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Kouunji Kyakuden Sala de Recepción do Templo de Hiroaki Iwasa

O deseño Kouunji Kyakuden Sala de Recepción do Templo de Hiroaki Iwasa é un estimado gañador do moi prestixioso 2025 A' Design Award de Bronce na Categoría de Competición Deseño de Arquitectura, Edificación e Estruturas.


BronceArquitectura· 2025

Kouunji Kyakuden Sala de Recepción do Templo

de Hiroaki Iwasa

Cliente: Hiroaki Iwasa Architects Workshop

Gañador do A' Design Award de Bronce na Categoría Arquitectura

17,280

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Verificar o Estado do Premio para #162806

Cores

O Deseño

Sobre Kouunji Kyakuden Sala de Recepción do Templo

O proxecto foi unha reconstrución da sala de recepción de 140 anos de antigüidade, que era unha das instalacións do templo budista Kouunji. A vella sala de recepción fora amada pola comunidade local durante un longo período; non obstante, debido aos seus graves danos ao longo dos anos, necesitaba ser reconstruída. O arquitecto resolveu estas cuestións actualizando e harmonizando, ademais de deseñar algúns sistemas para transmitir a memoria da comunidade local á seguinte xeración. Como resultado, a nova sala de recepción non só logrou un sentido de nostalxia senón tamén unha presenza no contexto histórico.

O Recoñecemento

Sobre o A' Design Award de Bronce

Kouunji Kyakuden Sala de Recepción do Templo gañou o A' Design Award de Bronce, un recoñecemento altamente prestixioso outorgado a deseños sobresaíntes que se distinguen pola creatividade, o enxeño e a sagacidade. Os gañadores Bronce son artefactos amplamente hábiles e sorprendentemente creativos que autentican a vasta experiencia, imaxinación e enxeño dos seus deseñadores. Espérase que Kouunji Kyakuden Sala de Recepción do Templo sexa un obxecto moi apreciado, admirado e querido, notablemente profesional e innovador. Este deseño gañador do A' Design Award de Bronce incorpora as mellores prácticas da arte, a ciencia, o deseño e a tecnoloxía, e é excelente pola súa atención ao detalle. Kouunji Kyakuden Sala de Recepción do Templo satisfai espléndidamente as necesidades, toca os desexos, encanta os sentimentos e atrae a curiosidade.

Detrás do deseño

Kit de prensa

Créditos, membros do equipo e detalles técnicos proporcionados polo deseñador.

Propiedades Únicas
This project was the reconstruction of the reception hall of a Buddhist temple passed 140 years. The old reception hall had been loved by the local community for long time, but it was beyond the scope of repair. Therefore architect took on various creative challenges. He aimed to solve these issues by updating it to modern functions, harmonizing it with other facilities, and devising some mechanisms to pass on the memory of local society to the next generation. As a result, this architecture was able to achieve not a sense of nostalgia but also a presence for the future.
Dimensións e Embalaxe
Specification,
Scale/ Wooden two-story building,
Structure/ Timber frame structure,
Site Area/ 3039.15 Square meter,
Building Area/ 277.26 Square meter,
Total Floor Area/ 323.77 Square meter,
Etiquetas
temple, reception hall, reused, minimal philosophy, local landscape, passing on the memories, historical context, local community
Tecnoloxía de Produción
This project had a clear floor plan with each function directly connected around the entrance hall, but there were many difficult construction tasks in some places. Ground reinforcement and strong foundation construction for soft ground, woodwork including special joints to structurally reuse old materials, fabrication of delicate and movable cedar lattices, and the revival of forgotten traditional natural paints "Kumezo". This project was realized through thoughtful design and exceptional craftsmanship.
Reto de Deseño
Various choices and challenges were made to pass on the memory of the local community. By choosing a common wooden house construction method rather than the traditional temple construction method, they were able to shorten the construction period, reduce construction costs, and as the result have time to repair and reuse old materials. The exterior has a roof shape unique to the region, and the walls and window lattices are finished with local cedar wood and with a revived traditional natural paint "Kumezo". As a result, this architecture achieved a special harmony and presence.
Investigación
Type of Research: About the relationship between Kouunji and the local area.
Methodology: History, landscape and topography research, annual event research, monk behavior research, and interviews with local residents,
Conclusion: Kouunji is the core of the local community that people have visited since childhood for events and daily life. The architect concluded that in addition to modernizing the function of the ceremony hall and harmonizing it with other facilities, it was essential to create a mechanism to pass on the memory of the local community to the next generation.
Inspiración
Researching the old reception hall and the landscape and history of the area provided architect with important inspiration. In particular, the old reception hall was tilted due to the soft ground, but it was discovered that some of the main structures, such as beams and columns, were valuable materials that are currently unavailable, and could be reused if repaired. And new architecture was important not only for its shape in the landscape, but also for its presence within the historical context.
Duración do Proxecto
The project started in February 2002 and was completed in November 2004 in Tsukubamirai City, Ibaraki Prefecture.
Fluxo de Operacións
Kouunji is an essential presence for the region.
Because the parishioners of Kouunji are local residents and their relatives, and annual events and celebrations and condolences are mainly held for the parishioners. The reception hall, located to the side of the main hall, functions in conjunction with the main hall during events, and is used for religious ceremonies, waiting areas, dinners using the kitchen function, and a meeting place. It also functions as an emergency temporary evacuation center in the event of a disaster. There is also a temple office that oversees them.
Créditos das Imaxes
Photographer Kozo Takayama

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