Spiral of Life Tembiporu Ovetãgui Keiji Ishikawa omba'apóva

Spiral of Life Tembiporu Ovetãgui Keiji Ishikawa omba'apóva ha'e rembiporuarã oñemba'eguaséva 2026 A' Design Award Itaju pegua Kosina Mba'epyru Jejapo Ñeha'ã Categoría-pe.

ItajuKosina Mba'epyru· 2026

Spiral of Life Tembiporu Ovetãgui

Keiji Ishikawa -gua

Mba'eporuhára: KJ studio

A' Design Award Itaju Rembiporuarã Kosina Mba'epyru Categoría-pe

37,267

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #181198 Peg̃ua

Eike Tendápe Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Spiral of Life Tembiporu Ovetãgui Rehegua

Ojoaju haguã umi ta'ãnga papapy rembiapokue ha te'ýi rehegua arte, pe tembiapo Spiral of Life ohechauka peteĩ tape pyahu Kiriko ovetãgui tembiporúpe guarã. Ko tembiapo ohupyty pe yvypóra reko oñemyekõva ovetã apytépe. Ko ñemongu'e ou peteĩ ñomba'apógui pe ojapohárava ha Ree, peteĩ pintura jerojkyhára apytépe. Ombohasávo umi Fibonacci ysyry ojejapo haguã ñemongu'e, Ree ome'ẽ pe apytu'ũ tapykuere ko ñemboguatápe. Umi 8 guive 13 ha 13 guive 21 spiral joja rupive, pe apopyhára ombojoaju pe mba'apo ymaguare biomatemática ndive. Pe joaju osẽva ome'ẽ peteĩ jehecha ryrýi ohechaukáva pe yvórape yvypóra korasõ tyryry.

Jeguerohory

A' Design Award Itaju Rehegua

Spiral of Life Tembiporu Ovetãgui ohupyty A' Design Award Itaju, peteĩ ñehechakuaa heta prestigioso oñeme'ẽva diseño primera clase, maravilloso ha sobresaliente-pe. Umi ganador Itaju ha'e creación heta innovador, visionario ha glamoroso ohesape'ỹva ohechaukáva genio, sabiduría ha habilidad umi diseñador-pe. Oñeha'ãrõ Spiral of Life Tembiporu Ovetãgui ha'eha peteĩ invento ojehechakuaavéva, tendencia omoĩva ha monumental ome'ẽva valor ndojehecháiva. Ko diseño ohupytýva A' Design Award Itaju ha'e proyecto espectacular ha respetado ohepyme'ẽva heta ha ombohasáva límite arte, ciencia, diseño ha tecnología rehegua. Spiral of Life Tembiporu Ovetãgui omoheñói sentimiento ipotapy mbarete, omokyre'ỹ pasión, ombokyre'ỹ creatividad ha ñanemombyasy.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: Fibonacci spirals follow strict mathematical laws yet appear organic and asymmetrical, resisting simple geometric repetition. Traditional Kiriko requires precise vertical and horizontal guidelines before cutting; however, standard grids cannot capture this natural fluctuation while ensuring reproducibility. To solve this, I developed a hybrid approach: maintaining the Fibonacci count with guidelines while manually adjusting each cut to ensure a smooth, living trajectory.
Tuichakue ha Ñemyenyhẽ: The product dimensions are as follows: The rock glass is 77mm in diameter and 92mm in height, as shown in the main image. In optional image #1, the wine glass is 58mm in diameter and 150mm in height. In optional image #2, the soba cups are 81mm in diameter and 62mm in height. In optional image #3, the sake cup is 60mm in diameter and 60mm in height. Finally, the top views of the sake cup and soba cup filled with water are shown in optional image #4.
Ñe'ẽ Rape: kiriko, cutglass, japaneseglassware, glassart
Ñeapopy Tecnología: The double-layered glassware is carefully ground and polished by hand using Japanese Kiriko cut glass technology.
Diseño Jepy'apy: Through rigorous prototyping, I established a specialized system. Smaller vessels like sake cups use an 8 to 13 spiral ratio, while larger items like wine and rock glasses employ a 13 to 21 ratio to maintain proportion. For vessels with decorative bases, such as a soba cup, I meticulously integrated an 8 to 13 spiral on the bottom to enhance aesthetic coherence. This precise scaling was essential to capturing the Spiral of Life across the entire collection.
Ñesẽheka: A true Fibonacci spiral requires clockwise and counterclockwise counts to be adjacent numbers in the sequence. To ensure visual balance and mathematical integrity, I conducted extensive research to determine the optimal pairings, such as 8 to 13 or 13 to 21, based on specific glass diameters and curvatures. This study ensured that the mathematical beauty remains consistent.
Inspiración: I initially struggled to translate the relationship between the sun and the sunflower into glass. The breakthrough came via my daughter Ree, an artist and paint dancer, who shared my fascination with the sunflower Fibonacci spiral. This pattern blends mathematical law with organic asymmetry. Ree physicalized this sequence by synchronizing her leg drawn spiral counts with Fibonacci numbers. Witnessing this kinetic manifestation inspired me to transpose these complex spirals onto Kiriko glass.
Proyecto Ára Tuichakue: The project started in December 2025 in Tokushima, Japan, and finished in February 2026.
Mba'apo Rape: The streamline motifs are executed with wide-angle V cuts. When viewed from the side, patterns on the far surface refract through the front, creating complex layered intersections that evoke the mystery of life. From a top-down perspective, the precise Fibonacci sequence achieves a profound, harmonious balance. The design invokes a rhythmic and engaging experience, mimicking a living pulse. This interaction between light and geometry brings dynamic vitality to the glassware.
Patente-kuéra: The design is being applied for design registration and will receive copyright protection for registered designs in December 2026 in Japan.
Ta'ãnga Mba'eñemoneĩ: Video Credits:
To demonstrate the rhythmic harmony and life-like pulse of the design, the video showcases the glassware in rotation. This highlights how the patterns shift and intersect dynamically as the perspective changes, illustrating the Spiral of Life concept through the interaction of light, shadow, and the intricate Kiriko hand cuts.