Will Would Talla Taisbeanaidh Ealain le Churan Sa

Tha Will Would Talla Taisbeanaidh Ealain le Churan Sa na bhuannaiche air leth urramach anns an fharpais chliùitich 2022 Duais Umha A' Design Award ann an Roinn Farpais Dealbhadh Àiteachan Taobh a-staigh agus Taisbeanaidh.

UmhaTaobh a-staigh· 2022

Will Would Talla Taisbeanaidh Ealain

le Churan Sa

Neach-ceannach: Shenzhen Ruyu Space Design Co., LTD

Buannaiche Duais Umha A' Design Award ann an Roinn Taobh a-staigh

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Buannaiche Duais Dearbhaichte

Dearbhaich Inbhe na Duaise airson #137489

Seall aig A' Design Award Brath Naidheachd Suaicheantas Duaise

Dathan

An Dealbhadh

Mu dheidhinn Will Would Talla Taisbeanaidh Ealain

Is talla taisbeanaidh ealain e Will Would ann an Shenzhen, Sìona, a tha a' toirt còmhla ealain, dealbhadh, àirneis, flùraireachd agus salon. Tha an taobh a-staigh air a chur air dòigh gus obraichean le luchd-dèanaidh agus cruinneachairean àbhaisteach a nochdadh, chan e a-mhàin le ealain ainmeil. Tha trì cùirtean a-staigh a' giùlan solas nàdarra a-steach don phlana agus a' ceangal nan diofar gnìomhan, agus mar sin tha crìochan soilleir air an cur an àite le solas bog. Tha seòmar-coinneimh le doras cuairteachaidh agus stòbha suidhichte air a' chiad làr, ri taobh seòmar-suidhe fosgailte a thathar a' cleachdadh airson tachartasan sòisealta. Am measg nan stuthan tha terrazzo glas, veinear fiodha agus stàilinn neo-mheirgeach sgrìobte.

An Aithneachadh

Mu dheidhinn Duais Umha A' Design Award

Tha Will Would Talla Taisbeanaidh Ealain air Duais Umha A' Design Award a bhuannachadh, aithneachadh gu math urramach a bheirear do dhealbhaidhean sònraichte a tha air an comharrachadh le cruthachalachd, innleachd agus geurchuis. Tha buannaichean Umha nan obraichean gu math sgileil agus gu sònraichte cruthachail a dhearbhas eòlas farsaing, mac-meanmna agus tapachd an luchd-dealbhaidh. Thathar an dùil gum bi Will Would Talla Taisbeanaidh Ealain na nì air a bheil mòran meas, ion-mholta agus gràdhach, a tha gu sònraichte proifeiseanta agus ùr-ghnàthach. Tha an dealbhadh seo a bhuannaich Duais Umha A' Design Award a' cur nan cleachdaidhean as fheàrr ann an ealain, saidheans, dealbhadh agus teicneolas an gnìomh, agus tha e sàr-mhath airson an aire do mhion-fhiosrachadh. Bidh Will Would Talla Taisbeanaidh Ealain a' sàsachadh fheumalachdan gu h-iongantach, a' suathadh ri miannan, a' tàladh faireachdainnean agus a' togail fiosrachd.

Air Cùl an Dealbhaidh

Pasgan Naidheachd

Creideasan, buill sgioba agus fiosrachadh teicnigeach a chuir an dealbhaiche ri chèile.

Feartan Sònraichte: Will Would is an aesthetic cluster of art, design, furniture, floriculture and salon. As its aesthetic claim goes, will would attempts to discuss a relationship through the design of the exhibition hall how people and things establish a connection in space and how the meaning of things is acquired. In the process of spatial development, the narration of people and thing slowly unfolds through the fuzzy interface.
Tomhasan & Pacadh: We use unified and simple materials in the interior space, including large areas of cold grey terrazzo, simple wood veneer, the same color composite floor and bronze brushed stainless steel to enhance the texture. The collision of these materials makes the interior design simple and powerful. What we want to express more is that interior style is like refined decoration, it is neuter and inclusive. We can use display and soft decoration to improve and change it.
Tagaichean: Ordinary People's Art Exhibition, Home Aesthetic Space, Composite Commerce, Fuzzy Cluster , Diversity, More Possibilities
Teicneòlas Cinneasachaidh: A YIP negotiation room is arranged on the first floor, which has a ceremonial revolving door and a warm stove, to make it comfortable and homely. On the other side is a large empty living room with open center table, which is not only a symbol of villa luxury, but also carries more functions of social activities. We hope to have different theme activities every month.
Dùbhlan Dealbhaidh: When we found this space, the ground floor was a closed dark space. In all spaces, the space with poor lighting often has the lowest utilization rate and the shortest stay time. We use design techniques to break this trend and reconstruct the ground floor, to make it the most attractive place in the whole space. We moved the stairway under the window to introduce external natural light, and change the wall of the inner courtyard into a window view to introduce the light of the courtyard.
Rannsachadh: Many years ago, I came across a busker who was writing life with his broken hands. At that time, I felt deeply in my heart that real art has no fixed form, art can not only be presented by celebrities, nor can it only be presented in museums and galleries. Even the disabled people on the street can bravely express their own life. This touch planted a seed in my heart.
Brosnachadh: Most of the craftsman and ordinary collectors are simple, without too much business thinking and unable to attract more like-minded people. Therefore, I ask myself: Does an exhibition have to show artworks by famous artists? Can we make an exhibition of ordinary people? Based on this, our team carried out a fusion and "grafting", to launch an art exhibition of ordinary people with extensibility and social value in the nature of commerce.
Faid a' Phròiseict: The project was launched in Shenzhen, Guangdong Province, China in November 2020 and completed in January 2021, it was exhibited in Shenzhen, Guangdong Province in April 2021.
Sruth Obrachaidh: Three "courtyards" are placed in the space, through which the landscape either horizontally or vertically penetrating the different functional divisions. It makes space interpenetrate and lead to sensory continuity. Meanwhile, these courtyards also become the medium of light and bring natural light to different space. With the intervention of light, the clear boundary is replaced by soft bright. The warmth touched by vision makes things seem "connected", with soft and fuzzy boundaries.
Buill na Sgioba: Churan Sa
Creideasan Dhealbhan: Photographer Wang Ting, Will Would, 2021.