Zig Zag Loidhne Sheudaireachd Cho-aimsireil le Mayte Ossorio Domecq

Tha Zig Zag Loidhne Sheudaireachd Cho-aimsireil le Mayte Ossorio Domecq na bhuannaiche air leth urramach anns an fharpais chliùitich 2025 Duais Umha A' Design Award ann an Roinn Farpais Dealbhadh Seudraidh.

UmhaSeudraidh· 2025

Zig Zag Loidhne Sheudaireachd Cho-aimsireil

le Mayte Ossorio Domecq

Neach-ceannach: Mayte Domecq

Buannaiche Duais Umha A' Design Award ann an Roinn Seudraidh

21,546

Buannaiche Duais Dearbhaichte

Dearbhaich Inbhe na Duaise airson #171308

Tadhail air an Làrach Seall aig A' Design Award Brath Naidheachd Suaicheantas Duaise

Dathan

An Dealbhadh

Mu dheidhinn Zig Zag Loidhne Sheudaireachd Cho-aimsireil

O Dhìreach gu Cruinn: A' Gabhail Cumadh an Zig Zag. Tha am pròiseact rannsachaidh gnìomhaichte seo a' sgrùdadh cruth-atharrachadh loidhne dìreach gu lùb tro thar-ghearraidhean. B' e an t-amas usgar làidir agus tarraingeach a dhealbhachadh fhad 's a bhios cleachdadh stuthan air a lùghdachadh agus èifeachdas structarail air a leasachadh. Bha an dòigh-obrach stèidhichte air deuchainn dhìreach, far an deach diofar dhòighean gearraidh is lùbaidh a dhearbhadh gus an sùbailteachd agus a' chruth a bha ag iarraidh a choileanadh.

An Aithneachadh

Mu dheidhinn Duais Umha A' Design Award

Tha Zig Zag Loidhne Sheudaireachd Cho-aimsireil air Duais Umha A' Design Award a bhuannachadh, aithneachadh gu math urramach a bheirear do dhealbhaidhean sònraichte a tha air an comharrachadh le cruthachalachd, innleachd agus geurchuis. Tha buannaichean Umha nan obraichean gu math sgileil agus gu sònraichte cruthachail a dhearbhas eòlas farsaing, mac-meanmna agus tapachd an luchd-dealbhaidh. Thathar an dùil gum bi Zig Zag Loidhne Sheudaireachd Cho-aimsireil na nì air a bheil mòran meas, ion-mholta agus gràdhach, a tha gu sònraichte proifeiseanta agus ùr-ghnàthach. Tha an dealbhadh seo a bhuannaich Duais Umha A' Design Award a' cur nan cleachdaidhean as fheàrr ann an ealain, saidheans, dealbhadh agus teicneolas an gnìomh, agus tha e sàr-mhath airson an aire do mhion-fhiosrachadh. Bidh Zig Zag Loidhne Sheudaireachd Cho-aimsireil a' sàsachadh fheumalachdan gu h-iongantach, a' suathadh ri miannan, a' tàladh faireachdainnean agus a' togail fiosrachd.

Air Cùl an Dealbhaidh

Pasgan Naidheachd

Creideasan, buill sgioba agus fiosrachadh teicnigeach a chuir an dealbhaiche ri chèile.

Feartan Sònraichte: From straight to curved: the Zig Zag takes shape. Morphological transformation and body adaptation through transversal, equidistant, and rhythmic linear cuts. Each piece starts from double layered, overlapping leather rectangles that, through specific cuts, create distinct visual and functional rhythms depending on their placement, necklaces, bracelets, or earrings. This, along with the reuse of remnants, optimizes resources and maximizes material exploration.
Tomhasan & Pacadh: Double glued leather, in different colors and textures, pastel, metallic and basic.
Earrings w 3mm d 20mm h 65 mm. Necklace mini w 3mm d 25mm h 480mm. Necklace big w 3mm d 60mm h 540mm. Necklace 8 w 3mm d 30mm h 900mm. Bracelet w 3mm d 60mm h 220mm. Packaging is custom cardboard with outer loop, brand label, card and heart.
Tagaichean: from straight to curve, morphological transformation, jewelry, sustainability, body adaptation
Teicneòlas Cinneasachaidh: Double layer cowhide leather, bonded together.
Manufacturing, handcrafted using hole punch tools.
Cutting dies are used for all necklace bodies, shaping straight edges into curves through repetitive, equidistant transverse cuts. This method minimizes material use, ensures optimal body adaptation, maximizes efficiency, and creates unique differentiation between pieces through variations in the cuts.
Dùbhlan Dealbhaidh: For the Zig Zag line, the challenge was to create a bold necklace without relying on large leather surfaces, using mostly small remnants. The key was generating curvature after cutting, transforming a 22 cm x 6 cm rectangle, the one used for the bracelet, into a striking piece. Equidistant cuts were tested to determine how close they could get to the edge for flexibility without risking breakage. Unlike a single cut piece, this method required precision to maximize material use while ensuring structural integrity.
Rannsachadh: From straight to curved: the Zig Zag takes shape. This is an applied research project aimed at transforming a straight line into a curve through cross sections. The goal was to create a strong necklace while minimizing material use. The methodology involved direct experimentation with the material. The result was remarkable, not only was the design immediately accepted, but it also received a clearly positive response. It is sold in Germany, Turkey, and Argentina.
Brosnachadh: When covering a notebook, rigid paper finds its flexibility through precise, cuts it folds, adapts, and embraces the shape without losing structure. That same principle guides the Zig Zag line. A firm lined rectangle transforms through strategic cuts that allow it to fall gracefully, as if the material were learning to move. Thus, what was once static becomes fluid, geometry adapts to the body, and air becomes part of the design.
Faid a' Phròiseict: The proyect started in January 2019 with the bracelet, january 2022 and finished in July 2022, the hole line in Bs As Argentina.
Sruth Obrachaidh: Designed for comfort and easy wear, these pieces can be put on without assistance. Ideal for daily use, they have the right weight to prevent strain. Their material ensures silent movement. Both necklaces and the bracelet feature metal cufflinks for secure fastening. The bracelet has two adjustable positions. The earrings use standard stainless steel posts that fit seamlessly into the earlobes.
Peutantan: Awarded the Sello del Buen diseño Argentino 2024 (Seal of Good Argentine Design 2024) #5429
Buill na Sgioba: Mayte Ossorio Domecq
Creideasan Dhealbhan: Image #No 1 : Photographer Edgardo Delfino Model Sergio Calegoya
Image #No 2 : Photographer Edgardo Delfino model Mayte Ossorio Domecq
Image #No 3 : Photographer Edgardo Delfino
Image #No 4 : Photographer Edgardo Delfino
Image #No 5 : Photographer Edgardo Delfino