Beimu Flaggeskipwinkel Ynterieur troch Huson is in heech wurdearre winner fan de tige prestizjeuze 2021 A' Design Award yn Brûns yn de kompetysje-kategory Ynterieurromte en Útstallingûntwerp.
BrûnsYnterieur· 2021
Beimu Flaggeskipwinkel Ynterieur
troch Huson
Klant: Beimu Home
A' Design Award yn Brûns Winner yn de kategory Ynterieur
Ferifiearre Priiswinner
Ferifiearje Prisstatus foar #116018It Untwerp
Oer Beimu Flaggeskipwinkel Ynterieur
Beimu is in flaggeskipwinkel ynterieur yn Dongguan, Sina, dat 800 kante meter beslacht. It ûntwerp ferswakket it útstallen fan produkten en beklammet de romte sels, sadat besikers troch it karakter fan it ynterieur bekoarre wurde. De gevel is opdield yn swarte en wite blokken mei simpele linen. Njonken it merklogo is der ien inkeld finster fan 3,3 kante meter iepene, wat in wjersidich sicht tusken binnen en bûten skept. Read en swart foarmje in langwerpich gong dy't de beweging fertraget. Tafels en stuollen fan ferskillende skaal biede ferskate ynstellings foar gearkomsten, rêst en petear.
De Erkenning
Oer de A' Design Award yn Brûns
Beimu Flaggeskipwinkel Ynterieur is in winner fan de A' Design Award yn Brûns, in heech prestisjeuze erkenning foar treflike ûntwerpen dy't har ûnderskiede troch kreativiteit, fernuft en tûkens. Brûnswinners binne tige feardige en opfallend kreative artefakten dy't de grutte ûnderfining, ferbylding en betochtsumens fan har ûntwerpers befêstigje. Fan Beimu Flaggeskipwinkel Ynterieur wurdt ferwachte dat it in tige heech achte, bewûndere en dierber objekt is dat opmerklik profesjoneel en ynnovatyf is. Dit winnende ûntwerp fan de A' Design Award yn Brûns yntegrearret de bêste praktiken yn keunst, wittenskip, ûntwerp en technology en is treflik om syn omtinken foar detail. Beimu Flaggeskipwinkel Ynterieur foldocht behoeften prachtich, reitsjet winsken, betsjoeveret gefoelens en sprekt nijsgjirrigens oan.
Efter it Untwerp
Parsepakket
Credits, teamleden en technyske details levere troch de ûntwerper.
- Unike Eigenskippen
- The client of Beimu flagship store hopes to further improve its brand paradigm through space design strategy.
The creative logic of a designer consists of three parts: the change of business model and the manipulation of consumer psychology under the background of the era; the uniqueness and displeasure of cultural aesthetics in the context of globalization; and the gradual design refinement technology starting from concept to form - Ofmjittingen & Ferpakking
- The store is about 40M(L)*20M(W) and covers an area of 800 square meters.
- Labels
- Flagship store, BEIMU Home, Commercial Exhibition, OD·O office
- Produksjetechnology
- designers strive to create the symbol and spirit of the brand. Through the building facade, black and white color blocks are cut out with simple lines. Beside the highlighted brand logo, only a window of 3.3 square meters is opened to form a mutual peeping relationship inside and outside. The window plays the role of "soul and eye" and sends heartbeat signals to passers-by. Red and black construct a maze of time stagnation, guiding visitors to observe and pay attention to the strangeness after alienation. On the one hand, the deliberately elongated channel serves as the adjustment and transition of emotions, and on the other hand, it further strengthens the curiosity of the first-time visitors. Mirrors, stairs, and clever use of light all connect the feelings between people and space.
- Untwerpútdaging
- Symbol and spirit communication of brand building
- Undersyk
- the creative logic of designers consists of three parts: the change of business model and the pinch of consumer psychology under the background of the great times, the uniqueness and unpleasure of cultural aesthetics in the context of globalization, and the gradual design refinement technology which begins with the concept of form.
- Ynspiraasje
- Designers advocate weakening products, emphasizing space, retaining visitors with the charm of space itself, and achieving stronger business interaction. The development of the Internet has transformed space into a new space of the dual world of reality and virtual. Therefore, the design of modern commercial space not only depends on pure aesthetic judgment, but also bears the responsibility of brand identity media.
- Projektdoer
- The project started in Dongguan in April 2020 and completed in September 2020, opening to the outside world.
- Operaasjestreamferrin
- How to ease the antagonistic relationship between buyers and sellers is the focus of designers' thinking.
Provide multiple negotiation scenarios for visitors to choose from, the designer's purpose is to weaken the commercial characteristics of space. The combination of tables and chairs with different scales and styles shows that the space is not only a place for commercial negotiation, but also a clubhouse for old friends gathering, but also a place for leisure and rest for the surrounding residents. - Teamleden
- HUSON
Zhou Yanjie
Yi Yongxian
Lin Wuyuan
Ye Bohui
Tang Xiaobo - Ofbyldingskrediten
- Picture#0000:photographer Ouyang yun,2020
Picture#0001:photographer Ouyang yun,2020
Picture#0002:photographer Ouyang yun,2020
Picture#0003:photographer Ouyang yun,2020
Picture#0004:photographer Ouyang yun,2020
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