Yusuke Kamiyama diseinatzailearen Cadence of the Spiral Primary Function: Instalazio Zinetikoa

Yusuke Kamiyama diseinatzailearen Cadence of the Spiral Primary Function: Instalazio Zinetikoa lana 2026 Zilarrezko Saria A' Design Award sari ospetsuaren irabazle bikaina da Arte Eder eta Arte Instalazio Diseinua Lehiaketa Kategorian.

ZilarArte Ederra· 2026

Cadence of the Spiral Primary Function: Instalazio Zinetikoa

diseinatzailea: Yusuke Kamiyama

Bezeroa: Spline Design Hub Inc.

Zilarrezko Saria A' Design Award Irabazlea Arte Ederra Kategorian

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Cadence of the Spiral Primary Function: Instalazio Zinetikoa Diseinuari Buruz

Book Text: Espiralaren Kadentziak denbora elastiko, erlazional eta bizirik dagoen zerbait gisa esploratzen du. Altzairu herdoilgaitzezko malguki-xafla bat etengabe eboluzionatzen den forma batean moldatzen dute hogeita hamar beso mekanikok. Besoek erritmo sotil eta fasez aldatuetan egiten dute mugimendu. Espiralak arnasa hartzen, bihurritzen eta bere burua berrantolatzen duen heinean, ez dago bi une berdinik inoiz. Lana erloju mekaniko baten malguki nagusian inspiratuta dago. Kiribildutako metala metatutako energiaren eta denbora-fluxuaren ontzi gisa berrinterpretatzen du. Mugimendua ez da errepikatzen. Aitzitik, aldaketa aldakuntza kontrolatuaren bidez agertzen da. Denbora ez da neurtzen, sentitu egiten da.

Aintzatespena

Zilarrezko Saria A' Design Award Sariari Buruz

Cadence of the Spiral Primary Function: Instalazio Zinetikoa Zilarrezko Saria A' Design Award irabazlea da, goi-mailako, zoragarriak eta liluragarriak diren diseinuei ematen zaien ezohiko aitorpen prestijiotsua. Zilar-mailako irabazleak lan oso distiratsuak eta sormen biziko lanak dira, beren diseinatzaileen aditutasun, talentu eta zorroztasun nabarmenak erakusten dituztenak. Cadence of the Spiral Primary Function: Instalazio Zinetikoa erakusleiho-lan zoragarria, nabarmenki profesionala eta sakonki berritzailea izatea espero da. Zilarrezko Saria A' Design Award irabazi duen diseinu hau asmakizun oso nabarmena eta miretsia da, onura ekartzen duena eta artearen, zientziaren, diseinuaren eta teknologiaren mugak zabaltzen dituena. Cadence of the Spiral Primary Function: Instalazio Zinetikoa jende askok inbidia duen sorkuntza da, desirak pizten dituena, sentimendu positiboak ekartzen dituena eta harridura eta txunditzea pizten dituena.

Diseinuaren Atzean

Prentsa-kita

Diseinatzaileak emandako kredituak, taldekideak eta xehetasun teknikoak.

Propietate Bereziak: A long stainless-steel spiral is dynamically deformed by independently actuated arms, generating continuous reorganization through tension and release. Unlike static sculpture, the form never settles; it is constantly restructured into shifting orders. The spiral functions as a physical model of time—elastic, unstable, and relational. Controlled irregularity replaces mechanical uniformity, allowing viewers to perceive time not as measurement, but as a living and evolving order.
Neurriak eta Ontziratzea: Material: Blast-finished stainless spring steel (0.3 mm thickness, 80 mm width)
Spiral pitch: 100 mm
Number of turns: 10
Control: PC-based control system
Installation footprint: Approx. 2000 mm × 2000 mm × 2000 mm
Power: AC 100–240 V
Etiketak: Kinetic art, Spiral structure, Time perception, Mechanical rhythm, Parametric design, Stainless steel sculpture, Dynamic installation, Temporal form
Produkzio Teknologia: A custom-fabricated stainless-steel spiral plate forms the core structure, paired with a bespoke linear actuation system developed for this work. Most mechanical components—including joints, mounts, and structural interfaces—were custom-designed to enable precise distributed deformation. Motion is coordinated through a PC-based control architecture enabling synchronized, phase-shifted oscillations. Parametric modeling and simulation optimized stress distribution and torsional balance.
Diseinu Erronka: The primary challenge was balancing structural stability with expressive flexibility. The spiral required sufficient rigidity to maintain form, yet enough elasticity to allow dynamic deformation. Managing distributed mechanical stress while achieving organic motion demanded extensive iteration. Technological constraints of synchronized actuation and material fatigue also required innovative solutions to preserve both safety and poetic integrity.
Ikerketa: This practice-based design research explores time as a spatial and kinetic phenomenon. Through iterative prototyping combining mechanical engineering and artistic experimentation, parametric modeling, structural simulation, and motion analysis were employed. Audience observation during exhibitions informed the study. The research identified perceptual shifts generated by micro-irregular motion, demonstrating how controlled instability enhances emotional engagement and contributes to contemporary kinetic art and experiential design.
Inspirazioa: Inspired by the mainspring of a mechanical watch, Cadence of the Spiral reconsiders the spiral beyond its functional role. The tightly wound strip of metal appeared as a vessel containing latent energy and rhythm of time itself. When gently lifted, it responded with subtle motion, as if about to begin a heartbeat. The spiral thus emerged not as an object, but as a physical manifestation of invisible time—an embodiment of tension and release within temporal experience.
Proiektuaren Iraupena: The project began in Tokyo in March 2025 and was completed in November 2025. Prototyping and structural validation were conducted in Tokyo. Developed in collaboration with Seiko Watch Corporation to explore the cultural and mechanical heritage of horology, the work was exhibited in Japan and is currently being prepared for international presentation.
Eragiketa Fluxua: The spiral slowly shifts between tension and release. As the supporting arms extend and retract, the form breathes, twists, and reorganizes itself. There is no fixed choreography; instead, subtle variations create moments of alignment and misalignment. Viewers experience a continuous transformation—sometimes synchronized, sometimes slightly off—evoking the sensation of time that never fully repeats yet always returns.
Patenteak: Copyrights belong to Spline Design Hub Inc., 2025.
Taldekideak: Yusuke Kamiyama
Shin Sakamoto
Kaku Murayama
Fumiya Nakano
Irudi Kredituak: IMAGE CREDITS: Daisuke Ohki