Tokyo Sèithear-suidhe le Isabelle De Mari

Tha Tokyo Sèithear-suidhe le Isabelle De Mari na bhuannaiche air leth urramach anns an fharpais chliùitich 2026 Duais Airgid A' Design Award ann an Roinn Farpais Dealbhadh Àirneis.

AirgeadÀirneis· 2026

Tokyo Sèithear-suidhe

le Isabelle De Mari

Neach-ceannach: Olho Moveis Autorais

Buannaiche Duais Airgid A' Design Award ann an Roinn Àirneis

20,377

Buannaiche Duais Dearbhaichte

Dearbhaich Inbhe na Duaise airson #181979

Tadhail air an Làrach Seall aig A' Design Award Brath Naidheachd Suaicheantas Duaise

Dathan

An Dealbhadh

Mu dheidhinn Tokyo Sèithear-suidhe

'S e sèithear-suidhe a th' ann an Tokyo air a dhèanamh de fhiodh cruaidh sucupira Braisileach làidir. Tha am frèam gu tur ris, a' sealltainn an t-saoirsneachd agus nam pàirtean fiodha cumte. Tha na gàirdeanan agus na taicean-droma air an tionndadh air deil fo smachd làimhe, le mion-obair chuachach aig na cinn. Tha lìnigeadh leathair nàdarra air a chur a-steach anns gach taic-gàirdein agus air a chrìochnachadh le fuaigheal. Tha cuiseanan na suidheachain agus an droma a' cothlamadh còmhdach de chop poliùiretan agus lìonadh itean, air an còmhdachadh le lìon-aodach donn. Tha na h-uachdaran air an lìomhadh le làimh agus air an crìochnachadh le falaid neo-ghleansach. Tha an dealbhadh a' cur prionnsapalan saorsainneachd Iapanach an sàs ann an stuth Braisileach.

An Aithneachadh

Mu dheidhinn Duais Airgid A' Design Award

Tha Tokyo Sèithear-suidhe air Duais Airgid A' Design Award a bhuannachadh, aithneachadh gu math urramach a bheirear do dhealbhaidhean den chiad ìre, àlainn agus drùidhteach. Tha buannaichean Airgid nan obraichean anabarrach boillsgeach agus gu math cruthachail a nochdas sàr-eòlas, tàlant agus geurchuis an luchd-dealbhaidh. Thathar an dùil gum bi Tokyo Sèithear-suidhe na obair mhìorbhaileach, na sàr-eisimpleir a tha gu sònraichte proifeiseanta agus gu domhainn ùr-ghnàthach. Tha an dealbhadh seo a bhuannaich Duais Airgid A' Design Award na innleachd glè fhaicsinneach, ion-mholta a bhrosnaicheas crìochan ealain, saidheans, dealbhaidh agus teicneolais. Tha Tokyo Sèithear-suidhe na chruthachadh air a bheil mòran eud, a dhùisgeas miannan, a bheir faireachdainnean math agus a thogas iongnadh is miorbhail.

Air Cùl an Dealbhaidh

Pasgan Naidheachd

Creideasan, buill sgioba agus fiosrachadh teicnigeach a chuir an dealbhaiche ri chèile.

Feartan Sònraichte: Tokyo asserts craftsmanship as structure and expression. Defined by its fully exposed wooden frame in solid Brazilian sucupira, the lounge chair reveals precision woodworking through manually operated lathe-turned arms with subtle concave detailing at the ends. An inlaid leather armrest refines the tactile experience, balancing substantial material presence with aesthetic lightness and disciplined form.
Tomhasan & Pacadh: Dimensions: 700 mm W x 800 mm D x 700 mm H.
Weight: approximately 30 kg.
Structure: solid sucupira wood.
Armrests with recessed natural leather inlay and stitching.
Seat and back cushions with layered foam and feather filling, upholstered in brown linen.
Finish: matte acrylic varnish.
Non disassemblable construction.
Tagaichean: Lounge chair, Solid wood furniture, Japanese craftsmanship, Brazilian sucupira, Exposed structure, Artisanal woodworking, Contemporary seating, Minimalist design, Leather inlay
Teicneòlas Cinneasachaidh: Tokyo is manufactured in certified solid Brazilian sucupira hardwood. Structural components are precision machined, with arms and back supports shaped on a mechanically driven lathe under manual control. Armrests incorporate recessed detailing for flush leather inlay. Elements are hand sanded to refine concave terminations. The base is assembled from solid planks with radiused edges. Upholstery combines multi density polyurethane foam and feather filling. Finished with water based matte varnish.
Dùbhlan Dealbhaidh: The main challenge was achieving formal discipline while working with substantial volumes of solid wood. Balancing structural mass with refined proportion required precise control during lathe shaping and manual finishing. Internally, the project sought to reinterpret Japanese woodworking principles within a Brazilian material context. Externally, contemporary production constraints demanded efficiency without compromising craft integrity, requiring careful coordination between technique, material and artisanal execution.
Rannsachadh: Research focused on refining solid sucupira structure through controlled manual processes. The objective was to test how lathe shaped components and proportional studies could enhance structural precision. Methodology included full scale prototyping and ergonomic evaluation. Data was collected through physical mockups and material testing. Experiments centered on hand guided finishing. Results confirmed durability and refined surface quality, reinforcing craft driven production in contemporary furniture.
Brosnachadh: Tokyo was inspired by the principles of Japanese woodworking, where precision, restraint and respect for material define construction. The project explores how substantial volumes of solid wood can achieve visual lightness through disciplined detailing and controlled form. By prioritizing hand guided processes, even when using mechanical tools, the design embraces an a mano approach, valuing the artisan gesture over automated production.
Faid a' Phròiseict: The project started in July 2025 in Sao Paulo, Brazil, and was completed in October 2025. It was officially launched in November 2025 as part of the Tokyo Collection, a broader furniture series inspired by Japanese culture and craftsmanship.
Sruth Obrachaidh: Tokyo is experienced as a balance between structure and comfort. The solid wood frame provides visual stability, while the layered cushions offer a soft and supportive seat. The recessed leather armrest enhances tactile contact, creating a refined resting point for the hands. Its proportions encourage a relaxed posture without excess, allowing the user to feel supported by craftsmanship rather than hidden structure.
Buill na Sgioba: Designer: Isabelle De Mari
Designer: Filipe Melo