Ryumei Fujiki and Yukiko Sato diseinatzailearen Porous Manifold Japoniako Te-Gela

Ryumei Fujiki and Yukiko Sato diseinatzailearen Porous Manifold Japoniako Te-Gela lana 2019 Zilarrezko Saria A' Design Award sari ospetsuaren irabazle bikaina da Arte Eder eta Arte Instalazio Diseinua Lehiaketa Kategorian.

ZilarArte Ederra· 2019

Porous Manifold Japoniako Te-Gela

diseinatzailea: Ryumei Fujiki and Yukiko Sato

Bezeroa: F.A.D.S + Fujiki Studio, KOU::ARC

Zilarrezko Saria A' Design Award Irabazlea Arte Ederra Kategorian

41,472

Egiaztatutako Sari Irabazlea

#72501 Sariaren Egoera Egiaztatu

Webgunea Bisitatu A' Design Award-en Ikusi Prentsa-oharra Sari-bereizgarria

Koloreak

Diseinua

Porous Manifold Japoniako Te-Gela Diseinuari Buruz

2018ko Echigo-tsumari Art Triennale-n ikusgai dagoen aldi baterako te-gela japoniarra da eta bi tatami-espazio habiaratua du hamar oin karratuan txertatuta. Erakusketa honetan, XX. mendean nagusi zen espazio homogeneoaren kontzeptua gainditzeko gaiari erantzuteko eskatu zitzaien arkitektoei. Hezurdura espazio homogeneoa desitxuratzeko Voronoi Division izeneko ausazko eredua erabiliz diseinatu zen. Eta zulo ugari dituen arkitekturak behar bezala ireki eta itxi zitekeela proposatu zen, kanpoarekin izaki bizidun bat bezala komunikatzeko.

Aintzatespena

Zilarrezko Saria A' Design Award Sariari Buruz

Porous Manifold Japoniako Te-Gela Zilarrezko Saria A' Design Award irabazlea da, goi-mailako, zoragarriak eta liluragarriak diren diseinuei ematen zaien ezohiko aitorpen prestijiotsua. Zilar-mailako irabazleak lan oso distiratsuak eta sormen biziko lanak dira, beren diseinatzaileen aditutasun, talentu eta zorroztasun nabarmenak erakusten dituztenak. Porous Manifold Japoniako Te-Gela erakusleiho-lan zoragarria, nabarmenki profesionala eta sakonki berritzailea izatea espero da. Zilarrezko Saria A' Design Award irabazi duen diseinu hau asmakizun oso nabarmena eta miretsia da, onura ekartzen duena eta artearen, zientziaren, diseinuaren eta teknologiaren mugak zabaltzen dituena. Porous Manifold Japoniako Te-Gela jende askok inbidia duen sorkuntza da, desirak pizten dituena, sentimendu positiboak ekartzen dituena eta harridura eta txunditzea pizten dituena.

Diseinuaren Atzean

Prentsa-kita

Diseinatzaileak emandako kredituak, taldekideak eta xehetasun teknikoak.

Propietate Bereziak: This is a temporary Japanese tearoom and a nested structure with two-tatami space embedded in ten foot square.
In this exhibition, architects were asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century. It is distorted homogeneous space to create irregularities by the random pattern of the skeleton and proposed an art-tecture with many holes which are open and close as necessary to communicate with the outside like living things.
Neurriak eta Ontziratzea: Width, Depth and Height are 2730mm each.
This dimension was called a "Jo" in the old words in Japan.
Etiketak: Porous Manifold, Breathing Pleats, Voronoi Division, Japanese Tearoom
Produkzio Teknologia: It is made of a hybrid of spruce CLT panels and plastic materials processed using digital fabrication technology.
Diseinu Erronka: Modern office buildings made in the 20th century are separated from the external environment by a closed curtain wall. Then, using the lighting and air conditioning equipment, it is idea to control so that all places are homogenous and constant environment artificially. However, we need enormous energy, which is a major factor of global environmental problems.
It is important not to block the external environment and the internal space, but to open and close as necessary, that is, to create a building responsive to the external environment. Then it was created a living-like architecture.
Ikerketa: Towards the generation of "heterogeneous space", we studied from a point of geometrical viewpoint.
Homogeneous space is geometrically equivalent to 3D Euclidean space. The biggest problem of homogeneous space is that our imagination is captured by it, but in order to overcome this, it is necessary to extend the concept of homogeneous space rather than deny it. Just as Einstein discovered, it is important to introduce a structure that "space is distorted".
It is distorted homogeneous space to create irregularities using random patterns found in various shapes and phenomena in nature (VORONOI DIVISION).
Inspirazioa: Inspired by Hojoki ("An Account of My Hut"), written in the Middle Ages, to survive in our troubled times, about thirty groups of architects and artists selected through the open call (Jury: Hiroshi Hara, Ryue Nishizawa, Fram Kitagawa) exhibited their "hojo" (ten foot square hut) which represented their worldviews.
In this exhibition, architects were especially asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century.
Proiektuaren Iraupena: This work was exhibited in "Hojoki Shiki in 2018: The Universe of Ten Foot Square Huts by Architects and Artists" as a special exhibition during from July 29th to September 17th in Echigo-tsumari Art Triennale 2018, Niigata Pref. in Japan.
In the present day, the global Financial capitalism has an impact on all regions, which have been required to accept the improved efficiency, rationalization and homogenization. This exhibition was an opportunity for the architects and artists to present their own Hojoki Shiki, proposing different "hojo", the minimum model of Japanese architecture.
Eragiketa Fluxua: As you enter inside, this art-tecture (architecture) feels you and begins to breathe like a living thing.
Specifically to say, many holes called BREATHING PLEATS start opening and closing according to the movement of people.
Patenteak: F.A.D.S + Fujiki Studio, KOU::ARC
Taldekideak: ARCHITECT: Ryumei Fujiki
Yukiko Sato
DESIGN FIRM: F.A.D.S + Fujiki Studio, KOU::ARC
TEAM MEMBERS: Yu Ohno
Seiya Ueki
Kento Watanabe
Yuta Kimura
Shun Takimoto
Irudi Kredituak: Masahiro Hoshida, Fujiki Studio, KOU::ARC