Before the Midnight Hour Léaráidí Troscáin le Martin Reznik

Is buaiteoir an-mheasúil den ghradam fíor-ardghradamach 2022 Duais Óir A' Design Award sa Chatagóir Comórtais Dearadh Grafach é an dearadh Before the Midnight Hour Léaráidí Troscáin le Martin Reznik.

ÓrGrafaic· 2022

Before the Midnight Hour Léaráidí Troscáin

le Martin Reznik

Cliant: Martin Reznik Illustration

Buaiteoir an ghradaim Duais Óir A' Design Award sa Chatagóir Grafaic

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Buaiteoir Gradaim Fíoraithe

Fíoraigh Stádas Gradaim do #133798

Tuilleadh Eolais Tabhair Cuairt ar an Suíomh Féach ag A' Design Award Preasráiteas Suaitheantas Gradaim

Dathanna

An Dearadh

Maidir le Before the Midnight Hour Léaráidí Troscáin

Sraith léaráidí dubh agus bán a choimisiúnaigh Marc Krusin agus a léiríonn a chuid dearaí troscáin is suntasaí do Knoll agus Desalto. Arna spreagadh ag greannáin agus cineama noir, sáraíonn an tionscadal na coinbhinsiúin a bhaineann le léiriú troscáin trí insint a thabhairt do na radhairc, úsáid peirspictíochta áibhéalacha agus aeistéitiúil moody noir. Cuireann easpa láithreacht an duine agus réada scaipthe gné mistéire agus fionraíochta leis an scéal, fad is a nochtar an príomhcharachtar i ndeireadh gan choinne. Tarraingíodh na híomhánna go léir go digiteach in Adobe Photoshop ag úsáid táibléad Wacom Cintiq.

An Aitheantas

Maidir leis an Duais Óir A' Design Award

Bhuaigh an dearadh Before the Midnight Hour Léaráidí Troscáin Duais Óir A' Design Award, aitheantas thar a bheith clúiteach a bhronntar ar dhearaí den chéad scoth, iontacha agus sármhaithe. Is cruthuithe an-nuálacha, fíorasacha agus drithleacha iad buaiteoirí Óir a léiríonn géiniais, eagna agus máistreacht a ndearthóirí. Táthar ag súil go mbeidh an dearadh Before the Midnight Hour Léaráidí Troscáin ina aireagán a mholtar go mór, ceannródaíoch agus séadchomharthach a sholáthraíonn luach nach bhfacthas riamh cheana. Is tionscadal iontach, measúil é an dearadh seo a bhuaigh Duais Óir A' Design Award a dhéanann sárleas do theorainneacha na healaíne, na heolaíochta, an deartha agus na teicneolaíochta agus a chuireann chun cinn iad. Cruthaíonn an dearadh Before the Midnight Hour Léaráidí Troscáin mothúcháin dhian mhianta, músclaíonn sé paisean, spreagann sé cruthaitheacht agus cuireann sé draíocht orainn.

Taobh Thiar den Dearadh

Pacáiste Preasa

Creidiúintí, baill foirne agus sonraí teicniúla curtha ar fáil ag an dearthóir.

Airíonna Uathúla: Series of illustrations commissioned by furniture designer Marc Krusin for the promotional use on his website and across social media channels and featuring his most prominent furniture designs for Knoll and Desalto. The project brakes the conventions of furniture illustration by bringing a narrative to the scenes, use of exaggerated perspective and a film noir aesthetic. The lack of human presence and scattered objects add an element of mystery. The protagonist is revealed in a surprise ending.
Toisí & Pacáistiú: The illustrations are mainly used in a digital format online, but they were also designed with art print production in mind. Each square illustration is drawn on 500 x 500mm digital canvas.
The images were later combined into a large poster (500 x 700mm) and reproduced as a limited edition screen print.
Clibeanna: illustration, furniture, noir, interior design, comics, digital art, black and white, drawing, architecture, graphic
Teicneolaíocht Táirgthe: Each illustration was drawn in pen and ink on paper and once approved by the client it was redrawn digitally. I used Adobe Illustrator to construct the furniture and interiors accurately and then Photoshop to apply textures, light and draw other elements using Wacom Cintiq tablet. The images were rendered using black only to recreate film noir aesthetic.
Dúshlán Deartha: The client was against any human figures in the scenes, but I could not help but wonder about the smoker missing from the first image. I felt his appearance was important to the story. His silhouette is revealed in an extended version of the 4th illustration, but only as a scroll option on an Instagram post. The client thought this elegant solution added an element of surprise and closure to the story.
Each image needed different cropping options to accommodate various socials and screen formats.
Taighde: Since I have never illustrated furniture before I made few initial sketches based on an online research of the industry trends, but these came out quite dull and rigid. I was not happy with them at all. I decided to go a different way and focus on style and narrative instead. From then on the research involved my favourite films and comic books, noir genre in particular. I decided to recreate its moody atmosphere in my series. The style also justifies unconventional framing of the furniture.
Inspioráid: Main inspiration for this project were comics and classic French noir cinema. The concept for the first illustration came from a reference photo I received from the client, which was a shot of a chair from behind and at a very low angle. It was very unusual and sparked loads of questions in my head. Being a fan of detective stories I decided to follow this approach in the layout of the image. The first image was crucial in setting the tone for the whole series.
Fad an Tionscadail: The series was posted on Instagram and LinkedIn starting February 2021 and these posts are still active. The hero banners on client's website run for about 8 months, nearly till the end of 2021.
Sreabhadh Oibríochta: The project was initially published on Instagram. The illustrations were posted in regular time intervals. Main interaction with the story comes with the 4th and last illustration, where the viewer is encouraged to reveal the protagonist (the smoker) by using the scroll option on the Instagram post.
The unusual approach to furniture illustration in these series ensures the greater impact on the viewers arousing their curiosity about the products and the brand itself.
Creidiúintí Íomhá: All illustrations: Martin Reznik, 2021