Ceramic Forest Tha Oifis le I-Ju Chan, Hsuan-Yi Chen and Su-Huang Hung

Tha Ceramic Forest Tha Oifis le I-Ju Chan, Hsuan-Yi Chen and Su-Huang Hung na bhuannaiche air leth urramach anns an fharpais chliùitich 2020 Duais Umha A' Design Award ann an Roinn Farpais Dealbhadh Àiteachan Taobh a-staigh agus Taisbeanaidh.

UmhaTaobh a-staigh· 2020

Ceramic Forest Tha Oifis

le I-Ju Chan, Hsuan-Yi Chen and Su-Huang Hung

Neach-ceannach: Merge Interiors

Buannaiche Duais Umha A' Design Award ann an Roinn Taobh a-staigh

8,554

Buannaiche Duais Dearbhaichte

Dearbhaich Inbhe na Duaise airson #92890

Seall aig A' Design Award Brath Naidheachd Suaicheantas Duaise

Dathan

An Dealbhadh

Mu dheidhinn Ceramic Forest Tha Oifis

Nuair a bhios tu ag obair ann an àrainneachd a tha comhfhurtail gu fradharcach le farsaingeachd dealbhaichte, tha cinneasachd obrach air a leasachadh, tha an taisbeanadh agus an raon obrach air atharrachadh gu bhith nan àiteachan ealain. Anns na ceàrnaidhean leth-fhosgailte, chaidh raointean obrach neo-eisimeileach a chomharrachadh fhad ‘s a tha glainne balla-cùirteir air leigeil le solas nàdurrach a dhol a-steach agus grèim fhaighinn air spionnadh an sgeama dath geal ann a bhith a’ cruthachadh àite obrach soilleir le solas soilleir ann a bhith a ’dèanamh farsaingeachd de farsaingeachd san fharsaingeachd. a-staigh.

An Aithneachadh

Mu dheidhinn Duais Umha A' Design Award

Tha Ceramic Forest Tha Oifis air Duais Umha A' Design Award a bhuannachadh, aithneachadh gu math urramach a bheirear do dhealbhaidhean sònraichte a tha air an comharrachadh le cruthachalachd, innleachd agus geurchuis. Tha buannaichean Umha nan obraichean gu math sgileil agus gu sònraichte cruthachail a dhearbhas eòlas farsaing, mac-meanmna agus tapachd an luchd-dealbhaidh. Thathar an dùil gum bi Ceramic Forest Tha Oifis na nì air a bheil mòran meas, ion-mholta agus gràdhach, a tha gu sònraichte proifeiseanta agus ùr-ghnàthach. Tha an dealbhadh seo a bhuannaich Duais Umha A' Design Award a' cur nan cleachdaidhean as fheàrr ann an ealain, saidheans, dealbhadh agus teicneolas an gnìomh, agus tha e sàr-mhath airson an aire do mhion-fhiosrachadh. Bidh Ceramic Forest Tha Oifis a' sàsachadh fheumalachdan gu h-iongantach, a' suathadh ri miannan, a' tàladh faireachdainnean agus a' togail fiosrachd.

Air Cùl an Dealbhaidh

Pasgan Naidheachd

Creideasan, buill sgioba agus fiosrachadh teicnigeach a chuir an dealbhaiche ri chèile.

Feartan Sònraichte: The client of this project is Nobel Ceramic and Tiles, the supplier of most ceramic products for Starbucks, who founded its own brand, Cilin, and established its office in Neihu, Taipei. The design of the overall office space was inspired by ceramic from which design elements and vocabulary was generated. The office with showroom adopted white wall cabinet and grey Bolon carpet and black metalwork as its main elements.
Tomhasan & Pacadh: With an interior area of 514 square meters, the supervisor offices are allocated near the perimeter of the site near the window for ample natural lighting and window views, while allowing natural lighting to flood into the interior of spacious layered space, and for spaces such as server room, dark room, accounting office, etc., area allocated at the side area, and VP office, legal office, and staff working area are located at the inner area.
Tagaichean: Display Cabinet, Mug, Special Paint, Curtain Wall Glass, Open Office
Teicneòlas Cinneasachaidh: For creating the stern and grand spatial qualities of the commercial space and the office that is befitting to the corporate core values, the reception lobby was treated with elegant grey plaster primer paint accentuating the humble beauty of ceramic. The interior of the office space adopted Mexin ceiling and Bolon carpet for acoustic consideration in creating a quiet working environment.
Dùbhlan Dealbhaidh: As the spatial expression is derived from the consideration of color and size of products on display in a boundless fashion, the design department has also requirements for sample storage, therefore, apart from the white minimalist design, the geometric linework has also helped to maintain the sense of order for the working area, complemented with recessed opening for product display which has further embellished this transitional space.
Rannsachadh: The ceiling of the showroom features a circular arc design symbolizing the round opening of a ceramic mug, as the showroom cabinet and white color wall softens the serious working ambiance but still maintain a sense of order and layers strung together within a spatial consistency.
Brosnachadh: The elevator lobby is imbued with the symbolism of Kiln, and as it is surrounded by timberwork, the warm and stern beauty of kilns was articulated grey-scale color relating to the personable texture. With LED lighting giving a layering effect to the interior, special door panels and installation artwork forming motifs of Taiwanese Folk Art has brought strong contrast in this visual focus of this area.
Faid a' Phròiseict: The project was completed in October 2013 in Taipei, Taiwan.
Sruth Obrachaidh: As the program purpose of merchandise showroom is to express the core imagery of products; therefore, the design has gone beyond the conventional rhythmic nature of normal space by injecting an enriched stream of brand characteristics in every segment of the showroom so that this space becomes a museum of exquisitely made objects which also makes it an ideal location for product introduction and sales discussion.
Buill na Sgioba: I Ju Chan
Hsuan Yi Chen
Su Huang Hung
Creideasan Dhealbhan: Kyle Yu Photo, 2013