Cycle Of Matter Exposición Koty (Stand jehechaukaha) Marzena Michalska - Smart Design Expo omba'apóva

Cycle Of Matter Exposición Koty (Stand jehechaukaha) Marzena Michalska - Smart Design Expo omba'apóva ha'e rembiporuarã oñemba'eguaséva 2026 A' Design Award Pláta pegua Ñemuha Jechaukaha Jejapo Ñeha'ã Categoría-pe.

PlátaÑemuha Jechaukaha· 2026

Cycle Of Matter Exposición Koty (Stand jehechaukaha)

Marzena Michalska - Smart Design Expo -gua

Mba'eporuhára: Smart Design Expo

A' Design Award Pláta Rembiporuarã Ñemuha Jechaukaha Categoría-pe

12,868

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #181174 Peg̃ua

Eike Tendápe Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Cycle Of Matter Exposición Koty (Stand jehechaukaha) Rehegua

Cycle of Matter ha'e peteĩ stand jehechaukaha ojejapóva peteĩ cerámica azuléjo apohára peguarã. Pe stand oipyso 135 metro cuadrado ha ohupyty 4 metro ijyvateveháme. Ijapére oñemboty ha ndohechaukái mba'eve, upévare pe mombe'upy oĩva hyepýpe ojekuaa oikeha rire mante. Umi hape ári oñemoĩ azuléjo base ndorekóiva sa'y ni ta'anga, ohechaukáva pe material oĩ haguéicha voi. Peteĩ tape mbytegua omoirũ ohóvape peteĩteĩ koty rupi, ohechaukáva mba'éichapa ojejapo azuléjo opa hendáicha. Umi mopa'ũha ojejapóva upevarã voi, yvy platform rehegua ha 160 rupi mba'e rendy omohenda pe jeike.

Jeguerohory

A' Design Award Pláta Rehegua

Cycle Of Matter Exposición Koty (Stand jehechaukaha) ohupyty A' Design Award Pláta, peteĩ ñehechakuaa extraordinariamente prestigioso oñeme'ẽva diseño de primera línea, hechapyrãva ha impresionante-pe. Umi ganador Pláta ha'e tembiapo brillante ha heta creativo ohechaukáva expertise, talento ha agudeza sobresaliente umi diseñador-pe. Oñeha'ãrõ Cycle Of Matter Exposición Koty (Stand jehechaukaha) ha'eha peteĩ tembiapo maravilloso, ejemplar, profesional ha innovador pypukuvéva. Ko diseño ohupytýva A' Design Award Pláta ha'e invento ojehechakuaáva ha ojehayhúva ohepyme'ẽva ha ombohasáva límite arte, ciencia, diseño ha tecnología rehegua. Cycle Of Matter Exposición Koty (Stand jehechaukaha) ha'e creación heta ojeenvidiáva omokyre'ỹva ipotapy, ome'ẽva sentimiento positivo ha omoheñóiva maravilla ha sorpresa.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: Art in Motion. Material that lives.
The Stargres booth was conceived as a spatial narrative about the life of a tile. Its compact, enclosed architecture reveals little from the outside, concealing a story that unfolds only once inside. Clad entirely in raw base tiles without color or pattern, the monochromatic earth-tone space is structured around a central corridor guiding visitors through symbolic stages of tile creation, highlighting process, material origin and rediscovery.
Tuichakue ha Ñemyenyhẽ: Total area: 135 sqm
Maximum height: 4000 mm
Platform height: 150 mm
Cladded surface with ceramic tiles: approx. 250 sqm
Custom partitions: 17 X type modules, 3 V type modules
Suspended tile composition: 16.5 sqm
Lighting fixtures: approx. 160 units
Integrated AV system with 43 inch screens
Ñe'ẽ Rape: exhibition architecture, trade fair design, ceramic tiles, sustainable narrative, spatial storytelling, temporary architecture, material research, immersive space
Ñeapopy Tecnología: The structure was built as a modular temporary architecture with a 4 m maximum height. System platform flooring (150 mm, laser leveled) supported full tile installation without grouting. Custom X and V partitions were fabricated in OSB and finished with client tiles or structural paint. Powder coated steel edge profiles defined the platform. Over 160 luminaires created layered scenographic lighting. Installation included integrated electrical systems and multimedia walls.
Diseño Jepy'apy: The main challenge was presenting a raw base tile as a central aesthetic element while maintaining architectural coherence. Structurally, the booth required heavy ceramic cladding within temporary fair regulations and height limits. Achieving stability, modularity and precise installation without visible technical compromise demanded tight coordination between design, engineering and production teams.
Ñesẽheka: Stoneware plays the first fiddle here. The aim was to understand how an exhibition stand could clearly show how tiles are produced and communicate the life of this material. The concept was developed as a spatial story that guides visitors step by step through the cycles. Material tests, technical drawings, mockups and cost analysis supported the process, with close collaboration between the design team and Stargres production consultants. The result was a corridor shaped booth showcasing the product, with the base covered in the material in its primary form.
Inspiración: The project was inspired by the idea of returning to origin. Instead of presenting finished collections, the design focuses on the base tile, the raw state preceding color and pattern. This gesture reflects transparency in production and a sustainable mindset. The booth becomes an architectural storyboard, guiding visitors through the symbolic stages of material transformation and rediscovery.
Proyecto Ára Tuichakue: The project started in June 2025 in Poland and was completed in October 2025. Production began in September 2025. The booth was installed between 17-21 October 2025 and exhibited at Warsaw Home 2025 from 22-25 October 2025 in Warsaw, Poland.
Mba'apo Rape: Visitors enter a visually restrained exterior that reveals little of the interior. A central corridor guides them through sequential spatial frames representing stages of tile production. Surfaces, lighting and material transitions create a gradual discovery process. The booth encourages slow exploration rather than immediate display, transforming product viewing into a curated spatial experience.
Aty Rembiguái: Designer: Marzena Michalska
Design Studio: Smart Design Expo