Matsu Biennial 2023 Arte Tembi'u Guasu Chun Ming Wang, Hou ching Lee and Han Wu omba'apóva

Matsu Biennial 2023 Arte Tembi'u Guasu Chun Ming Wang, Hou ching Lee and Han Wu omba'apóva ha'e rembiporuarã oñemba'eguaséva 2024 A' Design Award Fiero pegua Ñembyaty Jejapo Ñeha'ã Categoría-pe.

FieroÑembyaty· 2024

Matsu Biennial 2023 Arte Tembi'u Guasu

Chun Ming Wang, Hou ching Lee and Han Wu -gua

Mba'eporuhára: Lienchiang County Government and The General Association of Chinese Culture

A' Design Award Fiero Rembiporuarã Ñembyaty Categoría-pe

43,208

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #155697 Peg̃ua

Eike Tendápe Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Matsu Biennial 2023 Arte Tembi'u Guasu Rehegua

Matsu Biennial ha'e peteĩ tembiaporã 10 áry, 5 vore oñembohapyha omboheko porãve hag̃ua diseño social-pe g̃uarã. Ipapapy 70 tembiapo arte opaichagua ha apopyre oñomuña opaichagua mba'épe 9 proyecto curatorial rehegua omboguata desafío desarrollo regional sustentable rehegua. Matsu túnel Guerra Fría ára rehegua, archivo zona guerra-pegua, tradición Min Oriental, arquitectura ha ñe'ẽ ohecha 200 óga oñangarekóva tradición vino moheñói rehegua, ombohepyme'ẽva téma Ruby Red After Summer. Pe Biennial omoambue arte levadura ramo omongakuaa hag̃ua ñe'ẽ kañýva ha omoambuéva Matsu peteĩ base arte ha diseño-pe g̃uarã.

Jeguerohory

A' Design Award Fiero Rehegua

Matsu Biennial 2023 Arte Tembi'u Guasu ohupyty A' Design Award Fiero, peteĩ ñehechakuaa prestigioso oñeme'ẽva diseño iporã-pe ohupytýva requisito profesional ha industrial oñeha'ãrõva creación iporã oñemoĩva-gui. Umi ganador Fiero ohechauka habilidad guasu, especialización yvate, comprensión experta ha capacidad creativa umi creador rehegua. Oñeha'ãrõ Matsu Biennial 2023 Arte Tembi'u Guasu ha'eha creación ojehayhúva, admirada ha estimada, práctica ha innovadora. Ko diseño ohupytýva A' Design Award Fiero ombojoaju mejor práctica industria rehegua ha oguereko característica técnica competente ojoajúva conocimiento ha talento ndive. Matsu Biennial 2023 Arte Tembi'u Guasu oñerespeta hembiapo cuidadoso rupi ha oñemoĩ ome'ẽ hag̃ua mejora calidad de vida rehegua oipytyvõva yvy ape iporãve hag̃ua.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: Matsu Biennial restores the suppressed voices and self-evident culture of Matsu's unique Cold-War heritage and war zone administration period. Unlike typical art festivals, the Biennial is a 10-year project across 5 planned biennials to involve experts and provide integrated design solutions.
Cultural governance and design thinking are made part of policymaking to advance art and education. The Biennial is a long-term cultural movement through site translation, cultural tours, and co-creation.
Tuichakue ha Ñemyenyhẽ: Exhibition grounds spanning the 4 townships and 5 islands of Matsu under a framework of 9 curatorial projects, comprised of 70 works spanning 4 areas of art design, landscape architecture, culinary art, and performance. Exhibition venues across a range of public spaces such as beaches, strategic intersections, plazas, military sites, private houses, cafes, and museums. 12 co-curators and 80 artist groups, including 13 local artists and 7 visiting artists from 5 countries.
Ñe'ẽ Rape: Matsu Biennial, art festival, cultural heritage, Cold War, public branding, community design, social design, design education
Ñeapopy Tecnología: Based on past studies of Matsu's military and cultural heritage, the Biennial invites locals and experts to co-create 70 works across 9 curation projects of architecture, art, food, and performance. Crossing contemporary mediums with traditional arts, it connects and revitalizes local traditions. Highlights include Underwater Lab and The Island Scene, featuring technology art, video, sculpture, traditional papercutting art, and military site installations, creating key landscapes on the island.
Diseño Jepy'apy: The goal of the Biennial is to revive tangible/intangible heritage. Winemaking became the theme to resonate culturally and military sites have been revitalized. The challenge is to instill cultural identification locally, preserving and innovating with experts to increase local participation and communications by social design. As a cultural movement, the Biennial engages with residents, delivering posters to 3800 households and embedding its processes in art curriculums and development workshops.
Ñesẽheka: The Matsu Biennial 2023 is based on past surveys of local heritage. Its theme Ruby Red After Summer honors the tradition of winemaking in Matsu to "ferment art". In 2007, a comprehensive survey of the islands recorded 146 military installations. In 2019, 13 military sites were selected for revitalization studies. Surveys on local contexts, archives, and interviews collected local issues and cultural highlights of Matsu’s sites including crafts, and food, forming the basis for the Biennial.
Inspiración: UNESCO Universal Declaration on Cultural Diversity considers cultural diversity as legacy, promoting peace through dialog. Villages and towns nowadays host large-scale art festivals to revitalize local industries and culture, driving local participation and bolstering the regional brand. Accordingly, Matsu Biennial adopts the core concept of "social design", creating public branding for sustainable governance and using art curation to highlight the significance of Matsu's Cold-War heritage.
Proyecto Ára Tuichakue: The 2nd Matsu Biennial "Ruby Red After Summer" opens from Sept. 23 to Nov. 12,2023 at the 4 townships and 5 islands of Matsu. In 2007, a comprehensive survey of Matsu's local heritage and cultural landscape was initiated. In 2019, planning for the 1st Matsu Biennial started, and in 2020, a stronghold redesign campaign movement was launched, leading up to the opening of 2 military sites for the 2nd Matsu Biennial.
Mba'apo Rape: Addressing issues through social design, the Biennial adopts 5 principal designs of engagement—creating dialogue with the community and developing local characteristics; sustainability—design with a 10-year vision; planning—continued concern for society through art practice; spatial governance—design on the scale of architectural contexts; and culture—design to transform organizational cultures and create an environment conducive to art and design.
Patente-kuéra: Copyrights belong to Matsu Biennial
Aty Rembiguái: Co-organizers: Chung-Ming Wang, Hou-ching Lee, Jing-hui Huang, Xiao-Yun Wu
Marketing Coordinator: Ayu Cheng
Chief of Operations: Hui-Ting Liu
Curatorial team: Lee Ro-Mei, Chao Kai-Chih, Eric Chen, Eva Lin, Chang Cheng-Yu, Chang Kuang-Yi, Nakaw Putun, Han Wu, Hung Yu-Cheng, Ella Jheng, Liu Mei-Yu, Tammy Yu-Ting Hsieh, Pilar Tsai, Li-Wei Hou, Liting Liu, Hsieh Shu-Ching, Wang Shih-Yu, Wilma Ku, Yu-Zheng Ye
Ta'ãnga Mba'eñemoneĩ: Matsu Biennial