Tha Bio Cathair-uilne le Vladimir Zagorac na bhuannaiche air leth urramach anns an fharpais chliùitich 2022 Duais Umha A' Design Award ann an Roinn Farpais Dealbhadh Àirneis.

UmhaÀirneis· 2022

Bio Cathair-uilne

le Vladimir Zagorac

Neach-ceannach: Vladimir Zagorac

Buannaiche Duais Umha A' Design Award ann an Roinn Àirneis

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Buannaiche Duais Dearbhaichte

Dearbhaich Inbhe na Duaise airson #140098

Seall aig A' Design Award Brath Naidheachd Suaicheantas Duaise

Dathan

An Dealbhadh

Mu dheidhinn Bio Cathair-uilne

Is bailiuchan cathraichean-uilne ìseal e Bio a chaidh a dhealbhadh airson a chleachdadh ann an eadar-dhealbhaidhean taobh a-staigh nuadh. Tha am fosgladh anns an druim-cathrach a' cur an cuimhne duilleag no slige, agus tha an cumadh ag atharrachadh faisg air an oir a-muigh gu cruth coltach ri flùr an lus Calla aethiopica. Tha an oir seo a' lùbadh beagan air ais agus ag èirigh air aon taobh, a' cruthachadh sgàile-dhealbh neo-chothromach. Cha tachair an neo-chothromachd ach anns na raointean a-muigh den chumadh, agus mar sin tha comhfhurtachd is eirgeanamachd air an gleidheadh. Am measg nan stuthan tha teirmeaplastaigean cumte, stàilinn,alúmanam tilgte, fiodh daraich agus leathar.

An Aithneachadh

Mu dheidhinn Duais Umha A' Design Award

Tha Bio Cathair-uilne air Duais Umha A' Design Award a bhuannachadh, aithneachadh gu math urramach a bheirear do dhealbhaidhean sònraichte a tha air an comharrachadh le cruthachalachd, innleachd agus geurchuis. Tha buannaichean Umha nan obraichean gu math sgileil agus gu sònraichte cruthachail a dhearbhas eòlas farsaing, mac-meanmna agus tapachd an luchd-dealbhaidh. Thathar an dùil gum bi Bio Cathair-uilne na nì air a bheil mòran meas, ion-mholta agus gràdhach, a tha gu sònraichte proifeiseanta agus ùr-ghnàthach. Tha an dealbhadh seo a bhuannaich Duais Umha A' Design Award a' cur nan cleachdaidhean as fheàrr ann an ealain, saidheans, dealbhadh agus teicneolas an gnìomh, agus tha e sàr-mhath airson an aire do mhion-fhiosrachadh. Bidh Bio Cathair-uilne a' sàsachadh fheumalachdan gu h-iongantach, a' suathadh ri miannan, a' tàladh faireachdainnean agus a' togail fiosrachd.

Air Cùl an Dealbhaidh

Pasgan Naidheachd

Creideasan, buill sgioba agus fiosrachadh teicnigeach a chuir an dealbhaiche ri chèile.

Feartan Sònraichte: The ambiguous shape of the opening on the seat's back, recognizable as a leaf or shell transforms into a more characteristic form similar to the flower of the Calla aethiopica plant on the edge of the backrest. This edge bends slightly backwards and rises on one side, creating a new visual effect as opposed to the other side. The asymmetry of the silhouette does not affect the functionality and ergonomics of the seat since changes in the shape occur only in the outer areas of the form.
Tomhasan & Pacadh: Width / Depth: up to 680mm, Height: 849mm (medium)
Tagaichean: Asymmetry, Natural, Bio-form, Growth, Stylization
Teicneòlas Cinneasachaidh: Molded thermoplastics, Welded laser-cut and pressed steel, Cast aluminum, Oakwood, Leather
Dùbhlan Dealbhaidh: The shape of the seat can be associated with a multitude of natural forms but also with the general characteristics of the living world. The silhouette of the seat is defined through two edge curves similar in shape but with subtle differences such as curvature, orientation, distortion, and depth. These gradual changes emphasize growth as a universally understandable natural pattern and accentuate the form through minimal spatial deformations associated with gravity and weight. A firm overall construct was kept whilst utilizing asymmetry as one of the main chosen attributes.
Rannsachadh: The research was performed by analyzing samples from flora and fauna and simplification and stylizing through drawings and 3D computer models. The result contains no unnecessary visual details, and was driven by the challenge of creating asymmetrical functional aesthetics within an ergonomic fresh design, universally understood as a bio-form. Different variants were developed depending on the purpose of the chair and type of legs, with metal and wood as starting materials. The organic lines of the seats are additionally emphasized in contrast with the materials of the legs.
Brosnachadh: Bio is a conceptual research project in the subject of stylistics created as a part of doctoral studies. The proposal of the chair collection was inspired by organic shapes and universal principals of nature.
Faid a' Phròiseict: The project lasted one semester at the Faculty of Applied Arts in Belgrade.
Sruth Obrachaidh: Bio is a low armchair collection designed for various usages. It complements modern interiors with simplistic asymmetry and unobtrusive form open to interpretation.
Peutantan: Copyrights belong to Vladimir Zagorac and the Faculty of Applied Arts in Belgrade
Buill na Sgioba: Designer: Vladimir Zagorac
Mentor: Marko Lukovic
Creideasan Dhealbhan: Vladimir Zagorac, Faculty of Applied Arts in Belgrade