemboguata pyahu iñapytu'ũ rupive, iñtembiaporape rupive ha oñemoĩ háicha, ohechaukávo mba'éichapa umi tipografía jeporavo oñemoĩ tekópe ha jeporúpe. Ko journal omeẽ peteĩ ñangarekoha oñeikũmby hag̃ua tipo peteĩ tembiapokue oikóva ramo marca ha ñomongeta apópe.

Jeguerohory

A' Design Award Pláta Rehegua

TMD Journal Kuatiahaipyre ohupyty A' Design Award Pláta, peteĩ ñehechakuaa extraordinariamente prestigioso oñeme'ẽva diseño de primera línea, hechapyrãva ha impresionante-pe. Umi ganador Pláta ha'e tembiapo brillante ha heta creativo ohechaukáva expertise, talento ha agudeza sobresaliente umi diseñador-pe. Oñeha'ãrõ TMD Journal Kuatiahaipyre ha'eha peteĩ tembiapo maravilloso, ejemplar, profesional ha innovador pypukuvéva. Ko diseño ohupytýva A' Design Award Pláta ha'e invento ojehechakuaáva ha ojehayhúva ohepyme'ẽva ha ombohasáva límite arte, ciencia, diseño ha tecnología rehegua. TMD Journal Kuatiahaipyre ha'e creación heta ojeenvidiáva omokyre'ỹva ipotapy, ome'ẽva sentimiento positivo ha omoheñóiva maravilla ha sorpresa.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva
TMD Journal positions typefaces as systems that organise meaning rather than visual styles. Each typeface is examined through its conceptual premise, structural logic and applied context within a unified publication.

By combining original type development with editorial analysis, the journal establishes a framework where typography is not presented as form, but understood as a system that shapes communication, identity and interpretation.
Tuichakue ha Ñemyenyhẽ
210 × 297 mm (A4)
52 pages
Ñe'ẽ Rape
Typography, Editorial Design, Type Design, Print Publication, Typographic Research, Visual Communication, Branding System, Independent Publishing, Communication Design, Design Systems
Ñeapopy Tecnología
The publication is constructed as a sequence of chapters, each dedicated to a distinct type system. The editorial structure follows a consistent progression from concept to structure to application.

This method translates abstract typographic ideas into a readable system, allowing relationships between design decisions and communication outcomes to become visible through use rather than explanation.
Diseño Jepy'apy
The primary challenge was translating conceptual typographic research into a coherent editorial system. Typefaces informed by historical structures needed to function within a contemporary format while maintaining clarity and usability.

Balancing conceptual depth with readability required continuous iteration. Maintaining consistency across multiple type systems while preserving their individual logic was critical to achieving both coherence and distinction.
Ñesẽheka
Type of Research
Practice based research in typographic systems and communication design

Objective
To examine how typefaces construct meaning and function within branding and editorial contexts

Methodology
Comparative analysis of historical typography and experimental type development

Process and Tools
Archival references, typographic specimens and digital type design software

Outcome
A publication demonstrating how typographic structure influences communication

Impact
Provides a framework for integrating typography into branding systems
Inspiración
In the digital era, typefaces are increasingly consumed as visual surfaces detached from the ideas they were originally designed to express. Historically, typography functioned as a medium for structuring thought and communication.

This project begins with a question: can type operate again as a system that carries meaning rather than appearance. Drawing from typographic history and calligraphic traditions, TMD Journal reconsiders the role of type as an active structure within communication.
Proyecto Ára Tuichakue
The typefaces were developed between March 2023 and September 2025. Editorial research and design were conducted in parallel.

The journal was completed and published in November 2025 in Kamakura, Japan.
Mba'apo Rape
The journal is read sequentially through chapters, each focusing on a typeface. Readers move from conceptual explanation to structural breakdown and then to application examples.

This structure allows readers to actively understand how typographic decisions influence meaning, shifting the experience from passive viewing to analytical reading.
Aty Rembiguái
Art Director: Tomohiro Kaji
Typeface Designer: Tomohiro Kaji
Book Designer: Tomohiro Kaji, Ivan Persoglia
Ta'ãnga Mba'eñemoneĩ
Images: Tomodachi Ltd

Patrocinado

Ehechauka Designers.org Rapykuéri

Ejuhu producto, servicio ha oportunidad ore socio publicitario-kuéra rehegua.

Diseño Porã Oñeñangareko Porãvaerã

A' Design Award ha'e premio internacional, jurado reheve, diseño porã pegua. Eike A' Design Award-pe erekóvo ijeheguíva ñemoneĩ, ñemyasãi, mba'ete ha nde mba'apo ñemoherakuã. Emoĩ nde mba'apo A' Design Award-pe ha eñeha'ã ejapo hag̃ua A' Design Prize.

Emoĩ