Hiroaki Iwasa diseinatzailearen Kouunji Kyakuden Tenpluko Harrera Aretoa

Hiroaki Iwasa diseinatzailearen Kouunji Kyakuden Tenpluko Harrera Aretoa lana 2025 Brontzezko Saria A' Design Award sari ospetsuaren irabazle bikaina da Arkitektura, Eraikin eta Egitura Diseinua Lehiaketa Kategorian.

BrontzeArkitektura· 2025

Kouunji Kyakuden Tenpluko Harrera Aretoa

diseinatzailea: Hiroaki Iwasa

Bezeroa: Hiroaki Iwasa Architects Workshop

Brontzezko Saria A' Design Award Irabazlea Arkitektura Kategorian

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Diseinua

Kouunji Kyakuden Tenpluko Harrera Aretoa Diseinuari Buruz

Proiektua 140 urteko harrera aretoaren berreraikuntza izan zen, Kouunji tenple budistako instalazioetako bat zena. Harrera areto zaharra tokiko komunitateak denbora luzez maite izan zuen; hala ere, urteen poderioz jasandako kalte larriak zirela eta, berreraikuntza behar izan zuen. Arkitektoak arazo hauek eguneratuz eta harmonizatuz konpondu zituen, tokiko komunitatearen memoria hurrengo belaunaldiari transmititzeko sistema batzuk diseinatuz. Ondorioz, harrera areto berriak ez bakarrik nostalgia-sentimendua lortu zuen, baita testuinguru historikoan presentzia ere.

Aintzatespena

Brontzezko Saria A' Design Award Sariari Buruz

Kouunji Kyakuden Tenpluko Harrera Aretoa Brontzezko Saria A' Design Award irabazlea da, sormenak, asmamenak eta zorroztasunak bereizten dituzten diseinu bikainei ematen zaien aitorpen oso prestijiotsua. Brontze-mailako irabazleak trebetasunez beteriko eta nabarmenki sortzaileak diren artefaktuak dira, beren diseinatzaileen esperientzia zabala, irudimena eta ekimena egiaztatzen dutenak. Kouunji Kyakuden Tenpluko Harrera Aretoa oso estimatua, miretsia eta maitea den objektua izatea espero da, nabarmenki profesionala eta berritzailea dena. Brontzezko Saria A' Design Award irabazi duen diseinu honek artearen, zientziaren, diseinuaren eta teknologiaren praktika onenak biltzen ditu eta xehetasunei ematen dien arretagatik bikaina da. Kouunji Kyakuden Tenpluko Harrera Aretoa beharrak bikain asetzen dituen, desirak ukitzen dituen, sentimenduak xarmatzen dituen eta jakin-mina erakartzen duen lana da.

Diseinuaren Atzean

Prentsa-kita

Diseinatzaileak emandako kredituak, taldekideak eta xehetasun teknikoak.

Propietate Bereziak: This project was the reconstruction of the reception hall of a Buddhist temple passed 140 years. The old reception hall had been loved by the local community for long time, but it was beyond the scope of repair. Therefore architect took on various creative challenges. He aimed to solve these issues by updating it to modern functions, harmonizing it with other facilities, and devising some mechanisms to pass on the memory of local society to the next generation. As a result, this architecture was able to achieve not a sense of nostalgia but also a presence for the future.
Neurriak eta Ontziratzea: Specification,
Scale/ Wooden two-story building,
Structure/ Timber frame structure,
Site Area/ 3039.15 Square meter,
Building Area/ 277.26 Square meter,
Total Floor Area/ 323.77 Square meter,
Etiketak: temple, reception hall, reused, minimal philosophy, local landscape, passing on the memories, historical context, local community
Produkzio Teknologia: This project had a clear floor plan with each function directly connected around the entrance hall, but there were many difficult construction tasks in some places. Ground reinforcement and strong foundation construction for soft ground, woodwork including special joints to structurally reuse old materials, fabrication of delicate and movable cedar lattices, and the revival of forgotten traditional natural paints "Kumezo". This project was realized through thoughtful design and exceptional craftsmanship.
Diseinu Erronka: Various choices and challenges were made to pass on the memory of the local community. By choosing a common wooden house construction method rather than the traditional temple construction method, they were able to shorten the construction period, reduce construction costs, and as the result have time to repair and reuse old materials. The exterior has a roof shape unique to the region, and the walls and window lattices are finished with local cedar wood and with a revived traditional natural paint "Kumezo". As a result, this architecture achieved a special harmony and presence.
Ikerketa: Type of Research: About the relationship between Kouunji and the local area.
Methodology: History, landscape and topography research, annual event research, monk behavior research, and interviews with local residents,
Conclusion: Kouunji is the core of the local community that people have visited since childhood for events and daily life. The architect concluded that in addition to modernizing the function of the ceremony hall and harmonizing it with other facilities, it was essential to create a mechanism to pass on the memory of the local community to the next generation.
Inspirazioa: Researching the old reception hall and the landscape and history of the area provided architect with important inspiration. In particular, the old reception hall was tilted due to the soft ground, but it was discovered that some of the main structures, such as beams and columns, were valuable materials that are currently unavailable, and could be reused if repaired. And new architecture was important not only for its shape in the landscape, but also for its presence within the historical context.
Proiektuaren Iraupena: The project started in February 2002 and was completed in November 2004 in Tsukubamirai City, Ibaraki Prefecture.
Eragiketa Fluxua: Kouunji is an essential presence for the region.
Because the parishioners of Kouunji are local residents and their relatives, and annual events and celebrations and condolences are mainly held for the parishioners. The reception hall, located to the side of the main hall, functions in conjunction with the main hall during events, and is used for religious ceremonies, waiting areas, dinners using the kitchen function, and a meeting place. It also functions as an emergency temporary evacuation center in the event of a disaster. There is also a temple office that oversees them.
Irudi Kredituak: Photographer Kozo Takayama