اثر Janus طراحی داخلی بار توسط Junlin Zhang برنده بسیار ارزشمند جایزه پرافتخار 2024 جایزه نقره‌ای A' Design Award در دسته‌بندی رقابتی طراحی فضای داخلی و نمایشگاه است.
نقرهداخلی· 2024
Janus طراحی داخلی بار
توسط Junlin Zhang
مشتری: Janus
برنده جایزه نقره‌ای A' Design Award در دسته‌بندی داخلی
برنده تأییدشده جایزه
تأیید وضعیت جایزه برای #156360طراحی
درباره Janus طراحی داخلی بار
ژانوس یک بار ویسکی و کوکتل واقع در چانگشا، چین است. فضای داخلی حدود ۲۰۰ متر مربع مساحت دارد و در دو طبقه ترتیب یافته است. نمای ساختمان از بلوک‌های هندسی سیاه ساده با جزئیات کلاسیک شکل گرفته و یک سکوی طره‌ای، مجسمه‌ای کلاسیک را در خود جای داده است. طبقه اول فضایی پشتیبان است، در حالی که طبقه دوم محل اصلی بار است و از طریق بازشویی در سقف نور روز دریافت می‌کند. پلکان از پله‌های چوبی جدا استفاده می‌کند که صدایی نرم و بازگشت خفیفی زیر پا ایجاد می‌کنند. روکش چوب با بافت عمودی و فولاد ضدزنگ آینه‌ای، فضای این مکان را شکل می‌دهند.
تقدیر
درباره جایزه نقره‌ای A' Design Award
Janus طراحی داخلی بار برنده جایزه نقره‌ای A' Design Award است، شناختی فوق‌العاده معتبر که به طراحی‌های سطح بالای زیبا، والا و تأثیرگذار اعطا می‌شود. برندگان نقره آثاری بسیار درخشان و فوق‌العاده خلاق‌اند که تخصص، استعداد و تیزبینی برجسته طراحان خود را نشان می‌دهند. از Janus طراحی داخلی بار انتظار می‌رود اثری شگفت‌انگیز و نمونه باشد که به‌طور چشمگیری حرفه‌ای و عمیقاً نوآورانه است. این طراحی برنده جایزه نقره‌ای A' Design Award اختراعی بسیار قابل‌توجه و ستوده است که سود می‌رساند و مرزهای هنر، علم، طراحی و فناوری را پیش می‌برد. Janus طراحی داخلی بار آفرینشی است که به آن بسیار رشک برده می‌شود، خواسته‌ها را بیدار می‌کند، احساسات مثبت می‌آورد و حیرت و شگفتی برمی‌انگیزد.
پشت صحنه طراحی
بسته مطبوعاتی
اعتبارات، اعضای تیم و جزئیات فنی ارائه‌شده توسط طراح.
- ویژگی‌های منحصربه‌فرد
- Janus is a whisky and cocktail bar with a social aspect. Our client had two demands: one was that the audience should not interpret this place according to the literal meaning of Janus or their traditional concepts, and the other was that the audience should have more than two different spatial experiences in this place. These different spatial experiences combine as an integral whole rather than to be independent ones.
- ابعاد و بسته‌بندی
- 200 meter-square
- برچسب‌ها
- bar, whisky, postmodernism, hard and warm feeling, retroism, experimental
- فناوری تولید
- What exactly are we talking about when we talk about spatial ambience? Is it sunlight, air, sound, materials, textures, or colours? I began to think about the overall relevance of the façade in relation to the first and second floors. They are at once traditional, strong and thick, even a little archaic and they are at the same time receptive, inclusive, interesting and experimental. I tried to use postmodernism to summarise the atmosphere created inside and outside the building. I decided to create the façade with clean and simple geometric blocks, which is the style of contemporary. But it also has classical features in the details. To this point I felt that these designs were not enough because the conflict had not reached its climax. So I added a cantilever platform to place a classical sculpture. It was at this point that I felt the importance of such design planning came to the fore. The pure black and hard blocks together with the classical sculpture bring the sense of power and make it attractive. Such not complicated aesthetics give audiences more possibilities to imagine.
- چالش طراحی
- I decided to create the façade with clean and simple geometric blocks, which is the style of contemporary. But it also has classical features in the details. To this point I felt that these designs were not enough because the conflict had not reached its climax. So I added a cantilever platform to place a classical sculpture. It was at this point that I felt the importance of such design planning came to the fore. The pure black and hard blocks together with the classical sculpture bring the sense of power and make it attractive. Such not complicated aesthetics give audiences more possibilities to imagine.
- پژوهش
- I tried to decipher the form of beauty, but I found that I could not describe or categorise it accurately and clearly. It can be specific things such as people, air, light, sound or colour. When we deal with different clients and different conditions of the place, the results are unpredictable. It reminds me of Louis Kahn, who asked the red brick what it wanted to be.
- الهام
- When I first went to the site for mapping, I was very excited and surprised by the light on the second floor, when the sunlight was pouring down from the daylight opening. My first reaction was that the place already has distinctive features that can bring audiences different moods, and experiences in the daytime and night-time. I then began to conceptualise how to create two or more different atmospheres in the space. Creating is the art of making a meaningful whole out of individual components
- مدت زمان پروژه
- The project was launched in March 2023 in Changsha, China and completed in June 2023 in Changsha, China
- فرایند عملیاتی
- When I open the door to the first floor, the confrontation between the interior space and the facade appeared which is confrontation in colour, material, the whole and the fragmented. But this does not detract from the formal unity of the exterior and interior. The retroism without losing the independent style declares their relevance. The staircase guides to the upward space, and I deliberately used loose wood as the tread of the staircase. Stepping on it has a rustling sound and can feel the rebound of the wood. This is completely different from the feeling of crossing the first floor with steady steps. The first floor also doesn’t have the light and shadow spilling out from the top. The low linear strip of light on the side of the handrail is a safety cue as well as an orientation. People in such environment begins to become focused and anticipated. The spatial atmosphere of the second floor is basically the same as what I had conceived. Everything is as it is. There is no conflict, no exaggerated arrangement, no criticism and no attempts. I am like a director who arranges the work of each department and position in an orderly manner. Covered wood veneer with vertical grain delivers both hard and warm feeling. Mirrored stainless steel breaks the calm and refract light and images that change with the activities of the people in the space. Sometimes it is cold, sometimes warm, sometimes noisy, sometimes quiet and ambiguous.
- اعضای تیم
- Lead designer: JunLin Zhang
Extension designer: WenLiang Liu
Rendering designer: JingYu Zhang - اعتبار تصاویر
- Ueya photography（Lei Liu）
حمایت‌شده
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