Device of Perception Ionad Cultúir le Yuting Zhang

Tha Device of Perception Ionad Cultúir le Yuting Zhang na bhuannaiche air leth urramach anns an fharpais chliùitich 2022 Duais Umha A' Design Award ann an Roinn Farpais Dealbhadh Ailtireachd, Togalaichean agus Structaran.

UmhaAiltireachd· 2022

Device of Perception Ionad Cultúir

le Yuting Zhang

Neach-ceannach: Yuting Zhang

Buannaiche Duais Umha A' Design Award ann an Roinn Ailtireachd

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Buannaiche Duais Dearbhaichte

Dearbhaich Inbhe na Duaise airson #138650

Tadhail air an Làrach Seall aig A' Design Award Brath Naidheachd Suaicheantas Duaise

Dathan

An Dealbhadh

Mu dheidhinn Device of Perception Ionad Cultúir

Is ionad cultúir é Gléas an Aitheantais atá lonnaithe i gCathair Mheicsiceo, idir ceantar stairiúil ísealstórach agus forbairt tráchtála ardstórach. Clúdaíonn an t-ionad thart ar 4,500 méadar cearnach agus tá halla léachtaí, amharclann bheag, spás taispeántais, oifigí, stóráil agus caife ann. Scarann cearnóg iontrála shúite an foirgneamh ón ardbhealach gnóthach agus feidhmíonn sé mar shíneadh ar an stáitse inmheánach. Casadh gach urlár den túr gearr ceathrú cas, ag cruthú gailearaí poiblí bíseach le radhairc fhrámaithe den chathair. Úsáidtear coincréit threisithe agus cruach aimsearachta.

An Aithneachadh

Mu dheidhinn Duais Umha A' Design Award

Tha Device of Perception Ionad Cultúir air Duais Umha A' Design Award a bhuannachadh, aithneachadh gu math urramach a bheirear do dhealbhaidhean sònraichte a tha air an comharrachadh le cruthachalachd, innleachd agus geurchuis. Tha buannaichean Umha nan obraichean gu math sgileil agus gu sònraichte cruthachail a dhearbhas eòlas farsaing, mac-meanmna agus tapachd an luchd-dealbhaidh. Thathar an dùil gum bi Device of Perception Ionad Cultúir na nì air a bheil mòran meas, ion-mholta agus gràdhach, a tha gu sònraichte proifeiseanta agus ùr-ghnàthach. Tha an dealbhadh seo a bhuannaich Duais Umha A' Design Award a' cur nan cleachdaidhean as fheàrr ann an ealain, saidheans, dealbhadh agus teicneolas an gnìomh, agus tha e sàr-mhath airson an aire do mhion-fhiosrachadh. Bidh Device of Perception Ionad Cultúir a' sàsachadh fheumalachdan gu h-iongantach, a' suathadh ri miannan, a' tàladh faireachdainnean agus a' togail fiosrachd.

Air Cùl an Dealbhaidh

Pasgan Naidheachd

Creideasan, buill sgioba agus fiosrachadh teicnigeach a chuir an dealbhaiche ri chèile.

Feartan Sònraichte: The site is in between the low rise colonial historic quarter and the high rise commercial development, as an intersection node full of complexity in Mexico City. The cultural center is not only an exhibition space for Mexico City but could also be regarded as the device of perception. The perception is twofold in this project. One is that exterior plaza as the extension of the interior stage, the other is that a spiral path with various scenery frames as the narrative to understand the city.
Tomhasan & Pacadh: Approximate total area 4500 square meters, with main conference/lecture hall, small theater hall, exhibition space, offices, storage, cafe.
Tagaichean: cultural center, gallery, theater, exhibition
Teicneòlas Cinneasachaidh: The cultural center is constructed using reinforced concrete. Informed by “stereotomic” architecture, the board-marked concrete walls of the center are treated as a found object. Corten is another material been introduced to the project. The use of the weathering steel creates an immediate visual link between past, present, and future.
Dùbhlan Dealbhaidh: The selected site is adjacent to Zarco Plaza, public plaza alongside the Church of San Judeas Tadeo, near the convent of San Hipolito, located on Reforma Avenue at Avenida Hidalgo, which is an intersection node full of complexity in Mexico City. The design challenges are how to use space to fully interprete the surrounding urban context and the rich cultural and history narratices.
Rannsachadh: Explore how experimental miniature stage was used as a space in which objects, 2-‐dimensional drawings and 3-‐dimensional constructions of different scales could coexist in a seemingly unproblematic way, to see how the same spatial base was used to accommodate different scenarios and situations, just by moving props around, adding surfaces and changing backdrops.
Brosnachadh: Aldo Rossi's Project the Small Scientific Theatre from 1978 is taken as a starting point to reflect upon the relation between architecture and image, and between object/ prop and space/ stage. The theatrino models made for the project then have borrowed this primary idea from Aldo Rossi to explore how does the Zarco Plaza could be regarded as the extension of the stage of the auditorium. The definition of performers has been extended in the exploration.
Faid a' Phròiseict: 2017 in Mexico City
Sruth Obrachaidh: The sunken entrance plaza of the cultural center creates a tranquil start of the narrative, separating the cultural center from the heavy traffic La Reforma Avenue. The lower ground floor surrounding the sunken plaza houses the art storage facilities and a cafe, maximizing publicly accessible space continues from the plaza into the lobby of the building.
Each floor of the short tower is twisted a quarter turn, which creates a large spiral public gallery as the extension of the interior exhibition space. The story of the city has been told through the switch-over between the interior gallery and different compositions of historical layers from the breaking points/openings in the cube of the spiral path. Two auditoriums have been embedded in this spiral discourse, with lectures, talks, debates, conferences, and film screenings conducted in front of the urban backdrop.
Buill na Sgioba: Yuting Zhang
Creideasan Dhealbhan: Yuting Zhang