Qin Poster Series Kaidi Mao omba'apóva ha'e rembiporuarã oñemba'eguaséva 2021 A' Design Award Brónse pegua Ta'ãnga Jejapo Ñeha'ã Categoría-pe.

BrónseTa'ãnga· 2021

Qin Poster Series

Kaidi Mao -gua

Mba'eporuhára: Kaidi Mao

A' Design Award Brónse Rembiporuarã Ta'ãnga Categoría-pe

9,015

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #124488 Peg̃ua

Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Qin Poster Series Rehegua

Qin ha'e peteĩ poster series ombojevýva tradición China'gua paisaje ta'ãnga puhague, oiporúvo medio digital-kuéra rupive. Pe téra Qin ou peteĩ ñe'ẽ Chino-guágui he'iséva ojeike térã oñemoinge, ha pe letra ojoajúva ohechauka y ha korasõ mba'e rechaukaha. Umi ta'ãnga oñepyrũ ta'ãngambyry ramo ha upéi oñembopyahu umi tembiporu digital reheve, umíva apytépe Photoshop, Cinema 4D ha Procreate. Ko series oñemoheñói mokõi tuichakuépe ha ikatu ojehechauka kuatiápe térã pantalla-pe, peteĩ galería-pe térã óga-pe. Pe jehupyty ha'e ojehechauka hag̃ua pe Taoísta arandu yvy rehegua peteĩ aty tetãnguéra apytegua oĩva opárupi ára.

Jeguerohory

A' Design Award Brónse Rehegua

Qin Poster Series ohupyty A' Design Award Brónse, peteĩ ñehechakuaa heta prestigioso oñeme'ẽva diseño sobresaliente-pe ojekuaáva creatividad, ingenio ha astucia rupi. Umi ganador Brónse ha'e artefacto hábil ha creativo ohechaukáva experiencia, imaginación ha recurso umi diseñador-pe. Oñeha'ãrõ Qin Poster Series ha'eha peteĩ objeto ojehayhúva, admirado ha estimado, profesional ha innovador. Ko diseño ohupytýva A' Design Award Brónse ombojoaju mejor práctica arte, ciencia, diseño ha tecnología rehegua ha iporãiterei detalle rehe. Qin Poster Series ombohory necesidad, ohupyty ipotapy, ombovy'a sentimiento ha ohenói curiosidad.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: Kaidi Mao's examination of the aesthetic and intellectual tradition of Chinese landscape painting has enabled him to understand the connection between classical Chinese painters and their natural environments. To explore such painting's relationship to nature in a contemporary context, Mao has used today's technology to produce digital images inspired by the traditions of China.
Tuichakue ha Ñemyenyhẽ: There are two sizes for this poster series: 24 inches x 36 inches, and 24 inches x 30 inches
Ñe'ẽ Rape: Art, poster, Taoism, culture, landscape, painting
Ñeapopy Tecnología: The initial images are from photography, then digitally created using tools like Photoshop, Cinema 4D and Procreate.
Diseño Jepy'apy: The biggest challenge of this project is to visually communicate this East Asian worldview to international viewer, especially under the current political environment.
Ñesẽheka: This project is a pictorial reinterpretation of Chinese painters' use of nature to communicate the Taoist notion that the whole planet is permeated by invisible Tao, "the Way of the cosmos, which is evident in nature." Mao has titled this project Qin. Qin, comes from the Chinese word, which means "to permeate", "to seep into". This project allows different cultures, concepts and methods to seep together. The character Qin consists of two parts: the left represents water, and the right represents the heart. Heart can be interpreted as the depth of one's feelings, and when combined with water, expresses something that comes from one's innermost being. Qin explores the aesthetic depth with which Chinese culture responds to, reveres, and honors the natural environment by reexamining pictorial traditions using contemporary digital image production. It also serves as an expression of the connection felt by a producer of such imagery with the underlying concept of Tao that inexpressibly permeates universal being in the Chinese tradition.
Inspiración: As a designer from China living in the United States, I have sought to integrate my training in contemporary design with my personal and cultural identity. This has come through an examination of different media and technological approaches. This process has led me to a series of digitally produced design pieces that examine my own Chinese pictorial tradition. These works have also allowed me an alternative approach to understanding The Natural within my practice.
Proyecto Ára Tuichakue: The project started in September 2019, finished in May 2020 in Los Angeles.
Mba'apo Rape: These posters/graphic arts can be displayed physically and digitally, in a gallery setting or in a home setting.