Ishidaya Tembi'urenda Japonguigua Atsushi Kawaguchi omba'apóva

Ishidaya Tembi'urenda Japonguigua Atsushi Kawaguchi omba'apóva ha'e rembiporuarã oñemba'eguaséva 2026 A' Design Award Brónse pegua Ogapype Jejapo Ñeha'ã Categoría-pe.

BrónseOgapype· 2026

Ishidaya Tembi'urenda Japonguigua

Atsushi Kawaguchi -gua

Mba'eporuhára: Ishidaya

A' Design Award Brónse Rembiporuarã Ogapype Categoría-pe

6,937

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #180958 Peg̃ua

Eike Tendápe Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Ishidaya Tembi'urenda Japonguigua Rehegua

Ishidaya ha'e peteĩ tembi'urenda Japonguigua Hanoi tavaguasu mbytepe. Ko tembiapo oiporu Taisho Roman, peteĩ ára Japón ha Occidente rembikuaágui ojoja hague, ijapopyrãramo, omoirũ Japón porãngue ha óga Occidente rekópe. Peteĩ yvyra rembiapo mostrador ári omoĩ oñondive tembiapo ymaguare ha Art Deco mba'e apesã kua'ambyre ha oñemomba'e peteĩ tesa rembiechaporãramo. Nahániri ojeguaka, ha'e omohenda ñemomba'e tesape ha jehecha oñemoambueva rupive. Upe apopyre ha'e peteĩ tenda mombyky ombojo'áva tekove rembikuaa ha ome'ẽva peteĩ ñemyesakã hesakãva ko'ág̃agua tembi'u Hanoi-pe.

Jeguerohory

A' Design Award Brónse Rehegua

Ishidaya Tembi'urenda Japonguigua ohupyty A' Design Award Brónse, peteĩ ñehechakuaa heta prestigioso oñeme'ẽva diseño sobresaliente-pe ojekuaáva creatividad, ingenio ha astucia rupi. Umi ganador Brónse ha'e artefacto hábil ha creativo ohechaukáva experiencia, imaginación ha recurso umi diseñador-pe. Oñeha'ãrõ Ishidaya Tembi'urenda Japonguigua ha'eha peteĩ objeto ojehayhúva, admirado ha estimado, profesional ha innovador. Ko diseño ohupytýva A' Design Award Brónse ombojoaju mejor práctica arte, ciencia, diseño ha tecnología rehegua ha iporãiterei detalle rehe. Ishidaya Tembi'urenda Japonguigua ombohory necesidad, ohupyty ipotapy, ombovy'a sentimiento ha ohenói curiosidad.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: This design is a spatial centerpiece that quietly responds to people rather than technology. Its form never moves, yet it feels different from every position, shaped by light, shadow, and human presence. Unlike decorative elements that are simply observed, this design creates a subtle dialogue with its surroundings, offering depth, calm, and a lasting sense of place through simplicity and restraint.
Tuichakue ha Ñemyenyhẽ: Renovation of existing buildings
Ñe'ẽ Rape: Timeless atmosphere, Changing perception, Sense of depth, Quiet interaction
Ñeapopy Tecnología: The design process began not with form, but with experience. We first observed how people move, pause, and look within the space. Instead of adding complexity, simple elements were repeated and layered so perception changes as people move. The design does not rely on mechanisms or instructions; human presence itself creates variation. This approach results in a calm, durable, and lasting spatial experience.
Diseño Jepy'apy: In designing ISHIDAYA we faced challenges from both cultural context and practical limits. The building showed Western decorative traces while the space required a Japanese aesthetic. To connect these influences we adopted the idea of Taisho Roman, a period when East and West blended naturally. This concept guided choices in materials colors light and space. Through close work with craftsmen and repeated testing the design was refined into a space that respects cultural roots and feels natural to use.
Ñesẽheka: For ISHIDAYA the research began by understanding the building and its use. The structure showed traces of Western decoration, while the design required a Japanese sensibility. To connect these elements we studied moments in history when East and West blended naturally. This led to Taisho Roman, which guided choices in materials colors and mood, creating a space that feels unified clear and suited to present day Hanoi.
Inspiración: ISHIDAYA is a Japanese restaurant located in the center of Hanoi. Inspired by Taisho Roman, a period when Japanese and Western cultures intersected, the design harmonizes Japanese aesthetics with the building’s original Western character. A sculptural wooden framework above the counter combines traditional Japanese construction with Art Deco geometry, creating a refined space where dining, drinking, and cultural storytelling come together in contemporary Hanoi.
Proyecto Ára Tuichakue: The project started in August 2024 in Hanoi and finished in April 2025.
Mba'apo Rape: Hanged wood frame is not something you press or control.
It responds simply to people being there. As you walk, sit, or look up, its shape feels different. From one angle it looks calm, from another it feels complex, and from below it seems to float.
Nothing actually moves, but your position changes how it appears. Light and shadow shift naturally, creating a quiet interaction. Because it relies on people, not machines, it stays simple, stable, and always engaging.
Ta'ãnga Mba'eñemoneĩ: All photos / HIROYUKI OKI